WRITER

Georgette Heyer

1902 - 1974

Photo of Georgette Heyer

Icon of person Georgette Heyer

Georgette Heyer (; 16 August 1902 – 4 July 1974) was an English novelist and short-story writer, in both the Regency romance and detective fiction genres. Her writing career began in 1921, when she turned a story conceived for her ailing younger brother into the novel The Black Moth. In 1925 Heyer married George Ronald Rougier, a mining engineer. Read more on Wikipedia

Since 2007, the English Wikipedia page of Georgette Heyer has received more than 738,182 page views. Her biography is available in 25 different languages on Wikipedia (up from 22 in 2019). Georgette Heyer is the 3,727th most popular writer (down from 3,655th in 2019), the 2,650th most popular biography from United Kingdom (up from 2,681st in 2019) and the 301st most popular British Writer.

Memorability Metrics

  • 740k

    Page Views (PV)

  • 51.00

    Historical Popularity Index (HPI)

  • 25

    Languages Editions (L)

  • 3.21

    Effective Languages (L*)

  • 3.58

    Coefficient of Variation (CV)

Notable Works

Powder and patch
1920s, British, Fiction
In an 18th-Century England of wit, womanising and powdered wigs, provincial Philip Jettan runs the risk of irreproachability. When her childhood friend, the golden-haired Cleone Charteris returns from finishing school, her exquisite charms have made her the belle of the English countryside. Philip is determined to attract the attentions and launches an amorous campaign to win her hand in marriage.. But Cleone yearns for a husband who is refined, aristocratic and who is as skilled with his wit as he is with his dueling pistols.... Everything Philip Jettan is not. As much as she is attracted to the handsome squire, Cleone finds herself dismissing Philip and his rough mannerisms. With his father's encouragement, Philip departs for the courts of Paris, determined to acquire the social graces and the airs of the genteel — and convince Cleone that he is the man most suited for her hand, but with unforeseen consequences for them both ... He comes back as a fashionably attired man of the world, with powder, patches, and all the manners of a seasoned rake. Does Cleone now have exactly the kind of man she's always wanted, or was her insistence on Philip's remarkable transformation a terrible mistake? Soon, Cleone discovers that she has rivals.
These old shades
1920s, Fiction, Historical
Under the reign of Louis XV, corruption and intrigue have been allowed to blossom in France, and Lord Justin Alastair, the notorious Duke of Avon, known for his coldness of manner, his remarkable omniscience, and his debauched lifestyle. Society believes the worst of Justin, who is clearly proud of his sobriquet, 'Satanas'. In a dark Parisian back alley, he is accosted by Leon, a young person dressed in ragged boy's clothing running away from a brutal rustic guardian. The Duke buys Leon, a redheaded urchin with strangely familiar looks, who is in fact Leonie, and she serves him with deep devotion. The Duke suspected the truth about his page--she was really none other than the wicked Comte de Saint Vire's legitimate daughter, deprived of her heritage by the comte's dastardly desire for a male heir. Among the splendours of Versailles and the dignified mansions of Georgian England, Justin begins to unfold his sinister plans, and Leonie shoulds play a fine part in Duke's long-over-due schemes to avenge himslef on the Comte de St Vire. The duke's plan was simple: parade delicately handsome Leonie in front of his enemy and transforming her into the toast of the town, before his innocent ward reclaim her birthright, destroying her true father in the process. But the duke hadn't expected Leonie's breathtaking transformation or the tender emotions she awoke--and he'd already set his dangerous scheme in motion.... While, titian-haired Leonie, ward of the dashing Duke of Avon, has all Paris at her feet. Yet her true origins remained shrouded in mystery. And neither the glittering soirees nor the young aristocrats who so ardently courted her could still the question that plagued her young heart. Just one man held the secret, the one she feared most in the world--the iron-willed Comte de Saint-Vire, deadly enemy of the Duke. He would give her the answer--for a price. But could she betray the man she secretly, helplessly loved? And could this proud young beauty hear to face the truth when it came?
Arabella
Social life and customs, Historical Fiction, Fiction in English
To Arabella Tallant, the eldest daughter of a penniless country clergyman, the invitation to stay with her London godmother was like the key to heaven, for in addition to living in the glamorous city, Arabella might even find a suitable husband there. Armed with beauty, virtue and a benevolent godmother, the impetuous but impoverished Arabella embarked on her first London season with her mother's wish in mind: snare a rich husband. On her way to London Arabella's carriage breaks down outside the hunting lodge of the wealthy and socially prominent Robert Beaumaris, fate cast her in his path. Arabella's only fault is impetuosity, and her pride stung when she overhears a remark of her path of arrogant host, who accused her of being another petty female after his wealth, the proud, headstrong ingenue made a most startling claim -- she was an heiress! A pretense that deeply amuses the jaded Beau. To counter her white lie, Beaumaris launches her into high society and thereby subjects her to all kinds of amorous fortune hunters in London and other embarrassments. Suddenly Arabella found herself the talk of the ton and pursued by some of the most eligible young men of the day. But only one caught Arabella's fancy: Beaumaris, the handsome and dedicated bachelor. She should know better than to allow herself to be provoked by nonpareil Beau. But would her deceitful charade destroy her one chance for true love...? Beaumaris, however, although a most artful matrimonial dodger, badly underestimated his seemingly naive adversary... When compassionate Arabella rescues such unfortunate creatures as a mistreated chimney sweep and a mixed-breed mongrel, she foists them upon Beaumaris, who finds he rather enjoys the role of rescuer and is soon given the opportunity to prove his worth in the person of Bertram Tallant, the also impetuous young brother of Arabella....
