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Jean-Pierre Marielle

1932 - 2019

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سيرته الذاتية متاحة بـ23 لغة مختلفة على ويكيبيديا (زيادة من 22 في 2024). يحتل Jean-Pierre Marielle المرتبة 2,141 بين أكثر ممثل شعبيةً (تراجعًا من 2,102 في 2024)، والمرتبة 2,868 بين أكثر السير الذاتية شعبيةً في فرنسا (تقدمًا من 2,941 في 2019)، كما يحتل المرتبة 146 بين أكثر ممثل من فرنسا شعبيةً.

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Among ممثل

Among ممثل, Jean-Pierre Marielle ranks 2,141 out of 13,578Before him are Gina Gershon, Richard Roundtree, William Baldwin, Mayumi Tanaka, Mel Blanc, and Calista Flockhart. After him are Ottavia Piccolo, Peter Krause, James Finlayson, Dermot Mulroney, Richard Beymer, and Robert Wisdom.

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Contemporaries

Among people born in 1932, Jean-Pierre Marielle ranks 184Before him are Henri Schwery, Nichelle Nichols, Miloslav Vlk, Richard Lester, Hassan Al-Turabi, and John Hillerman. After him are Lia Manoliu, Richard Estes, Harry Gregg, Horst Eckel, Karen Demirchyan, and Vladimir Voinovich. Among people deceased in 2019, Jean-Pierre Marielle ranks 166Before him are John C. Bogle, Jörg Demus, Peter Schreier, Jaime Lucas Ortega y Alamino, Goro Shimura, and Luigi Colani. After him are Keith Flint, José de Jesús Pimiento Rodríguez, Johnny Kitagawa, Claude Goretta, Pim Verbeek, and Karin Balzer.

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In فرنسا

Among people born in فرنسا, Jean-Pierre Marielle ranks 2,868 out of NaNBefore him are Jean Joseph Marie Amiot (1718), Georges Ohnet (1848), Frédéric François-Marsal (1874), Jacques-François Menou (1750), Louis François Joseph, Prince of Conti (1734), and Augusta Holmès (1847). After him are Sylvain Maréchal (1750), Corbinian (670), Edgar Quinet (1803), Yves Meyer (1939), Duke Philipp of Württemberg (1838), and Joseph Guillemot (1899).

Among ممثل In فرنسا

Among ممثل born in فرنسا, Jean-Pierre Marielle ranks 146Before him are Claude Rich (1929), Musidora (1889), Cécile Aubry (1928), Georges Wilson (1921), Andréa Ferréol (1947), and Philippe Nahon (1938). After him are Madeleine Béjart (1615), Bernard Farcy (1949), Jean Lefebvre (1919), Richard Bohringer (1942), Fabrice Luchini (1951), and Jean Carmet (1920).

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