The Most Famous
SINGERS from United Kingdom
This page contains a list of the greatest British Singers. The pantheon dataset contains 4,381 Singers, 372 of which were born in United Kingdom. This makes United Kingdom the birth place of the 2nd most number of Singers.
Top 10
The following people are considered by Pantheon to be the top 10 most legendary British Singers of all time. This list of famous British Singers is sorted by HPI (Historical Popularity Index), a metric that aggregates information on a biography’s online popularity. Visit the rankings page to view the entire list of British Singers.
1. Mick Jagger (b. 1943)
With an HPI of 81.35, Mick Jagger is the most famous British Singer. His biography has been translated into 82 different languages on wikipedia.
Sir Michael Philip Jagger (born 26 July 1943) is an English singer. He is the front man and one of the founder members of the rock band the Rolling Stones. Jagger has written most of the band's songs alongside lead guitarist Keith Richards; their songwriting partnership is one of the most successful in history, and they continue to collaborate musically. His career has spanned over six decades, and he has been widely described as one of the most popular and influential front men in the history of rock music. His distinctive voice and energetic live performances, along with Richards' guitar style, have been the Rolling Stones' trademark throughout the band's career. Jagger gained notoriety for his romantic involvements and illicit drug use, and has often been portrayed as a countercultural figure. Jagger was born and grew up in Dartford. He studied at the London School of Economics before abandoning his studies to focus on his career with the Rolling Stones. In the late 1960s, Jagger starred in the films Performance (1970) and Ned Kelly (1970), to mixed receptions. Beginning in the 1980s, he released a number of solo works, including four albums and the single "Dancing in the Street", a 1985 duet with David Bowie that reached No. 1 in the UK and Australia and was a top-ten hit in other countries. In the 2000s, Jagger co-founded a film production company, Jagged Films, and produced feature films through the company beginning with the 2001 historical drama Enigma. He was also a member of the supergroup SuperHeavy from 2009 to 2011. Although relationships with his bandmates, particularly Richards, deteriorated during the 1980s, Jagger has always found more success with the Rolling Stones than with his solo and side projects. He was married to Bianca Pérez-Mora Macias from 1971 to 1978, and has had several other relationships; he has eight children with five women. In 1989, Jagger was inducted into the Rock and Roll Hall of Fame and, in 2004, into the UK Music Hall of Fame with the Rolling Stones. As a member of the Rolling Stones and as a solo artist, he reached No. 1 on the UK and US singles charts with 13 singles, the top 10 with 32 singles and the top 40 with 70 singles. In 2003, he was knighted for his services to popular music. Jagger is credited with being a trailblazer in pop music and with bringing a style and sex appeal to rock and roll that have been imitated and proven influential with subsequent generations of musicians.
2. David Bowie (1947 - 2016)
With an HPI of 75.99, David Bowie is the 2nd most famous British Singer. His biography has been translated into 114 different languages.
David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie ( BOH-ee), was an English singer, songwriter, musician, and actor. He is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. He released a string of unsuccessful singles with local bands and a self-titled solo album (1967) before achieving his first top-five entry on the UK Singles Chart with "Space Oddity" (1969). After a period of experimentation, he re-emerged in 1972 during the glam rock era with the flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of "Starman" and its albm The Rise and Fall of Ziggy Stardust and the Spiders from Mars (both 1972), which won him widespread popularity. In 1975, Bowie's style shifted towards a sound he characterised as "plastic soul", initially alienating many of his UK fans but garnering his first major US crossover success with the number-one single "Fame" and the album Young Americans (both 1975). In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. In 1977, he again changed direction with the electronic-inflected album Low, the first of three collaborations with Brian Eno that came to be known as the Berlin Trilogy. "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had three number-one hits: the 1980 single "Ashes to Ashes", its album Scary Monsters (and Super Creeps) and "Under Pressure" (a 1981 collaboration with Queen). He achieved his greatest commercial success in the 1980s with Let's Dance (1983). Between 1988 and 1992, he fronted the hard rock band Tin Machine before resuming his solo career in 1993. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Phillip Jeffries in Twin Peaks: Fire Walk with Me (1992), Andy Warhol in the biopic Basquiat (1996), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He ceased touring after 2004 and his last live performance was at a charity event in 2006. He returned from a decade-long recording hiatus in 2013 with The Next Day and remained musically active until his death from liver cancer in 2016. He died two days after both his 69th birthday and the release of his final album, Blackstar. During his lifetime, his record sales, estimated at over 100 million worldwide, made him one of the best-selling musicians of all time. Often dubbed the "chameleon of rock" due to his constant musical reinventions, he was inducted into the Rock and Roll Hall of Fame in 1996. Rolling Stone ranked him among the greatest artists in history. As of 2022, Bowie was the best-selling vinyl artist of the 21st century. David Robert Jones was born on 8 January 1947 in Brixton, London. His mother, Margaret Mary "Peggy" (née Burns), was born at Shorncliffe Army Camp near Cheriton, Kent. Her paternal grandparents were Irish immigrants who had settled in Manchester. She worked as a waitress at a cinema in Royal Tunbridge Wells. His father, Haywood Stenton "John" Jones, was from Doncaster, Yorkshire, and worked as a promotions officer for the children's charity Barnardo's. The family lived at 40 Stansfield Road, on the boundary between Brixton and Stockwell in the south London borough of Lambeth. Bowie attended Stockwell Infants School until he was six, acquiring a reputation as a gifted and single-minded child—and a defiant brawler. From 1953, Bowie moved with his family to Bickley and then Bromley Common, before settling in Sundridge Park in 1955 where he attended Burnt Ash Junior School. His voice was considered "adequate" by the school choir, and he demonstrated above-average abilities in playing the recorder. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including the Teenagers, the Platters, Fats Domino, Elvis Presley and Little Richard. Upon listening to Little Richard's song "Tutti Frutti", Bowie later said that he had "heard God". Bowie was first impressed with Presley when he saw his cousin Kristina dance to "Hound Dog" soon after its release in 1956. According to Kristina, she and David "danced like possessed elves" to records of various artists. By the end of the following year, Bowie had taken up the ukulele and tea-chest bass, begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile, his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet". Having encouraged his son to follow his dreams of being an entertainer since he was a toddler, in the late 1950s David's father took him to meet singers and other performers preparing for the Royal Variety Performance, introducing him to Alma Cogan and Tommy Steele. After taking his eleven-plus exam at the conclusion of his Burnt Ash Junior education, Bowie went to Bromley Technical High School. It was an unusual technical school, as biographer Christopher Sandford wrote: Despite its status it was, by the time David arrived in 1958, as rich in arcane ritual as any [English] public school. There were houses named after eighteenth-century statesmen like Pitt and Wilberforce. There was a uniform and an elaborate system of rewards and punishments. There was also an accent on languages, science and particularly design, where a collegiate atmosphere flourished under the tutorship of Owen Frampton. In David's account, Frampton led through force of personality, not intellect; his colleagues at Bromley Tech were famous for neither and yielded the school's most gifted pupils to the arts, a regime so liberal that Frampton actively encouraged his own son, Peter, to pursue a musical