Director de cine

Nagisa Oshima

1932 - 2013

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Su biografía está disponible en 39 idiomas en Wikipedia. Nagisa Oshima ocupa el puesto 251 entre los director de cine más populares (bajó del puesto 174 en 2024), el puesto 415 entre las biografías más populares de Japón (bajó del puesto 190 en 2019) y el puesto 9 entre los director de cine de japón más populares.

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Among Director de cines

Among director de cines, Nagisa Oshima ranks 251 out of 2,041Before him are Joe D'Amato, Bertrand Tavernier, James Foley, Patrice Chéreau, Chris Marker, and Paolo Sorrentino. After him are Michael Moore, Lucio Fulci, Henry Hathaway, Anatole Litvak, Shohei Imamura, and Jacques Becker.

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Contemporaries

Among people born in 1932, Nagisa Oshima ranks 101Before him are Petula Clark, Joseph Zen, Nikolai Kardashev, Emmanuelle Arsan, Pier Angeli, and Wojciech Kilar. After him are José Saraiva Martins, Antonio Tejero, Joe Zawinul, Naina Yeltsina, Eleanor F. Helin, and Quino. Among people deceased in 2013, Nagisa Oshima ranks 70Before him are Hiroshi Yamauchi, Pierre Mauroy, Kenneth Waltz, Princess Lilian, Duchess of Halland, Wojciech Kilar, and Patrice Chéreau. After him are Sławomir Mrożek, Ed Lauter, Rossana Podestà, Roger Ebert, Henri Dutilleux, and Conrad Bain.

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In Japón

Among people born in Japón, Nagisa Oshima ranks 415 out of NaNBefore him are Tadao Kobayashi (1930), Koji Funamoto (1942), Shiro Misaki (null), Empress Teimei (1884), Daigoro Kondo (1907), and Terauchi Masatake (1852). After him are Ikkyū (1394), Shigemaru Takenokoshi (1906), Emperor Go-Toba (1180), Yoshinobu Ishii (1939), Saburō Sakai (1916), and Emperor Go-Shirakawa (1127).

Among Director de cines In Japón

Among director de cines born in Japón, Nagisa Oshima ranks 9Before him are Isao Takahata (1935), Takeshi Kitano (1947), Yasujirō Ozu (1903), Kenji Mizoguchi (1898), Masaki Kobayashi (1916), and Franklin J. Schaffner (1920). After him are Shohei Imamura (1926), Mamoru Oshii (1951), Hideaki Anno (1960), Satoshi Kon (1963), Makoto Shinkai (1973), and Kiyoshi Kurosawa (1955).

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