Comiczeichner

Jean-Jacques Sempé

1932 - 2022

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Seine Biografie ist in 29 verschiedenen Sprachen auf Wikipedia verfügbar. Jean-Jacques Sempé ist der 19th beliebteste Comiczeichner (gesunken vom 18th im Jahr 2024), die 1,310th beliebteste Biografie aus Frankreich (gesunken vom 1,232nd im Jahr 2019) und der 4th beliebteste aus Frankreich Comiczeichner.

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Among Comiczeichners

Among comiczeichners, Jean-Jacques Sempé ranks 19 out of 226Before him are Peyo, Zdeněk Miler, Jean Giraud, Jack Kirby, Matt Groening, and Rumiko Takahashi. After him are Bob Kane, Tsugumi Ohba, André Franquin, Go Nagai, Leiji Matsumoto, and Joe Simon.

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Contemporaries

Among people born in 1932, Jean-Jacques Sempé ranks 86Before him are Tony Brooks, Rainer Weiss, Gyula Horn, Harriet Andersson, Francis Arinze, and Dudley R. Herschbach. After him are Khalifa bin Hamad Al Thani, Lalo Schifrin, K. C. Jones, Gerald Carr, Muhammad Khan Junejo, and David Scott. Among people deceased in 2022, Jean-Jacques Sempé ranks 75Before him are Mehran Karimi Nasseri, Ichirou Mizuki, Tony Brooks, Frank Drake, Edward C. Prescott, and Ivan Reitman. After him are James Lovelock, Hans Magnus Enzensberger, Siniša Mihajlović, Ricardo Bofill, Bernard Cribbins, and Fred Ward.

Others Born in 1932

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In Frankreich

Among people born in Frankreich, Jean-Jacques Sempé ranks 1,310 out of NaNBefore him are Armand David (1826), Alain-Fournier (1886), Henri Désiré Landru (1869), Maurice Thorez (1900), Adela of France (1009), and Raymond VII, Count of Toulouse (1197). After him are Jean-François Marmontel (1723), Emmanuelle Charpentier (1968), Eva Gonzalès (1849), Honoré IV, Prince of Monaco (1758), Alain de Lille (1117), and Jean-Marie Villot (1905).

Among Comiczeichners In Frankreich

Among comiczeichners born in Frankreich, Jean-Jacques Sempé ranks 4Before him are René Goscinny (1926), Albert Uderzo (1927), and Jean Giraud (1938). After him are Cabu (1938), Philippe Honoré (1941), Émile Cohl (1857), Jacques Tardi (1946), Tignous (1957), Jean-Claude Mézières (1938), Jacques Martin (1921), and Claire Bretécher (1940).

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