career with David, a partnership briefly intact thirty years later. Bowie's maternal half-brother, Terry Burns, was a substantial influence on his early life. Burns, who was 10 years older than Bowie, had schizophrenia and seizures, and lived alternately at home and in psychiatric wards; while living with Bowie, he introduced the younger man to many of his lifelong influences, such as modern jazz, Buddhism, Beat poetry and the occult. In addition to Burns, a significant proportion of Bowie's extended family members had schizophrenia spectrum disorders, including an aunt who was institutionalised and another who underwent a lobotomy; this has been labelled as an influence on his early work. Bowie studied art, music and design, including layout and typesetting. After Burns introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a Grafton saxophone in 1961. He was soon receiving lessons from baritone saxophonist Ronnie Ross. He received a serious injury at school in 1962 when his friend George Underwood punched him in the left eye during a fight over a girl. After a series of operations during a four-month hospitalisation, his doctors determined that the damage could not be fully repaired and Bowie was left with faulty depth perception and anisocoria (a permanently dilated pupil), which gave a false impression of a change in the iris' colour, erroneously suggesting he had heterochromia iridum (one iris a different colour to the other); his eye later became one of Bowie's most recognisable features. Despite their altercation, Bowie remained on good terms with Underwood, who went on to create the artwork for Bowie's early albums. Bowie formed his first band, the Konrads, in 1962 at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother arranged his employment as an electrician's mate. Frustrated by his bandmates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract. Conn quickly began to promote Bowie. His debut single, "Liza Jane", credited to Davie Jones with the King Bees, was not commercially successful. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon covers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul—"I used to dream of being their Mick Jagger", he recalled. Their cover of Bobby Bland's "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by the Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop music world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, helped secure him a contract with Pye Records. Publicist Tony Hatch signed Bowie on the basis that he wrote his own songs. Dissatisfied with Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of the Monkees, he took on the stage name David Bowie after the 19th-century American pioneer James Bowie and the knife he had popularised. His first release under the name was the January 1966 single "Can't Help Thinking About Me", recorded with the Lower Third. It flopped like its predecessors. Bowie departed the Lower Third after the single's release, partly due to Horton's influence, and released two more singles for Pye, "Do Anything You Say" and "I Dig Everything", both of which featured a new band called the Buzz, before signing with Deram Records. Around this time Bowie also joined the Riot Squad; their recordings, which included one of Bowie's original songs and material by the Velvet Underground, went unreleased. Kenneth Pitt, introduced by Horton, took over as Bowie's manager. His April 1967 solo single, "The Laughing Gnome", on which speeded-up and high-pitched vocals were used to portray the gnome, failed to chart. Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia and music hall, met the same fate. It was his last release for two years. In September, Bowie recorded "Let Me Sleep Beside You" and "Karma Man", both rejected by Deram and left unreleased until 1970. The tracks marked the beginning of Bowie's working relationship with producer Tony Visconti which, with large gaps, lasted for the rest of Bowie's career. Studying the dramatic arts under Lindsay Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, his composition "Over the Wall We Go" became a 1967 single for Oscar; another Bowie song, "Silly Boy Blue", was released by Billy Fury the following year. Playing acoustic guitar, Hermione Farthingale formed a group with Bowie and guitarist John Hutchinson named Feathers; between September 1968 and early 1969 the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime. After the break-up with Farthingale, Bowie moved in with Mary Finnigan as her lodger. In February and March 1969, he undertook a short tour with Marc Bolan's duo Tyrannosaurus Rex, as third on the bill, performing a mime act. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. The club was influenced by the Arts Lab movement, developing into the Beckenham Arts Lab and became extremely popular. The Arts Lab hosted a free festival in a local park, the subject of his song "Memory of a Free Festival". Pitt attempted to introduce Bowie to a larger audience with the Love You till Tuesday film, which went unreleased until 1984. Feeling alienated over his unsuccessful career and deeply affected by his break-up, Bowie wrote "Space Oddity", a tale about a fictional astronaut named Major Tom. The song earned him a contract with Mercury Records and its UK subsidiary Philips, who issued "Space Oddity" as a single on 11 July 1969, five days ahead of the Apollo 11 launch. Reaching the top five in the UK, it was his first and last hit for three years. Bowie's second album followed in November. Originally issued in the UK as David Bowie, it caused some confusion with its predecessor of the same name, and the US release was instead titled Man of Words/Man of Music; it was reissued internationally in 1972 by RCA Records as Space Oddity. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time. Bowie met Angela Barnett in April 1969. They married within a year. Her impact on him was immediate—he wrote his 1970 single "The Prettiest Star" for her—and her involvement in his career far-reaching, leaving Pitt with limited influence which he found frustrating. Having established himself as a solo artist with "Space Oddity", Bowie desired a full-time band he could record with and could relate to personally. The band Bowie assembled comprised John Cambridge, a drummer Bowie met at the Arts Lab, Visconti on bass and Mick Ronson on electric guitar. Known as Hype, the bandmates created characters for themselves and wore elaborate costumes that prefigured the glam style of the Spiders from Mars. After a disastrous opening gig at the London Roundhouse, they reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style, leading to his replacement by Mick Woodmansey. Not long after, Bowie fired his manager and replaced him with Tony Defries. This resulted in years of litigation that concluded with Bowie having to pay Pitt compensation. The studio sessions continued and resulted in Bowie's third album, The Man Who Sold the World (1970), which contained references to schizophrenia, paranoia and delusion. It represented a departure from the acoustic guitar and folk rock style established by his second album, to a more hard rock sound. Mercury financed a coast-to-coast publicity tour across the US in which Bowie, between January and February 1971, was interviewed by media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later depicted Bowie wearing a dress. He took the dress with him and wore it during interviews, to the approval of critics – including Rolling Stone's John Mendelsohn, who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall". During the tour, Bowie's observation of two seminal American proto-punk artists led him to develop a concept that eventually found form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars". The "Stardust" surname was a tribute to the "Legendary Stardust Cowboy", whose record he was given during the tour. Bowie later covered "I Took a Trip on a Gemini Space Ship" on 2002's Heathen. Hunky Dory (1971) found Visconti supplanted in both roles by Ken Scott producing and Trevor Bolder on bass. It again featured a stylistic shift towards art pop and melodic pop rock, with light fare tracks such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May. Elsewhere, the album explored more serious subjects, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol" and "Queen Bitch", the latter a Velvet Underground pastiche. His first release through RCA, it was a commercial failure, partly due lack of promotion from the label. Peter Noone of Herman's Hermits covered the album's track "Oh! You Pretty Things", which reached number 12 in the UK. Dressed in a striking costume, his hair dyed reddish-brown, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars—Ronson, Bolder, and Woodmansey—at the Toby Jug pub in Tolworth in Kingston upon Thames on 10 February 1972. The show was hugely popular, catapulting him to stardom as he toured the UK over the next six months and creating, as described by David Buckley, a "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), combining the hard rock elements of The Man Who Sold the World with the lighter experimental rock and pop of Hunky Dory, was released in June and was considered one of the defining albums of glam rock. