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The Most Famous

FILM DIRECTORS from Japan

This page contains a list of the greatest Japanese Film Directors. The pantheon dataset contains 1,581 Film Directors, 53 of which were born in Japan. This makes Japan the birth place of the 8th most number of Film Directors behind Russia and India.

Top 10

The following people are considered by Pantheon to be the top 10 most legendary Japanese Film Directors of all time. This list of famous Japanese Film Directors is sorted by HPI (Historical Popularity Index), a metric that aggregates information on a biography’s online popularity. Visit the rankings page to view the entire list of Japanese Film Directors.

1. Akira Kurosawa (1910 - 1998)

With an HPI of 79.32, Akira Kurosawa is the most famous Japanese Film Director. His biography has been translated into 141 different languages on wikipedia.

Akira Kurosawa (黒澤明 or 黒沢明, Kurosawa Akira, March 23, 1910 – September 6, 1998) was a Japanese filmmaker and painter who directed 30 films in a career spanning over five decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film Sanshiro Sugata (1943). After the war, the critically acclaimed Drunken Angel (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. Rashomon (1950), which premiered in Tokyo, became the surprise winner of the Golden Lion at the 1951 Venice Film Festival. The commercial and critical success of that film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Kurosawa directed approximately one film per year throughout the 1950s and early 1960s, including a number of highly regarded (and often adapted) films, such as Ikiru (1952), Seven Samurai (1954), Throne of Blood (1957), Yojimbo (1961) and High and Low (1963). After the 1960s he became much less prolific; even so, his later work—including two of his final films, Kagemusha (1980) and Ran (1985)—continued to receive great acclaim. In 1990, he accepted the Academy Award for Lifetime Achievement. Posthumously, he was named "Asian of the Century" in the "Arts, Literature, and Culture" category by AsianWeek magazine and CNN, cited there as being among the five people who most prominently contributed to the improvement of Asia in the 20th century. His career has been honored by many retrospectives, critical studies and biographies in both print and video, and by releases in many consumer media.

2. Hayao Miyazaki (1941 - )

With an HPI of 78.57, Hayao Miyazaki is the 2nd most famous Japanese Film Director. His biography has been translated into 86 different languages.

Hayao Miyazaki (宮崎駿 or 宮﨑駿, Miyazaki Hayao, Japanese: [mijaꜜzaki hajao]; born January 5, 1941) is a Japanese animator, filmmaker, and manga artist. A co-founder of Studio Ghibli, he has attained international acclaim as a masterful storyteller and creator of Japanese animated feature films, and is widely regarded as one of the most accomplished filmmakers in the history of animation. Born in Tokyo City in the Empire of Japan, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan (1978). He joined Tokyo Movie Shinsha in 1979 to direct his first feature film The Castle of Cagliostro as well as the television series Sherlock Hound. In the same period, he also began writing and illustrating the manga Nausicaä of the Valley of the Wind (1982–1994), and he also directed the 1984 film adaptation produced by Topcraft. Miyazaki co-founded Studio Ghibli in 1985. He directed numerous films with Ghibli, including Laputa: Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), and Porco Rosso (1992). The films were met with critical and commercial success in Japan. Miyazaki's film Princess Mononoke was the first animated film ever to win the Japan Academy Film Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature, and is frequently ranked among the greatest films of the 21st century. Miyazaki's later films—Howl's Moving Castle (2004), Ponyo (2008), and The Wind Rises (2013)—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he later returned to write and direct his twelfth feature film The Boy and the Heron (2023), for which he won his second Academy Award for Best Animated Feature. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. Miyazaki has frequently been cited as an inspiration for numerous animators, directors, and writers.

3. Takeshi Kitano (1947 - )

With an HPI of 68.16, Takeshi Kitano is the 3rd most famous Japanese Film Director. His biography has been translated into 62 different languages.

