画家

Bartholomeus Spranger

1546 - 1611

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他的传记在维基百科上提供 24 种语言版本(较 2024 年的 23 种增加)。Bartholomeus Spranger在最受欢迎的画家中排名第418位(较 2024 年的第392位下降),在比利时人物传记中排名第153位(较 2019 年的第136位下降),并在最受欢迎的比利时画家中排名第25位。

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Among 画家

Among 画家, Bartholomeus Spranger ranks 418 out of 2,023Before him are Michael Wolgemut, Federico Zuccari, Robert Rauschenberg, Rachel Ruysch, Giuseppe Castiglione, and Adam Elsheimer. After him are Fede Galizia, Salaì, Albert Anker, Lyonel Feininger, Sophie Taeuber-Arp, and Eva Gonzalès.

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Contemporaries

Among people born in 1546, Bartholomeus Spranger ranks 5Before him are Murad III, Tycho Brahe, Joachim Frederick, Elector of Brandenburg, and Dorothea of Denmark, Duchess of Brunswick-Lüneburg. After him are Veronica Franco, Takeda Katsuyori, Heo Jun, Charlotte of Bourbon, Johann Fischart, and Thomas Digges. Among people deceased in 1611, Bartholomeus Spranger ranks 7Before him are Charles IX of Sweden, Tomás Luis de Victoria, Margaret of Austria, Queen of Spain, Henry Hudson, Eleanor de' Medici, and Katō Kiyomasa. After him are Charles, Duke of Mayenne, Antonio Possevino, Christian II, Elector of Saxony, Sanada Masayuki, Jan Huyghen van Linschoten, and Kuyucu Murad Pasha.

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In 比利时

Among people born in 比利时, Bartholomeus Spranger ranks 153 out of NaNBefore him are Victor D'Hondt (1841), Louis II, Count of Flanders (1330), Ermengarde of Hesbaye (778), Louise Françoise de Bourbon, Duchess of Bourbon (1673), Pierre De Geyter (1848), and Henry I, Duke of Brabant (1165). After him are Yves Leterme (1960), Cipriano de Rore (1515), Henri Michaux (1899), Pierre-Joseph Redouté (1759), Prince Charles, Count of Flanders (1903), and Marc Dutroux (1956).

Among 画家 In 比利时

Among 画家 born in 比利时, Bartholomeus Spranger ranks 25Before him are Pieter Coecke van Aelst (1502), Félicien Rops (1833), Adriaen Brouwer (1605), Frans Snyders (1579), Catharina van Hemessen (1528), and David Teniers the Younger (1610). After him are Pierre-Joseph Redouté (1759), Jan Matsys (1509), Abraham Brueghel (1631), Maerten de Vos (1532), Fernand Khnopff (1858), and Constantin Meunier (1831).

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