The Most Famous

WRITERS from Greece

This page contains a list of the greatest Greek Writers. The pantheon dataset contains 7,302 Writers, 87 of which were born in Greece. This makes Greece the birth place of the 15th most number of Writers behind Ukraine, and Sweden.

Top 10

The following people are considered by Pantheon to be the top 10 most legendary Greek Writers of all time. This list of famous Greek Writers is sorted by HPI (Historical Popularity Index), a metric that aggregates information on a biography’s online popularity. Visit the rankings page to view the entire list of Greek Writers.

1. Homer (-800 - -750)

With an HPI of 89.85, Homer is the most famous Greek Writer. His biography has been translated into 187 different languages on wikipedia.

Homer (; Ancient Greek: Ὅμηρος [hómɛːros], Hómēros; born c. 8th century BC) was a Greek poet who is credited as the author of the Iliad and the Odyssey, two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the most revered and influential authors in history. Homer's Iliad centers on a quarrel between King Agamemnon and the warrior Achilles during the last year of the Trojan War. The Odyssey chronicles the ten-year journey of Odysseus, king of Ithaca, back to his home after the fall of Troy. The poems are in Homeric Greek, also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems were originally transmitted orally. Despite being predominantly known for its tragic and serious themes, the Homeric poems also contain instances of comedy and laughter. Homer's epic poems shaped aspects of ancient Greek culture and education, fostering ideals of heroism, glory, and honor. To Plato, Homer was simply the one who "has taught Greece" (τὴν Ἑλλάδα πεπαίδευκεν, tēn Helláda pepaídeuken). In Dante Alighieri's Divine Comedy, Virgil refers to Homer as "Poet sovereign", king of all poets; in the preface to his translation of the Iliad, Alexander Pope acknowledges that Homer has always been considered the "greatest of poets". From antiquity to the present day, Homeric epics have inspired many famous works of literature, music, art, and film. The question of by whom, when, where and under what circumstances the Iliad and Odyssey were composed continues to be debated. Scholars remain divided as to whether the two works are the product of a single author. It is thought that the poems were composed at some point around the late eighth or early seventh century BC. Many accounts of Homer's life circulated in classical antiquity; the most widespread account was that he was a blind bard from Ionia, a region of central coastal Anatolia in present-day Turkey. Modern scholars consider these accounts legendary.

2. Sophocles (-497 - -406)

With an HPI of 86.01, Sophocles is the 2nd most famous Greek Writer. His biography has been translated into 143 different languages.

Sophocles (c. 497/496 – winter 406/405 BC) was an ancient Greek tragedian, known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes, and Oedipus at Colonus. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles feature Oedipus and Antigone: they are generally known as the Theban plays, though each was part of a different tetralogy (the other members of which are now lost). Sophocles influenced the development of drama, most importantly by adding a third actor (attributed to Sophocles by Aristotle; to Aeschylus by Themistius), thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights.

3. Euripides (-480 - -406)

With an HPI of 80.63, Euripides is the 3rd most famous Greek Writer. His biography has been translated into 94 different languages.

Euripides (c. 480 – c. 406 BC) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (Rhesus is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. He also became "the most tragic of poets", focusing on the inner lives and motives of his characters in a way previously unknown. He was "the creator of ... that cage which is the theatre of Shakespeare's Othello, Racine's Phèdre, of Ibsen and Strindberg," in which "imprisoned men and women destroy each other by the intensity of their loves and hates". But he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw. His contemporaries associated him with Socrates as a leader of a decadent intellectualism. Both were frequently lampooned by comic poets such as Aristophanes. Socrates was eventually put on trial and executed as a corrupting influence. Ancient biographies hold that Euripides chose a voluntary exile in old age, dying in Macedonia, but recent scholarship casts doubt on these sources.

4. Aristophanes (-448 - -386)

With an HPI of 80.55, Aristophanes is the 4th most famous Greek Writer. His biography has been translated into 96 different languages.

Aristophanes (; Ancient Greek: Ἀριστοφάνης, pronounced [aristopʰánɛːs]; c. 446 – c. 386 BC) was an Ancient Greek comic playwright from Athens and a poet of Old Attic Comedy. He wrote in total forty plays, of which eleven survive virtually complete today. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries; Plato singled out Aristophanes' play The Clouds as slander that contributed to the trial and subsequent condemning to death of Socrates, although other satirical playwrights had also caricatured the philosopher. Aristophanes' second play, The Babylonians (now lost), was denounced by Cleon as a slander against the Athenian polis. It is possible that the case was argued in court, but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially The Knights, the first of many plays that he directed himself. "In my opinion," he says through that play's Chorus, "the author-director of comedies has the hardest job of all."