The Toll-Gate
Social life and customs, 1950s, Fiction
His great adventures were legendary... Captain John Staple's exploits in the Peninsula and Waterloo had earned him the sobriquet Crazy Jack amongst his fellows in the Dragoon Guards. Back from the battlefront, he is planning to settle down after a brave military career, and searches for the ideal bride to complement his earldom. But life in peacetime is rather dull for the adventure-loving Captain, who had enjoyed active service too much ever to settle for a life of humdrum respectability. When he finds himself mired on the moors--on a dark and stormy night, no less!--John hardly expects to find a young, frightened boy who's been left alone to tend a toll gatehouse. He has stumbled upon a mystery involving the boy's disappearing father, the toll-gate keeper, nothing could keep he from investigating. Undercover as the new keeper of the turnpike toll-house in the Pennines, John investigates the suspicious disappearance, he begins to unravel a far more complex mystery. But the post of gate-keeper appeared to offer certain unexpected and agreeable diversions. The plot thickens when he finds orphaned Nell Stornaway, granddaughter of Sir Peter Stornaway, squire of the village. The enigmatic lady, an outspoken beauty who is an unwitting pawn in a treacherous scheme. Soon he learns that rescuing her from her unsavory relatives makes even the most ferocious cavalry charge look like a particularly tame hand of loo. And he discovers that she is the only woman who can to tame John's reckless spirit. Could Nell love John, before his true identity is discovered? Between hiding his true identity from Nell and the arrival in the neighborhood of some distinctly shady characters, Captain Staple finds himself embarked on the adventure-and romance-of a lifetime and despite he finds himself lost and benighted, his soldiering days suddenly pale away. And winning her will be his greatest yet...
Devil's Cub
Social life and customs, Aristocracy (Social class), Open Library Staff Picks
Dominic Alistair, Marquis of Vidal and fiery son of the notorious Duke of Avon, has established a rakish reputation that rivals his father's, living a life of excess and indulgence. He is a bad lot a rake and seducer, reckless, heedless, and possessed of a murderous temper. He is known by friend and foe alike as the "Devil's Cub." Yet as the handsome and wealthy heir to a Dukedom, he is considered a good prospect on the marriage market. Vidal currently has his eye on the young, lovely, and unintelligent Sophia Challoner, and Sophia's greedy mother is more than happy to encourage his dubious attentions. Banished to the Continent after wounding his opponent in a duel, Vidal decides to abduct the silly aristocrat bent on seducing him into marriage and make her his mistress instead. In his rush, however, he seems to have taken the wrong woman? Intelligent, practical Mary Challoner knew wicked Vidal, wouldn't marry her sister, despite her mother's matchmaking schemes. So Mary coolly prepared to protect her naive sister by deceiving Vidal. Substituting herself for her young sister, she certainly hadn't expected the nobleman to kidnap and take her to France. She had little notion he would grimly hold her to her part of the bargain. Now he had left her, and she was alone, a stranger in a strange land, prey to the intrigues of glittering, heartless, 18th century Paris. Only one person could rescue her--the Marquis himself. But how could she ever trust this man? How could she even hope to overcome the contempt in which he held her? And how could even the sudden flowering of her love ever bridge the terrible gap between them?
Death in the Stocks
1930s, Contemporary, Fiction
**Inspectors Hannasyde & Hemingway #1** The moonlight shone on the quiet village green when an English bobbie returning from night patrol finds on a man's two motionless feet stuck through the holes of a pair of stocks. He identifies the corpse in evening dress immediately. Wealthy Andrew Vereker was not a well-loved man, and when he was found stabbed, no one seemed to be particularly disturbed. The resourceful Inspector Hannasyde found nothing unusual in the murder -- until he met the Vereker heirs. The Vereker family are corrupt, eccentric--and hardly cooperative... Every member of his eccentric family had a motive -- money. Was it his half-sister Antonia, whose marriage he had forbidden, or Rudolph, her embezzling lover? Could it have been Arnold's half-brother Kenneth, heir apparent, or perhaps it was the delectable beauty, Violet Williams? And then there was Roger, his "dead" brother, who appeared right after the murder? Narrowing down the suspects is not going to be an easy job. The problem the inspector had to face was whether these four were the charming, intelligent, though perfectly infuriating people they seemed to be, or whether they were more cunning than any murder suspects he had ever encountered. They seemed to enjoy being suspects, which they logically were, and in proving to him how easy both in deed and in fact it would have been for any one of them to have killed Vereker. They delighted in tying nooses around each other's necks, in laying false trails, in annoying the police, and, a side issue, in driving the inspector frantic. Were they pulling his leg, or were they deliberately tricking him? The question is: who in this family is clever enough to get away with murder? One cousin allies himself with the inspector, while the victim's half-brother and sister, each of whom suspects the other, markedly try to set him off the scent. Hannasyde's consummate powers of detection and solicitor Giles Carrington's amateur sleuthing are tested to their limits. With the second murder the inspector gave up in despair, admitting that the family was too much for him. It must be someone attractive, Inspector Hannasyde kept telling himself in one of his most puzzling cases ever. The solution to the baffling though perfectly plausible crimes comes through other channels and as a distinct surprise.