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July Top of the Pops performance of the song. The album, which remained in the chart for two years, was soon joined there by the six-month-old Hunky Dory. At the same time, the non-album single "John, I'm Only Dancing" and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, were successful in the UK. The Ziggy Stardust Tour continued to the United States. Bowie contributed backing vocals, keyboards and guitar to Reed's 1972 solo breakthrough Transformer, co-producing the album with Ronson. The following year, Bowie co-produced and mixed the Stooges' album Raw Power alongside Iggy Pop. His own Aladdin Sane (1973) was his first UK number-one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the US during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. Aladdin Sane spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday". Bowie's love of acting led to his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both Ziggy Stardust and Aladdin Sane, were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was incorporated for the film Ziggy Stardust and the Spiders from Mars, which premiered in 1979 and commercially released in 1983. After breaking up the Spiders, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought after: The Man Who Sold the World had been re-released in 1972 along with Space Oddity. Hunky Dory's "Life on Mars?" was released in June 1973 and peaked at number three on the UK Singles Chart. Entering the same chart in September, his 1967 novelty record "The Laughing Gnome" reached number six. Pin Ups, a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in his version of the McCoys's "Sorrow" and itself peaking at number one, making Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums concurrently on the UK chart to six. Bowie moved to the US in 1974, initially staying in New York City before settling in Los Angeles. Diamond Dogs (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's Nineteen Eighty-Four to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. The supporting Diamond Dogs Tour visited cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, Cracked Actor, featured a pasty and emaciated Bowie: the tour coincided with his slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, David Live, ought to have been titled "David Bowie Is Alive and Well and Living Only in Theory". David Live nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in a cover of Eddie Floyd's "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul. The fruit of the Philadelphia recording sessions was Young Americans (1975). Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which Bowie identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. Young Americans was a commercial success in both the US and the UK and yielded Bowie's first US number one, "Fame", a collaboration with John Lennon. A re-issue of the 1969 single "Space Oddity" became Bowie's first number-one hit in the UK a few months after "Fame" achieved the same in the US. He mimed "Fame" and his November single "Golden Years" on the US variety show Soul Train, earning him the distinction of being one of the first white artists to appear on the programme. The same year, Bowie fired Defries as his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman, in turn, was awarded substantial compensation when he was fired the following year. Station to Station (1976), produced by Bowie and Harry Maslin, introduced a new Bowie persona, the Thin White Duke of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film The Man Who Fell to Earth the same year. Developing the funk and soul of Young Americans, Station to Station's synthesiser-heavy arrangements were influenced by electronic and German krautrock. Bowie's cocaine addiction during this period was at its peak; he often did not sleep for three to four days at a time during Station to Station's recording sessions and later said he remembered "only flashes" of its making. His sanity—by his own later admission—had become twisted from cocaine; he referenced the drug directly in the album's ten-minute title track. The album's release was followed by a 3+1⁄2-month-long concert tour, the Isolar Tour, of Europe and North America. The core band that coalesced to record the album and tour—rhythm guitarist Carlos Alomar, bassist George Murray and drummer Dennis Davis—continued as a stable unit for the remainder of the 1970s. Bowie performed on stage as the Thin White Duke. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and was detained by customs on the Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, Bowie waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in NME. Bowie said the photographer caught him in mid-wave. He later blamed his pro-fascism comments and his behaviour during the period on his cocaine addiction, the character of the Thin White Duke and his life living in Los Angeles, a city he later said "should be wiped off the face of the Earth". He later apologised for these statements, and throughout the 1980s and 1990s criticised racism in European politics and the American music industry. Nevertheless, his comments on fascism, as well as Eric Clapton's alcohol-fuelled denunciations of Pakistani immigrants in 1976, led to the establishment of Rock Against Racism. In August 1976, Bowie moved to West Berlin with his old friend Iggy Pop to rid themselves of their respective drug addictions and escape the spotlight. Bowie's interest in German krautrock and the ambient works of multi-instrumentalist Brian Eno culminated in the first of three albums, co-produced with Visconti, that became known as the Berlin Trilogy. The album, Low (1977), was recorded in France and took influence from krautrock and experimental music and featured both short song-fragments and ambient instrumentals. Before its recording, Bowie produced Iggy Pop's debut solo album The Idiot, described by Pegg as "a stepping stone between Station to Station and Low". Low was completed in November, but left unreleased for three months. RCA did not see the album as commercially viable and were expecting another success following Young Americans and Station to Station. Bowie's former manager Tony Defries, who maintained a significant financial interest in Bowie's affairs, also tried to prevent. Upon its release in January 1977, Low yielded the UK number three single "Sound and Vision", and its own performance surpassed that of Station to Station in the UK chart, where it reached number two. Bowie himself did not promote it, instead touring with Pop as his keyboardist throughout March and April before recording Pop's follow-up, Lust for Life. Echoing Low's minimalist, instrumental approach, the second of the trilogy, "Heroes" (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. It was the only album recorded entirely in Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesisers and koto, the album was another hit, reaching number three in the UK. Its title track was released in both German and French and, though only reached number 24 in the UK singles chart, later became one of his best-known tracks. In contrast to Low, Bowie promoted "Heroes" extensively, performing the title track on Marc Bolan's television show Marc, and again two days later for Bing Crosby's final CBS television Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. RCA belatedly released the recording as a single five years later in 1982, charting in the UK at number three. After completing Low and "Heroes", Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. ... Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album Stage, released the same year. Bowie also recorded narration for an adaptation of Sergei Prokofiev's classical composition Peter and the Wolf, which was released as an album in May 1978. The final piece in what Bowie called his "triptych", Lodger (1979), eschewed the minimalist, ambient nature of its two predecessors, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of new wave and world music, in places incorporating Hijaz non-Western scales. Some tracks were composed using Eno's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from The Idiot's "Sister Midnight". The album was recorded in Switzerland and New York City. Ahead of its release, RCA's Mel Ilberman described it as "a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." Lodger reached number four in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angie initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980. The three albums were later adapted into classical music symphonies by American composer Philip Glass for his first, fourth and twelfth symphonies in 1992, 1997 and 2019, respectively. Glass praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces". Scary Monsters (and Super Creeps) (1980) produced the number one single "Ashes to Ashes", featuring the textural guitar-synthesiser work of Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While Scary Monsters used principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Fripp and Pete Townshend. Topping the UK Albums Chart for the first time since Diamond Dogs, Buckley writes that with Scary Monsters, Bowie achieved "the perfect balance" of creativity and mainstream success. Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number-one single. Bowie was given the lead role in the BBC's 1982 televised adaptation of Bertolt Brecht's play Baal. Coinciding with its transmission, a five-track EP of songs from the play was released as Baal. In March 1982, Bowie's title song for Paul Schrader's film Cat People was released as a single. A collaboration with Giorgio Moroder, it became a minor US hit and charted in the UK top 30. The same year, he departed RCA, having grown increasingly dissatisfied with them, and signed a new contract with EMI America Records for a reported $17 million. His 1975 severance settlement with Defries also ended in September. Bowie reached his peak of popularity and commercial success in 1983 with Let's Dance. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top 20 hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" each made number two in the UK, accompanied by a pair of "absorbing" music videos that Buckley said "activated key archetypes in the pop world... 'Let's Dance', with its little narrative surrounding the young Aboriginal couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially censored) beach lovemaking scene... was sufficiently sexually provocative to guarantee heavy rotation on MTV". Then-unknown Texas blues guitarist Stevie Ray Vaughan guested on the album, featuring prominently on the title track. Let's Dance was followed by the six-month Serious Moonlight Tour, which was extremely successful. At the 1984 MTV Video Music Awards Bowie received two awards including the inaugural Video Vanguard Award. Tonight (1984), another dance-oriented album, found Bowie collaborating with Pop and Tina Turner. Co-produced by Hugh Padgham, it included a number of cover songs, including three Pop covers and the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top 10 hit "Blue Jean", itself the inspiration for the Julien Temple-directed short film Jazzin' for Blue Jean, in which Bowie played the dual roles of romantic protagonist Vic and arrogant rock star Screaming Lord Byron. The short won Bowie his only non-posthumous Grammy Award for Best Short Form Music Video. In early 1985, Bowie's collaboration with the Pat Metheny Group, "This Is Not America", for the soundtrack of The Falcon and the Snowman, was released as a single and became a top 40 hit in the UK and US. In July that year, Bowie performed at Wembley Stadium for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. Bowie and Mick Jagger duetted on a cover of Martha and the Vandellas' "Dancing in the Street" as a fundraising single, which went to number one in the UK and number seven in the US; its video premiered during Live Aid. Bowie took an acting role in the 1986 film Absolute Beginners, and his title song rose to number two in the UK charts. He also worked with composer Trevor Jones and wrote five original songs for the 1986 film Labyrinth, which he starred in. His final solo album of the decade was 1987's Never Let Me Down, where he ditched the light sound of his previous two albums, instead combining pop rock with a harder rock sound. Peaking at number six in the UK, the album yielded the hits "Day-In Day-Out", "Time Will Crawl" and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". He supported the album on the 86-concert Glass Spider Tour. The backing band included Peter Frampton on lead guitar. Contemporary critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing, although in later years critics acknowledged the tour's strengths and influence on concert tours by other artists, such as Prince, Madonna and U2. Wanting to completely rejuvenate himself following the critical failures of Tonight and Never Let Me Down, Bowie placed his solo career on hold after meeting guitarist Reeves Gabrels and formed the hard rock quartet Tin Machine. The line-up was completed by bassist and drummer Tony and Hunt Sales, who had played with Bowie on Iggy Pop's Lust for Life in 1977. Although he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's 1989 self-titled debut album received mixed reviews and, according to author Paul Trynka, was quickly dismissed as "pompous, dogmatic and dull". EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". It reached number three in the UK and was supported by a twelve-date tour. The tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but recording halted while Bowie conducted the seven-month Sound+Vision Tour, which brought him commercial success and acclaim. In October 1990, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. He recalled, "I was naming the children the night we met ... it was absolutely immediate." They married in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. Tin Machine II (1991) was Bowie's first album to miss the UK top 20 in nearly twenty years, and was controversial for its cover art. Depicting four ancient nude Kouroi statues, the new record label, Victory, deemed the cover "a show of wrong, obscene images" and airbrushed the statues' genitalia for the American release. Tin Machine toured again, but after the live album Tin Machine Live: Oy Vey, Baby (1992) failed commercially, Bowie dissolved the band and resumed his solo career. He continued to collaborate with Gabrels for the rest of the 1990s. On 20 April 1992, Bowie appeared at The Freddie Mercury Tribute Concert, following the Queen singer's death the previous year. As well as performing "'Heroes'" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part; during his appearance, Bowie knelt and recited the Lord's Prayer at Wembley Stadium. Four days later, Bowie and Iman married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead. In 1993, Bowie released his first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced Black Tie White Noise. Making prominent use of electronic instruments, the album, which reunited Bowie with Let's Dance producer Nile Rodgers, confirmed Bowie's return to popularity, topping the UK chart and spawning three top 40 hits, including the top 10 single "Jump They Say". Bowie explored new directions on The Buddha of Suburbia (1993), which began as a soundtrack album for the BBC television adaptation of Hanif Kureishi's novel of the same name before turning into a full album; only the title track was used in the programme. Referencing his 1970s works with pop, jazz, ambient and experimental material, it received a low-key release, had almost no promotion and flopped commercially, reaching number 87 in the UK. Nevertheless, it later received critical praise as Bowie's "lost great album". Reuniting Bowie with Eno, the quasi-industrial Outside (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved UK and US chart success and yielded three top 40 UK singles. In a move that provoked mixed reactions from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February 1996, the tour saw the return of Gabrels as Bowie's guitarist. On 7 January 1997, Bowie celebrated his half century with a 50th birthday concert at Madison Square Garden at which he was joined in playing his songs and those of his guests, Lou Reed, Dave Grohl and the Foo Fighters, Robert Smith of the Cure, Billy Corgan of the Smashing Pumpkins, Black Francis of the Pixies, and Sonic Youth. Incorporating experiments in jungle and drum 'n' bass, Earthling (1997) was a critical and commercial success in the UK and the US, and two singles from the album—"Little Wonder" and "Dead Man Walking"—became UK top 40 hits. The song "I'm Afraid of Americans" from the Paul Verhoeven film Showgirls was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US Billboard Hot 100. Bowie received a star on the Hollywood Walk of Fame on 12 February 1997. The Earthling Tour took place in Europe and North America between June and November. In November, Bowie performed on the BBC's Children in Need charity single "Perfect Day", which reached number one in the UK. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for The Rugrats Movie. Although the track was edited out of the final cut, it was later re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations with his old producer, including a limited-edition single release version of Placebo's track "Without You I'm Nothing" with Bowie's harmonised vocal added to the original recording. Bowie, with Gabrels, created the soundtrack for Omikron: The Nomad Soul, a 1999 computer game in which he and Iman also voiced characters based on their likenesses. Released the same year and containing re-recorded tracks from Omikron, his album Hours featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Hours and a performance on VH1 Storytellers in mid-1999 represented the end of Gabrels' association with Bowie as a performer and songwriter. Sessions for Toy, a planned collection of remakes of tracks from Bowie's 1960s period, commenced in 2000, but was shelved due to EMI/Virgin's lack of faith in its commercial appeal. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album Heathen. On 25 June 2000, Bowie made his second appearance at the Glastonbury Festival in England, playing almost 30 years after his first. The performance was released as a live album in November 2018. On 27 June, he performed a concert at the BBC Radio Theatre in London, which was released on the compilation album Bowie at the Beeb; this also featured BBC recording sessions from 1968 to 1972. Bowie and Iman's daughter, Alexandra, was born on 15 August. His interest in Buddhism led him to support the Tibetan cause by performing at the February 2001 and February 2003 concerts to support Tibet House US at Carnegie Hall in New York. In October 2001, Bowie opened the Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "'Heroes'". 2002 saw the release of Heathen, and, during the second half of the year, the Heathen Tour. Taking place in Europe and North America, the tour opened at London's annual Meltdown festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and the Dandy Warhols. As well as songs from the new album, the tour featured material from Bowie's Low era. Reality (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. On 13 June, Bowie headlined the last night of the Isle of Wight Festival 2004. On 25 June, he experienced chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked coronary artery, requiring an emergency angioplasty in Hamburg. The remaining fourteen dates of the tour were cancelled. In the years following his recuperation from the heart attack, Bowie reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1971 song "Changes" with Butterfly Boucher for the 2004 animated film Shrek 2. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film Stealth. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed backing vocals on TV on the Radio's song "Province" for their album Return to Cookie Mountain, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album No Balance Palace. Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I'm taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a benefit event for Keep a Child Alive at the Hammerstein Ballroom in New York. The performance marked the last time Bowie performed his music on stage. Bowie was chosen to curate the 2007 High Line Festival. The musicians and artists he selected for the Manhattan event included electronic pop duo AIR, surrealist photographer Claude Cahun and English comedian Ricky Gervais. Bowie performed on Scarlett Johansson's 2008 album of Tom Waits covers, Anywhere I Lay My Head. In June 2008, a live album was released of a Ziggy Stardust-era concert from 1972. On the 40th anniversary of the July 1969 Moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. A live album from the A Reality Tour was released in January 2010. In late March 2011, Toy, Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for Heathen and most of its single B-sides, as well as unheard new versions of his early back catalogue. On 8 January 2013, his 66th birthday, his website announced a new studio album—his first in a decade—to be titled The Next Day and scheduled for release in March; the announcement was accompanied by the immediate release of the single "Where Are We Now?". A music video for the single was released onto Vimeo the same day, directed by New York artist Tony Oursler. The single topped the UK iTunes Chart within hours of its release, and debuted in the UK Singles Chart at number six, his first single to enter the Top 10 for two decades (since "Jump They Say" in 1993). A second single and video, "The Stars (Are Out Tonight)", were released at the end of February. Directed by Floria Sigismondi, it stars Bowie and Tilda Swinton as a married couple. Recorded in secret between 2011 and 2012, 29 songs were recorded during the album's sessions, of which 22 saw official release in 2013, including fourteen on the standard album. Three bonus tracks were later packaged with seven outtakes and remixes on The Next Day Extra, released in November. On 1 March, the album was made available to stream for free through iTunes. Debuting at number one on the UK Albums Chart, The Next Day was his first album to top the chart since Black Tie White Noise, and was the fastest-selling album of 2013 at the time. The music video for the song "The Next Day" created some controversy due to its Christian themes and messages, initially being removed from YouTube for terms-of-service violation, then restored with a warning recommending viewing only by those 18 or over. According to The Times, Bowie ruled out ever giving an interview again. Later in 2013, he was featured in a cameo vocal in the Arcade Fire song "Reflektor". A poll carried out by BBC History Magazine in October 2013 named Bowie as the best-dressed Briton in history. The success of The Next Day saw Bowie become the oldest ever recipient of a Brit Award when he won the award for British Male Solo Artist at the 2014 Brit Awards, which was collected on his behalf by Kate Moss. In mid-2014, Bowie was diagnosed with liver cancer, which he kept private. A new compilation album, Nothing Has Changed, was released in November. The album featured rare tracks and old material from his catalogue in addition to a new song, "Sue (Or in a Season of Crime)". Bowie continued working throughout 2015, secretly recording his final album Blackstar in New York between January and May. In August, it was announced that he was writing songs for a Broadway musical based on the SpongeBob SquarePants cartoon series; the final production included a retooled version of "No Control" from Outside. He also wrote and recorded the opening title song to the television series The Last Panthers, which aired in November. The theme that was used for The Last Panthers was also the title track for Blackstar. On 7 December, Bowie's musical Lazarus debuted in New York; he made his final public appearance at its opening night. Blackstar was released on 8 January 2016, Bowie's 69th birthday, and was met with critical acclaim. He died two days later, after which Visconti revealed that Bowie had planned the album to be his swan song, and a "parting gift" for his fans before his death. Several reporters and critics subsequently noted that most of the lyrics on the album seem to revolve around his impending death, with CNN noting that the album "reveals a man who appears to be grappling with his own mortality". Visconti also said that he had been planning a follow-up album, and had written and recorded demos of five songs in his final weeks, suggesting he believed he had a few months left. The day following his death, online viewing of Bowie's music skyrocketed, breaking the record for Vevo's most viewed artist in a single day. Blackstar debuted at number one on the UK Albums Chart; nineteen of his albums were in the UK Top 100 Albums Chart, and thirteen singles were in the UK Top 100 Singles Chart. Blackstar also debuted at number one on album charts around the world, including Australia, France, Germany, Italy, New Zealand and the US Billboard 200. In September 2016, a box set Who Can I Be Now? (1974–1976) was released covering Bowie's mid-1970s soul period; it included The Gouster, a previously unreleased 1974 album that evolved into Young Americans. An EP, No Plan, was released on 8 January 2017, which would have been Bowie's 70th birthday. Apart from "Lazarus", the EP includes three songs that Bowie recorded during the Blackstar sessions, but were left off the album and appeared on the soundtrack album for the Lazarus musical in October 2016. A music video for the title track was also released. 