5. Aeschylus (-525 - -456)

With an HPI of 80.40, Aeschylus is the 5th most famous Greek Writer. His biography has been translated into 99 different languages.

Aeschylus (UK: , US: ; Greek: Αἰσχύλος Aiskhýlos; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus. Only seven of Aeschylus's estimated 70 to 90 plays have survived. There is a long-standing debate regarding the authorship of one of them, Prometheus Bound, with some scholars arguing that it may be the work of his son Euphorion. Fragments from other plays have survived in quotations, and more continue to be discovered on Egyptian papyri. These fragments often give further insights into Aeschylus' work. He was likely the first dramatist to present plays as a trilogy. His Oresteia is the only extant ancient example. At least one of his plays was influenced by the Persians' second invasion of Greece (480–479 BC). This work, The Persians, is one of very few classical Greek tragedies concerned with contemporary events, and the only one extant. The significance of the war with Persia was so great to Aeschylus and the Greeks that his epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright.

6. Sappho (-630 - -570)

With an HPI of 80.12, Sappho is the 6th most famous Greek Writer. Her biography has been translated into 108 different languages.

Sappho (; Greek: Σαπφώ Sapphṓ [sap.pʰɔ̌ː]; Aeolic Greek Ψάπφω Psápphō; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style. Little is known of Sappho's life. She was from a wealthy family from Lesbos, though her parents' names are uncertain. Ancient sources say that she had three brothers: Charaxos, Larichos and Eurygios. Two of them, Charaxos and Larichos, are mentioned in the Brothers Poem discovered in 2014. She was exiled to Sicily around 600 BC, and may have continued to work until around 570 BC. According to legend, she killed herself by leaping from the Leucadian cliffs due to her unrequited love for the ferryman Phaon. Sappho was a prolific poet, probably composing around 10,000 lines. She was best-known in antiquity for her love poetry; other themes in the surviving fragments of her work include family and religion. She probably wrote poetry for both individual and choral performance. Most of her best-known and best-preserved fragments explore personal emotions and were probably composed for solo performance. Her works are known for their clarity of language, vivid images, and immediacy. The context in which she composed her poems has long been the subject of scholarly debate; the most influential suggestions have been that she had some sort of educational or religious role, or wrote for the symposium. Sappho's poetry was well-known and greatly admired through much of antiquity, and she was among the canon of Nine Lyric Poets most highly esteemed by scholars of Hellenistic Alexandria. Sappho's poetry is still considered extraordinary and her works continue to influence other writers. Beyond her poetry, she is well known as a symbol of love and desire between women, with the English words sapphic and lesbian deriving from her name and that of her home island, respectively.

7. Menander (-342 - -291)

With an HPI of 73.73, Menander is the 7th most famous Greek Writer. His biography has been translated into 69 different languages.

Menander (; Greek: Μένανδρος Menandros; c. 342/41 – c. 290 BC) was a Greek dramatist and the best-known representative of Athenian New Comedy. He wrote 108 comedies and took the prize at the Lenaia festival eight times. His record at the City Dionysia is unknown. He was one of the most popular writers and most highly admired poets in antiquity, but his work was considered lost before the early Middle Ages. It now survives only in Latin-language adaptations by Terence and Plautus and, in the original Greek, in highly fragmentary form, most of which were discovered on papyrus in Egyptian tombs during the early to mid-20th-century. In the 1950s, to the great excitement of Classicists, it was announced that a single play by Menander, Dyskolos, had finally been rediscovered in the Bodmer Papyri intact enough to be performed.

8. Pindar (-517 - -437)

With an HPI of 73.62, Pindar is the 8th most famous Greek Writer. His biography has been translated into 67 different languages.

Pindar (; Greek: Πίνδαρος Pindaros [píndaros]; Latin: Pindarus; c. 518 BC – c. 438 BC) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public. Pindar was the first Greek poet to reflect on the nature of poetry and on the poet's role. His poetry illustrates the beliefs and values of Archaic Greece at the dawn of the Classical period. Like other poets of the Archaic Age, he has a profound sense of the vicissitudes of life, but he also articulates a passionate faith in what men can achieve by the grace of the gods, most famously expressed in the conclusion to one of his Victory Odes:

9. Nikos Kazantzakis (1883 - 1957)

With an HPI of 71.51, Nikos Kazantzakis is the 9th most famous Greek Writer. His biography has been translated into 59 different languages.