Page views of Georgette Heyers by language

Over the past year Georgette Heyer has had the most page views in the with 89,680 views, followed by German (10,460), and Italian (6,071). In terms of yearly growth of page views the top 3 wikpedia editions are Persian (190.86%), Eastern Punjabi (157.41%), and Bulgarian (156.22%)

Among WRITERS

Among writers, Georgette Heyer ranks 3,727 out of 7,302Before her are Bhalchandra Nemade, Abd al-Rahman al-Kawakibi, Jules Lemaître, Glückel of Hameln, Constance Lloyd, and Sunthorn Phu. After her are Wu Jingzi, Bruno Apitz, Innokenty Annensky, Philippe Jaccottet, James A. Michener, and José Emilio Pacheco.

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Contemporaries

Among people born in 1902, Georgette Heyer ranks 190Before her are Sylvain Arend, Henri Saint Cyr, Moderato Wisintainer, Miriam Hopkins, Flora Robson, and Manuel Álvarez Bravo. After her are Lon L. Fuller, Eva May, Ida Siekmann, David Arellano, Juan José Tramutola, and George Kingsley Zipf. Among people deceased in 1974, Georgette Heyer ranks 137Before her are Anna Q. Nilsson, Adolph Gottlieb, Holger Meins, Berdi Kerbabayev, Margit Slachta, and Peter Revson. After her are Egon Wellesz, Axel Cadier, Hertta Kuusinen, Carl Spaatz, Karl Sesta, and José Miró Cardona.

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In United Kingdom

Among people born in United Kingdom, Georgette Heyer ranks 2,650 out of 8,785Before her are Trafford Leigh-Mallory (1892), Henry Cole (1808), Dick Parry (1942), Joey Dunlop (1952), Ernest Mason Satow (1843), and Constance Lloyd (1858). After her are Dave Legeno (1963), William Curtis (1746), James Somerville (1882), James Young Simpson (1811), Henry St John, 1st Viscount Bolingbroke (1678), and Andrew Bell (1753).

Among WRITERS In United Kingdom

Among writers born in United Kingdom, Georgette Heyer ranks 301Before her are Siegfried Sassoon (1886), William Robertson Smith (1846), Diana Mosley (1910), Gertrude Jekyll (1843), Nancy Mitford (1904), and Constance Lloyd (1858). After her are Ian Rankin (1960), Rupert Brooke (1887), Nick Hornby (1957), Mary Renault (1905), Iain Banks (1954), and Israel Zangwill (1864).