2017 and 2018 also saw the release of a series of posthumous live albums, Cracked Actor (Live Los Angeles '74), Live Nassau Coliseum '76 and Welcome to the Blackout (Live London '78). In the two years following his death, Bowie sold five million records in the UK alone. In their top 10 list for the Global Recording Artist of the Year, the International Federation of the Phonographic Industry named Bowie the second-bestselling artist worldwide in 2016, behind Drake. At the 59th Annual Grammy Awards in 2017, Bowie won all five nominated awards: Best Rock Performance; Best Alternative Music Album; Best Engineered Album, Non-Classical; Best Recording Package; and Best Rock Song. They were Bowie's first Grammy wins in musical categories. On 8 January 2020, on what would have been Bowie's 73rd birthday, a previously unreleased version of "The Man Who Sold the World" was released and two releases were announced: a streaming-only EP, Is It Any Wonder?, and an album, ChangesNowBowie, released in November 2020 for Record Store Day. In August, another series of live shows were released, including sets from Dallas in 1995 and Paris in 1999. These and other shows, part of a series of live concerts spanning his tours from 1995 to 1999, was released in late 2020 and early 2021 as part of the box set Brilliant Live Adventures. In September 2021, Bowie's estate signed a distribution deal with Warner Music Group, beginning in 2023, covering Bowie's recordings from 2000 through 2016. Bowie's album Toy, recorded in 2000, was released on what would have been Bowie's 75th birthday. On 3 January 2022, Variety reported that Bowie's estate had sold his publishing catalogue to Warner Chappell Music, "for a price upwards of $250 million". In addition to music, Bowie took acting roles throughout his career, appearing in over 30 films, television shows and theatrical productions. His acting career was "productively selective", largely eschewing starring roles for cameos and supporting parts; he once described his film career as "splashing in the kids' pool". He mostly chose projects with arthouse directors that he felt were outside the Hollywood mainstream, commenting in 2000: "One cameo for Scorsese to me brings so much more satisfaction than, say, a James Bond." Critics have believed that, had he not chosen to pursue music, he could have found great success as an actor. Others have felt that, while his screen presence was singular, his best contributions to film were the use of his songs in films such as Lost Highway, A Knight's Tale, The Life Aquatic with Steve Zissou and Inglourious Basterds. Bowie's acting career predated his commercial breakthrough as a musician. His first film was a short fourteen-minute black-and-white film called The Image, shot in September 1967. Concerning a ghostly boy who emerges from a troubled artist's painting to haunt him, Bowie later called the film "awful". From December 1967 to March 1968, Bowie acted in mime Lindsay Kemp's theatrical production Pierrot in Turquoise, during which he performed several songs from his self-titled debut album. The production was later adapted into the 1970 television film The Looking Glass Murders. In late January 1968, Bowie filmed a walk-on role for the BBC drama series Theatre 625 that aired in May. He also appeared as a walk-on extra in the 1969 film adaptation of Leslie Thomas's 1966 comic novel The Virgin Soldiers. Bowie's first major film role was in Nicolas Roeg's The Man Who Fell to Earth, in which he portrayed Thomas Jerome Newton, an alien from a dying planet. The actor's severe cocaine addiction at the time left him in such a fragile state of mind that he barely understood the film; he later said in 1993: "My one snapshot of that film is not having to act. Just being me as I was, was perfectly adequate for the role. I wasn't of this earth at that particular time." Bowie's role was particularly singled out for praise by film critics both on release and in later decades; Pegg argues it stands as Bowie's most significant role. In 1978, Bowie had a starring role in Just a Gigolo, directed by David Hemmings, portraying Prussian officer Paul von Przygodski, who, returning from World War I, discovers life has changed and becomes a gigolo employed by a Baroness, playing by Marlene Dietrich. The film was a critical and commercial failure, and Bowie expressed disappointment in the finished product. From July 1980 to January 1981, Bowie played Joseph Merrick in the Broadway theatre production The Elephant Man, which he undertook wearing no stage make-up, earning critical praise for his performance. Christiane F., a 1981 biographical film focusing on a young girl's drug addiction in West Berlin, featured Bowie in a cameo appearance as himself at a concert in Germany. Its soundtrack album, Christiane F. (1981), featured much material from his Berlin albums. The following year, he starred in the titular role in a BBC adaptation of the Bertolt Brecht play Baal. Bowie made three on-screen appearances in 1983, the first as a vampire in Tony Scott's erotic horror film The Hunger, with Catherine Deneuve and Susan Sarandon. Bowie later said that he felt "very uncomfortable" with the role, but was happy to work with Scott. The second was in Nagisa Ōshima's Merry Christmas, Mr. Lawrence, based on Laurens van der Post's novel The Seed and the Sower, in which he played Major Jack Celliers, a prisoner of war in a Japanese internment camp. While the film itself received mixed reviews, Bowie's performance was praised. Pegg places it among his finest acting performances. Bowie's third role in 1983 was a small cameo in Mel Damski's pirate comedy Yellowbeard, heralded by several members of the Monty Python group. Bowie also filmed a 30-second introduction to the animated film The Snowman, based on Raymond Briggs's book of the same name. In 1985, Bowie had a supporting role as hitman Colin in John Landis's Into the Night. He declined to play the villain Max Zorin in the James Bond film A View to a Kill (1985). Bowie reteamed with Julian Temple for Absolute Beginners, a rock musical film adapted from Colin MacInnes's book of the same name about life in late 1950s London, in a supporting role as ad man Vendice Partners. The same year, Jim Henson's dark musical fantasy Labyrinth cast him as Jareth, the villainous Goblin King. Despite initially performing poorly, the film grew in popularity and became a cult film. Two years later, he played Pontius Pilate in Martin Scorsese's critically acclaimed biblical epic The Last Temptation of Christ (1988). Despite only appearing for a three-minute sequence, Pegg writes that Bowie "acquits himself well with a thoughtful, unshowy performance." In 1991, Bowie reteamed with Landis for an episode of the HBO sitcom Dream On and played a disgruntled restaurant employee opposite Rosanna Arquette in The Linguini Incident. Bowie portrayed the mysterious FBI agent Phillip Jeffries in David Lynch's Twin Peaks: Fire Walk with Me (1992). The prequel to the television series was poorly received at the time of its release, but has since been critically reevaluated. He took a small but pivotal role as his friend Andy Warhol in Basquiat, artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, another artist he considered a friend and colleague. Bowie co-starred in Giovanni Veronesi's Spaghetti Western Il Mio West (1998, released as Gunslinger's Revenge in the US in 2005) as the most feared gunfighter in the region. He played the ageing gangster Bernie in Andrew Goth's Everybody Loves Sunshine (1999, released in the US as B.U.S.T.E.D.), and appeared as the host in the second season of the television horror anthology series The Hunger. Despite having several episodes which focus on vampires and Bowie's involvement, the show had no plot connection to the 1983 film of the same name. In 1999, Bowie voiced two characters in the Dreamcast game Omikron: The Nomad Soul, his only appearance in a video game. In Mr. Rice's Secret (2000), Bowie played the title role as the neighbour of a terminally ill 12-year-old boy. Bowie appeared as himself in the 2001 Ben Stiller comedy Zoolander, judging a "walk-off" between rival male models, and in Eric Idle's 2002 mockumentary The Rutles 2: Can't Buy Me Lunch. In 2005, he filmed a commercial with Snoop Dogg for XM Satellite Radio. Bowie portrayed a fictionalised version of the inventor Nikola Tesla in Christopher Nolan's film The Prestige (2006), which was about the bitter rivalry between two magicians in the late 19th century. Nolan later claimed that Bowie was his only preference to play Tesla, and that he