Svetlana Alexievich

This is not a book about Chernobyl, but about the world it has left us. Alexievich spent three years interviewing dozens of survivors, victims and witnesses. This is their testimony, their voices, and they are unforgettable.'

From 1979 to 1989 a million Soviet troops engaged in a devastating war in Afghanistan that claimed 50,000 casualties - and the youth and humanity of many tens of thousands more. In Zinky Boys journalist Svetlana Alexievich gives voice to the tragic history of the Afghanistan War. What emerges is a story that is shocking in its brutality and revelatory in its similarities to the American experience in Vietnam - a resemblance that Larry Heinemann describes movingly in his introduction to the book, providing American readers with an often uncomfortably intimate connection to a war that may have seemed very remote to us. The Soviet dead were shipped back in sealed zinc coffins (hence the term "Zinky Boys"), while the state denied the very existence of the conflict; even today the radically altered Soviet society continues to reject the memory of the "Soviet Vietnam". Creating controversy and outrage when it was first published in the USSR - it was called by reviewers there a "slanderous piece of fantasy" and part of a "hysterical chorus of malign attacks" - Zinky Boys presents the candid and affecting testimony of the officers and grunts, nurses and prostitutes, mothers, sons, and daughters who describe the war and its lasting effects. Svetlana Alexievich has snatched from the memory hole the truth of the Afghanistan War: the beauty of the country and the savage Army bullying, the killing and the mutilation, the profusion of Western goods, the shame and shattered lives of returned veterans. Zinky Boys offers a unique, harrowing, and unforgettably powerful insight into the realities of war and the turbulence of Soviet life today.

Consecuencias sobre las personas que les tocó vivir una nueva realidad que todavía existe pero que aún no se ha comprendido. Aquellos que sufrieron Chernóbil son los supervivientes de una Tercera Guerra Mundial nuclear. Según Alexievich, en este mundo hostil ?todo parece completamente normal, el mal se esconde bajo una nueva máscara, y uno no es capaz de verlo, oírlo, tocarlo, ni olerlo. Cualquier cosa puede matarte... el agua, la tierra, una manzana, la lluvia. Nuestro diccionario está obsoleto. Todavía no existen palabras, ni sentimientos, para describir esto?. Voces de Chernóbil recibió en marzo de 2006 el premio del Círculo de Críticos de Estados Unidos en reconocimiento a la fuerza narrativa de Alexievich y a la importancia de las historias que cuenta. Esta edición en castellano incluye además testimonios inéditos hasta la fecha, incorporados por la autora a la que es la última versión de la obra elaborada por ella con motivo del XX aniversario de la catástrofe

«У войны́ не же́нское лицо́» — документально-очерковая книга белорусской писательницы, лауреата Нобелевской премии по литературе 2015 года Светланы Алексиевич. В этой книге собраны рассказы женщин, участвовавших в Великой Отечественной войне.

"From the 2015 winner of the Nobel Prize in Literature, Svetlana Alexievich, comes the first English translation of her latest work, an oral history of the disintegration of the Soviet Union and the emergence of a new Russia. Bringing together dozens of voices in her distinctive documentary style, Secondhand Time is a monument to the collapse of the USSR, charting the decline of Soviet culture and speculating on what will rise from the ashes of communism. As in all her books, Alexievich gives voice to women and men whose stories are lost in the official narratives of nation-states, creating a powerful alternative history from the personal and private stories of individuals"-- "Bringing together dozens of voices in her distinctive style of oral history, Secondhand Time is a monument to the collapse of the USSR, charting the decline of Soviet culture and speculating on what will rise from the ashes of Communism. As in all her books, Alexievich gives voice to women and men whose stories are lost in the official narratives of nation-states, creating a powerful alternative history from the personal and private stories of individuals. When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize in Literature, they praised her 'polyphonic writings, a monument to suffering and courage in our time,' and cited her for inventing 'a new kind of literary genre.' Sara Danius, the permanent secretary of the Swedish Academy, added that her work comprises 'a history of emotions--a history of the soul'"--