Nikos Kazantzakis (Greek: Νίκος Καζαντζάκης [ˈnikos kazanˈd͡zacis]; 2 March (OS 18 February) 1883 – 26 October 1957) was a Greek writer, journalist, politician, poet and philosopher. Widely considered a giant of modern Greek literature, he was nominated for the Nobel Prize in Literature in nine different years, and remains the most translated Greek author worldwide. Kazantzakis's novels included Zorba the Greek (published in 1946 as Life and Times of Alexis Zorbas), Christ Recrucified (1948), Captain Michalis (1950, translated Freedom or Death), and The Last Temptation of Christ (1955). He also wrote plays, travel books, memoirs, and philosophical essays, such as The Saviors of God: Spiritual Exercises. His fame spread in the English-speaking world due to cinematic adaptations of Zorba the Greek (1964) and The Last Temptation of Christ (1988). He also translated a number of notable works into Modern Greek, such as the Divine Comedy, Thus Spoke Zarathustra, On the Origin of Species, and Homer's Iliad and Odyssey.

10. Alcaeus of Mytilene (-620 - -560)

With an HPI of 70.77, Alcaeus of Mytilene is the 10th most famous Greek Writer. His biography has been translated into 46 different languages.

Alcaeus of Mytilene (; Ancient Greek: Ἀλκαῖος ὁ Μυτιληναῖος, Alkaios ho Mutilēnaios; c. 625/620 – c. 580 BC) was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza. He was included in the canonical list of nine lyric poets by the scholars of Hellenistic Alexandria. He was a contemporary of Sappho, with whom he may have exchanged poems. He was born into the aristocratic governing class of Mytilene, the main city of Lesbos, where he was involved in political disputes and feuds. The broad outlines of the poet's life are well known. He was born into the aristocratic, warrior class that dominated Mytilene, the strongest city-state on the island of Lesbos and, by the end of the seventh century BC, the most influential of all the North Aegean Greek cities, with a strong navy and colonies securing its trade-routes in the Hellespont. The city had long been ruled by kings born to the Penthilid clan but, during the poet's life, the Penthilids were a spent force and rival aristocrats and their factions contended with each other for supreme power. Alcaeus and his older brothers were passionately involved in the struggle but experienced little success. Their political adventures can be understood in terms of three tyrants who came and went in succession: Melanchrus – he was overthrown sometime between 612 BC and 609 BC by a faction that, in addition to the brothers of Alcaeus, included Pittacus (later renowned as one of the Seven Sages of Greece); Alcaeus at that time was too young to be actively involved; Myrsilus – it is not known when he came to power but some verses by Alcaeus (frag. 129) indicate that the poet, his brothers and Pittacus made plans to overthrow him and that Pittacus subsequently betrayed them; Alcaeus and his brothers fled into exile where the poet later wrote a drinking song in celebration of the news of the tyrant's death (frag. 332); Pittacus – the dominant political figure of his time, he was voted supreme power by the political assembly of Mytilene and appears to have governed well (590-580 BC), even allowing Alcaeus and his faction to return home in peace. Sometime before 600 BC, Mytilene fought Athens for control of Sigeion and Alcaeus was old enough to participate in the fighting. According to the historian Herodotus, the poet threw away his shield to make good his escape from the victorious Athenians then celebrated the occasion in a poem that he later sent to his friend, Melanippus. It is thought that Alcaeus travelled widely during his years in exile, including at least one visit to Egypt. His older brother, Antimenidas, appears to have served as a mercenary in the army of Nebuchadnezzar II and probably took part in the conquest of Askelon. Alcaeus wrote verses in celebration of Antimenides' return, including mention of his valour in slaying the larger opponent (frag. 350), and he proudly describes the military hardware that adorned their family home (frag. 357). Alcaeus was in some respects not unlike a Royalist soldier of the age of the Stuarts. He had the high spirit and reckless gaiety, the love of country bound up with belief in a caste, the licence tempered by generosity and sometimes by tenderness, of a cavalier who has seen good and evil days. — Richard Claverhouse Jebb Alcaeus was a contemporary and a countryman of Sappho and, since both poets composed for the entertainment of Mytilenean friends, they had many opportunities to associate with each other on a quite regular basis, such as at the Kallisteia, an annual festival celebrating the island's federation under Mytilene, held at the 'Messon' (referred to as temenos in frs. 129 and 130), where Sappho performed publicly with female choirs. Alcaeus' reference