personally appealed to Bowie to take the role after he initially passed. In the same year, he voice-acted in Luc Besson's animated film Arthur and the Invisibles as the powerful villain Maltazard, and appeared as himself in an episode of the Ricky Gervais and Stephen Merchant television series Extras. In 2007, he voiced the character Lord Royal Highness in the SpongeBob's Atlantis SquarePantis television film. In the 2008 film August, directed by Austin Chick, he played a supporting role as Ogilvie, a "ruthless venture capitalist." Bowie's final film appearance was a cameo as himself in the 2009 teen comedy Bandslam. In a 2017 interview with Consequence of Sound, the director Denis Villeneuve revealed his intention to cast Bowie in Blade Runner 2049 as the main villain but following his death, Villeneuve was forced to look for talent with similar "rock star" qualities, eventually casting the actor and singer Jared Leto. Talking about the casting process, Villeneuve said: "Our first thought [for the character] had been David Bowie, who had influenced Blade Runner in many ways. When we learned the sad news, we looked around for someone like that. He [Bowie] embodied the Blade Runner spirit." David Lynch also hoped to have Bowie reprise his Fire Walk With Me character for Twin Peaks: The Return but Bowie's illness prevented this. His character was portrayed via archival footage. At Bowie's request, Lynch overdubbed Bowie's original dialogue with a different actor's voice, as Bowie was unhappy with his Cajun accent in the original film. Bowie was a painter and artist. He moved to Switzerland in 1976, purchasing a chalet in the hills north of Lake Geneva. In the new environment, his cocaine use decreased, and he devoted more time to his painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of Sandford, "a prolific producer and collector of contemporary art. ... Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography." One of Bowie's paintings sold at auction in late 1990 for $500, and the cover for his 1995 album Outside is a close-up of a self-portrait he painted that year. His first solo show, titled New Afro/Pagan and Work: 1975–1995, was in 1995 at The Gallery in Cork Street, London. In 1997, he founded the publishing company 21 Publishing, whose first title was Blimey! – From Bohemia to Britpop: London Art World from Francis Bacon to Damien Hirst by Matthew Collings. A year later, Bowie was invited to join the editorial board of the journal Modern Painters, and participated in the Nat Tate art hoax later that year. The same year, during an interview with Michael Kimmelman for The New York Times, he said "Art was, seriously, the only thing I'd ever wanted to own." Subsequently, in a 1999 interview for the BBC, he said "The only thing I buy obsessively and addictively is art". His art collection, which included works by Damien Hirst, Derek Boshier, Frank Auerbach, Henry Moore, and Jean-Michel Basquiat among others, was valued at over £10 million in mid-2016. After his death, his family decided to sell most of the collection because they "didn't have the space" to store it. On 10 and 11 November, three auctions were held at Sotheby's in London. The items on sale represented about 65 per cent of the collection. Exhibition of the works in the auction attracted 51,470 visitors, the auction itself was attended by 1,750 bidders, with over 1,000 more bidding online. The auctions has overall sale total £32.9 million (app. $41.5 million), while the highest-selling item, Basquiat's graffiti-inspired painting Air Power, sold for £7.09 million. Outside of music, Bowie dabbled in several forms of writings during his life. In the late 1990s, Bowie was commissioned for writings of various media, including an essay on Jean-Michel Basquiat for the 2001 anthology book Writers on Artists and forewords to Jo Levin's 2001 publication GQ Cool, Mick Rock's 2001 photography portfolio Blood and Glitter, his wife Iman's 2001 book I Am Iman, Q magazine's 2002 special The 100 Greatest Rock 'n' Roll Photographs and Jonathan Barnbrook's artwork portfolio Barnbrook Bible: The Graphic Design of Jonathan Barnbrook. He also heavily contributed to the 2002 Genesis Publications memoir of the Ziggy Stardust years, Moonage Daydream, which was rereleased in 2022. Bowie also wrote liner notes for several albums, including Too Many Fish in the Sea by Robin Clark, the wife of his guitarist Carlos Alomar, Stevie Ray Vaughan's posthumous Live at Montreux 1982 & 1985 (2002), the Spinners' compilation The Chrome Collection (2003), the tenth anniversary reissue of Placebo's debut album (2006) and Neu!'s Vinyl Box (2010). Bowie also wrote an appreciation piece in Rolling Stone for Nine Inch Nails in 2005 and an essay for the booklet accompanying Iggy Pop's A Million in Prizes: The Anthology the same year. "Bowie Bonds", the first modern example of celebrity bonds, were asset-backed securities of current and future revenues of the 25 albums that Bowie recorded before 1990. Issued in 1997, the bonds were bought for US$55 million by the Prudential Insurance Company of America. Royalties from the 25 albums generated the cash flow that secured the bonds' interest payments. By forfeiting 10 years worth of royalties, Bowie received a payment of US$55 million up front. Bowie used this income to buy songs owned by Defries. The bonds liquidated in 2007 and the rights to the income from the songs reverted to Bowie. Bowie launched two personal websites during his lifetime. The first, an Internet service provider titled BowieNet, was developed in conjunction with Robert Goodale and Ron Roy and launched in September 1998. Subscribers to the dial-up service were offered exclusive content as well as a BowieNet email address and Internet access. The service was closed by 2006. The second, www.bowieart.com, allowed fans to view and purchase selected paintings, prints and sculptures from his private collection. The service, which ran from 2000 to 2008, also offered a showcase for young art students, in Bowie's words, "to show and sell their work without having to go through a dealer. Therefore, they really make the money they deserve for their paintings." From the time of his earliest recordings in the 1960s, Bowie employed a wide variety of musical styles. His early compositions and performances were strongly influenced by rock and roll singers like Little Richard and Elvis Presley, and also the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, David Bowie (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's fascination with music hall continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop. The musicologist James E. Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in "Space Oddity", and later in "'Heroes'" to dramatic effect; the author writes that "in the lowest part of his vocal register ... his voice has an almost crooner-like richness". The voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". The authors Scott Schinder and Andy Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, Bowie's roleplaying is evident: the historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them ... His voice changes dramatically from section to section." In addition to the guitar, Bowie also played a variety of keyboards, including piano, Mellotron, Chamberlin, and synthesisers; harmonica; alto and baritone saxophones; stylophone; viola; cello; koto (on the "Heroes" track "Moss Garden"); thumb piano; drums (on the Heathen track "Cactus"), and various percussion instruments. Bowie married his first wife, Mary Angela Barnett, on 19 March 1970 at Bromley Register Office in Bromley, London. Their son Duncan, born on 30 May 1971, was at first known as Zowie. Angie later described her and David's union as a marriage of convenience. "We got married so that I could [get a permit to] work. I didn't think it would last and David said, before we got married, 'I'm not really in love with you' and I thought that's probably a good thing", she said. Bowie said about Angie that "living with her is like living with a blow torch." The couple divorced on 8 February 1980; David received custody of Duncan. After the gag order that was part of their divorce agreement ended, Angie wrote a memoir of their turbulent marriage, titled Backstage Passes: Life on the Wild Side with David Bowie. David met Somali-American model Iman in Los Angeles following the Sound+Vision Tour in October 1990. They married in a private ceremony in Lausanne on 24 April 1992. The wedding was solemnised on 6 June in Florence. The couple's marriage influenced the content of Black Tie White Noise, particularly on tracks such as "The Wedding"/"The Wedding Song" and "Miracle Goodnight". They had one