Takeshi Kitano (北野武, Kitano Takeshi, born January 18, 1947), also known as Beat Takeshi (ビートたけし, Bīto Takeshi) in Japan, is a Japanese comedian, actor, and filmmaker. While he is known primarily as a comedian and TV host in his native Japan, he is better known abroad for his work as a filmmaker and actor as well as TV host. During his time as a student at Meiji University, he became a comedian at the strip theater France-za in Asakusa, Tokyo. In 1973, he formed a comedy duo called Two Beat with Kiyoshi Kaneko, who later became Beat Kiyoshi. Kitano adopted the stage name Beat Takeshi. Riding the wave of the comedy boom, he gained popularity with satirical and sharp-tongued black humor. In the 1980s, he appeared in TV shows such as Oretachi Hyōkin-zoku which recorded the highest viewership rating of 29.1%, and Takeshi's Castle which recorded 24.7%, becoming explosively popular on television. He gained recognition as an actor in director Nagisa Ōshima's film Merry Christmas, Mr. Lawrence (1983). In 1989, he made his directorial debut with the film Violent Cop after Kinji Fukasaku stepped down. He won the Golden Lion at the Venice Film Festival for his film Hana-bi (1998), becoming the third Japanese director to receive this honor after Akira Kurosawa and Hiroshi Inagaki. In October 2017, Kitano completed his Outrage crime trilogy with the release of Outrage Coda. He is also known internationally for hosting the game show Takeshi's Castle (1986–1990) and starring in the film Battle Royale (2000). He has received critical acclaim for his idiosyncratic cinematic work, winning numerous awards with Japanese film critic Nagaharu Yodogawa having once dubbed him "the true successor" to influential filmmaker Akira Kurosawa. Many of Kitano's films are dramas about yakuza gangsters or the police. Described by critics as using an acting style that is highly deadpan or a camera style that approaches near-stasis, Kitano often uses long takes during which little appears to be happening, or editing that cuts immediately to the aftermath of an event. Many of his films express a bleak worldview, but are also filled with humor and affection for their characters.

4. Isao Takahata (1935 - 2018)

With an HPI of 67.61, Isao Takahata is the 4th most famous Japanese Film Director. His biography has been translated into 50 different languages.

Isao Takahata (高畑勲, Takahata Isao, October 29, 1935 – April 5, 2018) was a Japanese director, screenwriter and producer. A co-founder of Studio Ghibli, he earned international critical acclaim for his work as a director of Japanese animated feature films. Born in Ujiyamada, Mie Prefecture, Takahata joined Toei Animation after graduating from the University of Tokyo in 1959. He worked as an assistant director, holding various positions over the years and collaborating with colleague Hayao Miyazaki, eventually directing his own film, The Great Adventure of Horus, Prince of the Sun (1968). He continued his partnership with Miyazaki, and under Nippon Animation directed the television series Heidi, Girl of the Alps (1974), 3000 Leagues in Search of Mother (1976), and Anne of Green Gables (1979). Takahata, Miyazaki and others formed Studio Ghibli in 1985, where he would direct Grave of the Fireflies (1988), Only Yesterday (1991), Pom Poko (1994), and My Neighbors the Yamadas (1999). His last film as director was The Tale of the Princess Kaguya (2013), which was nominated for an Academy Award in the category of Best Animated Feature Film at the 87th Academy Awards.

5. Yasujirō Ozu (1903 - 1963)

With an HPI of 67.32, Yasujirō Ozu is the 5th most famous Japanese Film Director. His biography has been translated into 48 different languages.

Yasujirō Ozu (小津安二郎, Ozu Yasujirō, 12 December 1903 – 12 December 1963) was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are family and marriage, and especially the relationships between generations. His most widely beloved films include Late Spring (1949), Tokyo Story (1953) and An Autumn Afternoon (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 Sight & Sound poll, Ozu's Tokyo Story was voted the third-greatest film of all time by critics world-wide. In the same poll, Tokyo Story was voted the greatest film of all time by 358 directors and film-makers world-wide.

6. Kenji Mizoguchi (1898 - 1956)

With an HPI of 65.01, Kenji Mizoguchi is the 6th most famous Japanese Film Director. His biography has been translated into 44 different languages.