to Sappho in terms more typical of a divinity, as holy/pure, honey-smiling Sappho (fr. 384), may owe its inspiration to her performances at the festival. The Lesbian or Aeolic school of poetry "reached in the songs of Sappho and Alcaeus that high point of brilliancy to which it never after-wards approached" and it was assumed by later Greek critics and during the early centuries of the Christian era that the two poets were in fact lovers, a theme which became a favourite subject in art (as in the urn pictured above). The poetic works of Alcaeus were collected into ten books, with elaborate commentaries, by the Alexandrian scholars Aristophanes of Byzantium and Aristarchus of Samothrace sometime in the 3rd century BC, and yet his verses today exist only in fragmentary form, varying in size from mere phrases, such as wine, window into a man (fr. 333) to entire groups of verses and stanzas, such as those quoted below (fr. 346). Alexandrian scholars numbered him in their canonic nine (one lyric poet per Muse). Among these, Pindar was held by many ancient critics to be pre-eminent, but some gave precedence to Alcaeus instead. The canonic nine are traditionally divided into two groups, with Alcaeus, Sappho and Anacreon, being 'monodists' or 'solo-singers', with the following characteristics: They composed and performed personally for friends and associates on topics of immediate interest to them; They wrote in their native dialects (Alcaeus and Sappho in Aeolic dialect, Anacreon in Ionic); They preferred quite short, metrically simple stanzas or 'strophes' which they re-used in many poems – hence the 'Alcaic' and 'Sapphic' stanzas, named after the two poets who perfected them or possibly invented them. The other six of the canonic nine composed verses for public occasions, performed by choruses and professional singers and typically featuring complex metrical arrangements that were never reproduced in other verses. However, this division into two groups is considered by some modern scholars to be too simplistic and often it is practically impossible to know whether a lyric composition was sung or recited, or whether or not it was accompanied by musical instruments and dance. Even the private reflections of Alcaeus, ostensibly sung at dinner parties, still retain a public function. Critics often seek to understand Alcaeus in comparison with Sappho: If we compare the two, we find that Alcaeus is versatile, Sappho narrow in her range; that his verse is less polished and less melodious than hers; and that the emotions which he chooses to display are less intense. The Aeolian song is suddenly revealed, as a mature work of art, in the spirited stanzas of Alcaeus. It is raised to a supreme excellence by his younger contemporary, Sappho, whose melody is unsurpassed, perhaps unequalled, among all the relics of Greek verse. In the variety of his subjects, in the exquisite rhythm of his meters, and in the faultless perfection of his style, all of which appear even in mutilated fragments, he excels all the poets, even his more intense, more delicate and more truly inspired contemporary Sappho. The Roman poet, Horace, also compared the two, describing Alcaeus as "more full-throatedly singing" – see Horace's tribute below. Alcaeus himself seems to underscore the difference between his own 'down-to-earth' style and Sappho's more 'celestial' qualities when he describes her almost as a goddess (as cited above), and yet it has been argued that both poets were concerned with a balance between the divine and the profane, each emphasising different elements in that balance. Dionysius of Halicarnassus exhorts us to "Observe in Alcaeus the sublimity, brevity and sweetness coupled with stern power, his splendid figures, and his clearness which was unimpaired by the dialect; and above all mark his manner of expressing his sentiments on public affairs", while Quintilian, after commending Alcaeus for his excellence "in that part of his works where he inveighs against tyrants and contributes to good morals; in his language he is concise, exalted, careful and often like an orator"; goes on to add: "but he descended into wantonness and amours, though better fitted for higher things". The works of Alcaeus are conventionally grouped according to five genres. Political songs: Alcaeus often composed on a political theme, covering the power struggles on Lesbos with the passion and vigour of a partisan, cursing his opponents, rejoicing in their deaths, delivering blood-curdling homilies on the consequences of political inaction and exhorting his comrades to heroic defiance, as in one of his 'ship of state' allegories. Commenting on Alcaeus as a political poet, the scholar Dionysius of Halicarnassus once observed that "if you removed the meter you would find political rhetoric". Drinking songs: According to the grammarian Athenaeus, Alcaeus made every occasion an excuse for drinking and he has provided posterity several quotes in proof of it. Alcaeus exhorts his friends to drink in celebration of a tyrant's death, to drink away their sorrows, to drink because life is short and along the lines in vino veritas, to drink through winter storms and to drink through the heat of summer. The latter poem in fact paraphrases verses from Hesiod, re-casting them in Asclepiad meter and Aeolian dialect. Hymns: Alcaeus sang about the gods in the spirit of the Homeric hymns, to entertain his companions rather than to glorify the gods and in the same meters that he used for his 'secular' lyrics. There are for example fragments in 'Sapphic' meter praising the Dioscuri, Hermes and the river Hebrus (a river significant in Lesbian mythology since it was down its waters that the head of Orpheus was believed to have floated singing, eventually crossing the sea to Lesbos and ending up in a temple of Apollo, as a symbol of Lesbian supremacy in song). According to Porphyrion, the hymn to Hermes was imitated by Horace in one of his own 'sapphic' odes (C.1.10: Mercuri, facunde nepos Atlantis). Love songs: Almost all Alcaeus' amorous verses, mentioned with disapproval by Quintilian above, have vanished without trace. There is a brief reference to his love poetry in a passage by Cicero. Horace, who often wrote in imitation of Alcaeus, sketches in verse one of the Lesbian poet's favourite subjects – Lycus of the black hair and eyes (C.1.32.11–12: nigris oculis nigroque/crine decorum). It is possible that Alcaeus wrote amorously about Sappho, as indicated in an earlier quote. Miscellaneous: Alcaeus wrote on such a wide variety of subjects and themes that contradictions in his character emerge. The grammarian Athenaeus quoted some verses about perfumed ointments to prove just how unwarlike Alcaeus could be and he quoted his description of the armour adorning the walls of his house as proof that he could be unusually warlike for a lyric poet. Other examples of his readiness for both warlike and unwarlike subjects are lyrics celebrating his brother's heroic exploits as a Babylonian mercenary and lyrics sung in a rare meter (Sapphic Ionic in minore) in the voice of a distressed girl, "Wretched me, who share in all ills!" – possibly imitated by Horace in an ode in the same meter (C.3.12: Miserarum est neque amori dare ludum neque dulci). He also wrote Sapphic stanzas on Homeric themes but in un-Homeric style, comparing Helen of Troy unfavourably with Thetis, the mother of Achilles. The following verses demonstrate some key characteristics of the Alcaic style (square brackets indicate uncertainties in the ancient text): The Greek meter here is relatively simple, comprising the Greater Asclepiad, adroitly used to convey, for example, the rhythm of jostling cups (ἀ δ' ἀτέρα τὰν ἀτέραν). The language of the poem is typically direct and concise and comprises short sentences — the first line is in fact a model of condensed meaning, comprising an exhortation ("Let's drink!"), a rhetorical question ("Why are we waiting for the lamps?") and a justifying statement ("Only an inch of daylight left"). The meaning is clear and uncomplicated, the subject is drawn from personal experience, and there is an absence of poetic ornament, such as simile or metaphor. Like many of his poems (e.g., frs. 38, 326, 338, 347, 350), it begins with a verb (in this case "Let's drink!") and it includes a proverbial expression ("Only an inch of daylight left") though it is possible that he coined it himself. Alcaeus rarely used metaphor or simile and yet he had a fondness for the allegory of the storm-tossed ship of state. The following fragment of a hymn to Castor and Polydeuces (the Dioscuri) is possibly another example of this though some scholars interpret it instead as a prayer for a safe voyage. The poem was written in Sapphic stanzas, a verse form popularly associated with his compatriot, Sappho, but in which he too excelled, here paraphrased in English to suggest the same rhythms. There were probably another three stanzas in the original poem but only nine letters of them remain. The 'far-away light' (Πήλοθεν λάμπροι) is a reference to St. Elmo's Fire, an electrical discharge supposed by ancient Greek mariners to be an epiphany of the Dioscuri, but the meaning of the line was obscured by gaps in the papyrus until reconstructed by a modern scholar; such reconstructions are typical of the extant poetry (see Scholars, fragments and sources below). This poem does not begin with a verb but with an adverb (Δευτέ) but still communicates a sense of action. He probably performed his verses at drinking parties for friends and political allies – men for whom loyalty was essential, particularly in such troubled times. The Roman poet Horace modelled his own lyrical compositions on those of Alcaeus, rendering the Lesbian poet's