Kenji Mizoguchi (溝口健二, Mizoguchi Kenji, 16 May 1898 – 24 August 1956) was a Japanese filmmaker who directed roughly one hundred films during his career between 1923 and 1956. His most acclaimed works include The Story of the Last Chrysanthemums (1939), The Life of Oharu (1952), Ugetsu (1953), and Sansho the Bailiff (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema.

7. Nagisa Oshima (1932 - 2013)

With an HPI of 61.70, Nagisa Oshima is the 7th most famous Japanese Film Director. His biography has been translated into 41 different languages.

Nagisa Ōshima (大島渚, Ōshima Nagisa, March 31, 1932 – January 15, 2013) was a Japanese film director and screenwriter. One of the foremost directors within the Japanese New Wave, his films include In the Realm of the Senses (1976), a sexually explicit film set in 1930s Japan, and Merry Christmas, Mr. Lawrence (1983), about World War II prisoners of war held by the Japanese.

8. Masaki Kobayashi (1916 - 1996)

With an HPI of 61.62, Masaki Kobayashi is the 8th most famous Japanese Film Director. His biography has been translated into 28 different languages.

Masaki Kobayashi (小林正樹, Kobayashi Masaki, February 14, 1916 – October 4, 1996) was a Japanese film director and screenwriter, best known for the epic trilogy The Human Condition (1959–1961), the samurai films Harakiri (1962) and Samurai Rebellion (1967), and the horror anthology Kwaidan (1964). Senses of Cinema described him as "one of the finest depicters of Japanese society in the 1950s and 1960s."

9. Shohei Imamura (1926 - 2006)

With an HPI of 60.74, Shohei Imamura is the 9th most famous Japanese Film Director. His biography has been translated into 36 different languages.

Shōhei Imamura (今村昌平, Imamura Shōhei, 15 September 1926 – 30 May 2006) was a Japanese film director. His main interest as a filmmaker lay in the depiction of the lower strata of Japanese society. A key figure in the Japanese New Wave, who continued working into the 21st century, Imamura is the only director from Japan to win two Palme d'Or awards.

10. Hideaki Anno (1960 - )

With an HPI of 58.52, Hideaki Anno is the 10th most famous Japanese Film Director. His biography has been translated into 34 different languages.

Hideaki Anno (Japanese: 庵野秀明, Hepburn: Anno Hideaki, born May 22, 1960) is a Japanese animator, filmmaker and actor. His most celebrated creation, the Evangelion franchise, has had a significant influence on the anime television industry and Japanese popular culture. Anno's style is defined by his postmodernist approach and the extensive portrayal of characters' thoughts and emotions, often through unconventional scenes presenting the mental deconstruction of those characters. Anno's other directorial works include Daicon Film's Return of Ultraman (1983), Gunbuster (1988), Nadia: The Secret of Blue Water (1990), Kare Kano (1998), Love & Pop (1998), Shiki-Jitsu (2000), Cutie Honey (2004), Re: Cutie Honey (2004), Rebuild of Evangelion (2007–2021), and Shin Godzilla (2016), with the latter film marking the beginning of the Shin trilogy of tokusatsu franchise reboots, followed by Shin Ultraman (2022) and Shin Kamen Rider (2023). Several of Anno's anime have won the Animage Anime Grand Prix award, including Nadia: The Secret of Blue Water in 1990, Neon Genesis Evangelion in 1995 and 1996, and The End of Evangelion in 1997.

People

Pantheon has 53 people classified as film directors born between 1898 and 1984. Of these 53, 27 (50.94%) of them are still alive today. The most famous living film directors include Hayao Miyazaki, Takeshi Kitano, and Hideaki Anno. The most famous deceased film directors include Akira Kurosawa, Isao Takahata, and Yasujirō Ozu. As of April 2022, 8 new film directors have been added to Pantheon including Yoshiyuki Tomino, Juzo Itami, and Yasuzo Masumura.