verse-forms, including 'Alcaic' and 'Sapphic' stanzas, into concise Latin – an achievement he celebrates in his third book of odes. In his second book, in an ode composed in Alcaic stanzas on the subject of an almost fatal accident he had on his farm, he imagines meeting Alcaeus and Sappho in Hades: Ovid compared Alcaeus to Sappho in Letters of the Heroines, where Sappho is imagined to speak as follows: The story of Alcaeus is partly the story of the scholars who rescued his work from oblivion. His verses have not come down to us through a manuscript tradition – generations of scribes copying an author's collected works, such as delivered intact into the modern age four entire books of Pindar's odes – but haphazardly, in quotes from ancient scholars and commentators whose own works have chanced to survive, and in the tattered remnants of papyri uncovered from an ancient rubbish pile at Oxyrhynchus and other locations in Egypt: sources that modern scholars have studied and correlated exhaustively, adding little by little to the world's store of poetic fragments. Ancient scholars quoted Alcaeus in support of various arguments. Thus for example Heraclitus "The Allegorist" quoted fr. 326 and part of fr. 6, about ships in a storm, in his study on Homer's use of allegory. The hymn to Hermes, fr308(b), was quoted by Hephaestion and both he and Libanius, the rhetorician, quoted the first two lines of fr. 350, celebrating the return from Babylon of Alcaeus' brother. The rest of fr. 350 was paraphrased in prose by the historian/geographer Strabo. Many fragments were supplied in quotes by Athenaeus, principally on the subject of wine-drinking, but fr. 333, "wine, window into a man", was quoted much later by the Byzantine grammarian, John Tzetzes. The first 'modern' publication of Alcaeus' verses appeared in a Greek and Latin edition of fragments collected from the canonic nine lyrical poets by Michael Neander, published at Basle in 1556. This was followed by another edition of the nine poets, collected by Henricus Stephanus and published in Paris in 1560. Fulvius Ursinus compiled a fuller collection of Alcaic fragments, including a commentary, which was published at Antwerp in 1568. The first separate edition of Alcaeus was by Christian David Jani and it was published at Halle in 1780. The next separate edition was by August Matthiae, Leipzig 1827. Some of the fragments quoted by ancient scholars were able to be integrated by scholars in the nineteenth century. Thus for example two separate quotes by Athenaeus were united by Theodor Bergk to form fr. 362. Three separate sources were combined to form fr. 350, as mentioned above, including a prose paraphrase from Strabo that first needed to be restored to its original meter, a synthesis achieved by the united efforts of Otto Hoffmann, Karl Otfried Müller and Franz Heinrich Ludolf Ahrens. The discovery of the Oxyrhynchus papyri towards the end of the nineteenth century dramatically increased the scope of scholarly research. In fact, eight important fragments have now been compiled from papyri – frs. 9, 38A, 42, 45, 34, 129, 130 and most recently S262. These fragments typically feature lacunae or gaps that scholars fill with 'educated guesses', including for example a "brilliant supplement" by Maurice Bowra in fr. 34, a hymn to the Dioscuri that includes a description of St. Elmo's fire in the ship's rigging. Working with only eight letters (πρό...τρ...ντες; tr. pró...tr...ntes), Bowra conjured up a phrase that develops the meaning and the euphony of the poem (πρότον' ὀντρέχοντες; tr. próton' ontréchontes), describing luminescence "running along the forestays". Sappho et Alcaeus. Fragmenta. Eva-Maria Voigt (ed.). Polak and van Gennep, Amsterdam, 1971. Greek Lyric Poetry. D.A. Campbell (ed.). Bristol Classical Press, London, 1982. ISBN 978-0-86292-008-1 Greek Lyric 1: Sappho and Alcaeus. D. A. Campbell (ed.). Harvard University Press, Cambridge, Mass., 1982. ISBN 978-0-674-99157-6 Alcée. Fragments. Gauthier Liberman (ed.). Collection Budé, Paris, 1999. ISBN 978-2-251-00476-1 Sappho and the Greek Lyric Poets. Translated by Willis Barnstone. Schoken Books Inc., New York, 1988. ISBN 978-0-8052-0831-3 Works by or about Alcaeus at Internet Archive Works by Alcaeus at LibriVox (public domain audiobooks) Poems by Alcaeus – English translations A. M. Miller, Greek Lyric: – Alcaeus, many fragments Alcaeus Bilingual Anthology (in Greek and English, side by side)

People

Pantheon has 94 people classified as Greek writers born between 800 BC and 1966. Of these 94, 2 (2.13%) of them are still alive today. The most famous living Greek writers include Theodor Kallifatides, and Dimitris Lyacos. The most famous deceased Greek writers include Homer, Sophocles, and Euripides. As of April 2024, 7 new Greek writers have been added to Pantheon including Vassilis Vassilikos, Rhianus, and Solomon Alkabetz.