daughter, Alexandria "Lexi" Zahra Jones, born on 15 August 2000. The couple resided primarily in New York City and London as well as owning an apartment in Sydney's Elizabeth Bay and Britannia Bay House on the island of Mustique. Following Bowie's death, Iman expressed gratitude that the two were able to maintain separate identities during their marriage. Bowie began a personal and professional relationship with the singer Dana Gillespie in 1964 when he was 17 and she was 14. Their relationship lasted a decade; Bowie wrote the song "Andy Warhol" for her, Gillespie sang backing vocals on Ziggy Stardust, and Bowie and Mick Ronson produced her 1973 album Weren't Born a Man. Bowie ended contact with Gillespie following his split from Angie. Gillespie looked back on her time with Bowie fondly. Bowie met the dancer Lindsay Kemp in 1967 and enrolled in his dance class at the London Dance Centre. He commented in 1972 that meeting Kemp was when his interest in image "really blossomed": "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus." In January 1968, Kemp choreographed a dance scene for a BBC play, The Pistol Shot, and used Bowie with a dancer, Hermione Farthingale; the pair began dating and moved into a London flat together. Bowie and Farthingale broke up in early 1969 when she went to Norway to take part in a film, Song of Norway; this affected him, and several songs, such as "Letter to Hermione" and "An Occasional Dream", reference her; and, for the video accompanying "Where Are We Now?", he wore a T-shirt with the words "m/s Song of Norway". Bowie blamed himself for their break-up, saying in 2002 that he "was totally unfaithful and couldn't for the life of me keep it zipped." Farthingale, who spoke of deep affection for him in an interview with Pegg, said they last saw each other in 1970. David and Angie had an open marriage and dated other people during it: David had relationships with the models Cyrinda Foxe and Bebe Buell, and the Young Americans backing singer Ava Cherry; Angie had encounters with the Stooges' members Ron Asheton and James Williamson, and the Ziggy Stardust Tour bodyguard Anton Jones. In 1983, Bowie briefly dated the New Zealand model Geeling Ng, who starred in the video for "China Girl". While filming The Hunger the same year, Bowie had a sexual relationship with his co-star Susan Sarandon, who stated in 2014 "He's worth idolising. He's extraordinary." Between 1987 and 1990, Bowie dated the Glass Spider Tour dancer Melissa Hurley. The two began their relationship at the end of the tour when she was only 22 years old. Bowie's Tin Machine collaborator Kevin Armstrong remembered her as "a genuinely kind, sweet person". She inspired the song "Amazing" on Tin Machine (1989). They announced their engagement in May 1989 but never married; Bowie broke the relationship off during the latter half of the Sound+Vision Tour, primarily due to the age difference—he was 43 at the time. He later spoke of Hurley as "such a wonderful, lovely, vibrant girl". Corinne "Coco" Schwab was Bowie's personal assistant for 43 years, from 1973 until his death in 2016. Originally a receptionist at the London office of MainMan, Schwab assisted in extracting Bowie from MainMan's financial grip, after which he invited her to be his personal assistant. Bowie referred to Schwab as his best friend and credited her for saving his life in the 1970s by helping him quit his drug addiction; he dedicated the 1987 song "Never Let Me Down" to her. Schwab maintained close guard of him and did not get along with Angie, who later blamed Schwab for the downfall of her and Bowie's marriage. Bowie left $2 million to Schwab in his will. Upon his death, friends of Bowie including Tony Zanetta and Robin Clark offered tributes to Schwab. Bowie's sexuality has been the subject of debate. While married to Angie, he famously declared himself gay in a 1972 interview with Melody Maker journalist Michael Watts, which generated publicity in both America and Britain; Bowie was adopted as a gay icon in both countries. According to Buckley, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." He affirmed his stance in a 1976 interview with Playboy, stating: "It's true—I am a bisexual. But I can't deny that I've used that fact very well. I suppose it's the best thing that ever happened to me." His claim of bisexuality has been supported by Angie. In 1983, Bowie told Rolling Stone writer Kurt Loder that his public declaration of bisexuality was "the biggest mistake I ever made" and "I was always a closet heterosexual". On other occasions, he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than of his own feelings. Blender asked Bowie in 2002 whether he still believed his public declaration was his biggest mistake. After a long pause, he said, "I don't think it was a mistake in Europe, but it was a lot tougher in America. I had no problem with people knowing I was bisexual. But I had no inclination to hold any banners nor be a representative of any group of people." Bowie said he wanted to be a songwriter and performer rather than a headline for his bisexuality, and in "puritanical" America, "I think it stood in the way of so much I wanted to do." Buckley wrote that Bowie "mined sexual intrigue for its ability to shock." According to Mary Finnigan—a brief girlfriend of Bowie's in 1969—David and Angie "created their bisexual fantasy". Sandford wrote that David "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' ... Gay sex was always an anecdotal and laughing matter." The BBC's Mark Easton stated in 2016 that Britain was "far more tolerant of difference", and that gay rights and gender equality would not have "enjoyed the broad support they do today without Bowie's androgynous challenge all those years ago". Beginning in 1967 from the influence of his half-brother, Bowie became interested in Buddhism and, with commercial success eluding him, he considered becoming a Buddhist monk. Biographer Marc Spitz states that the religion reminded the young artist that other goals in life existed outside fame and material gain and one can learn about themselves through meditation and chanting. After a few months' study at Tibet House in London, he was told by his Lama, Chime Rinpoche, "You don't want to be Buddhist. ... You should follow music." By 1975, Bowie admitted, "I felt totally, absolutely alone. And I probably was alone because I pretty much had abandoned God." In his will, Bowie stipulated that he be cremated and his ashes scattered in Bali "in accordance with the Buddhist rituals". After Bowie married Iman in a private ceremony in 1992, he said they knew that their "real marriage, sanctified by God, had to happen in a church in Florence". Earlier that year, he knelt on stage at The Freddie Mercury Tribute Concert and recited the Lord's Prayer before a television audience. In 1993, Bowie said he had an "undying" belief in the "unquestionable" existence of God. In a separate 1993 interview, while describing the genesis of the music for his album Black Tie White Noise, he said "it was important for me to find something [musically] that also had no sort of representation of institutionalized and organized religion, of which I'm not a believer, I must make that clear." Interviewed in 2005, Bowie said whether God exists "is not a question that can be answered. ... I'm not quite an atheist and it worries me. There's that little bit that holds on: 'Well, I'm almost an atheist. Give me a couple of months. ... I've nearly got it right.'" He had a tattoo of the Serenity Prayer in Japanese on his left calf. Bowie stated that "questioning [his] spiritual life [was] always ... germane" to his songwriting. The song "Station to Station" is "very much concerned with the Stations of the Cross"; the song also specifically references Kabbalah. Bowie called the album "extremely dark ... the nearest album to a magick treatise that I've written". Earthling showed "the abiding need in me to vacillate between atheism or a kind of gnosticism ... What I need is to find a balance, spiritually, with the way I live and my demise." Hours boasted overtly Christian themes, with its artwork inspired by the Pietà. Blackstar's "Lazarus" began with the words, "Look up here, I'm in Heaven" while the rest of the album deals with other matters of mysticism and mortality. As a seventeen-year-old still known as Davy Jones, he was a cofounder and spokesman for the Society for the Prevention of Cruelty to Long-Haired Men in response to members of the Manish Boys being asked to cut their hair before a BBC television appearance. He and his bandmates were interviewed on the network's 12 November 1964 instalment of Tonight to champion their cause. He stated on the programme, "I think we all like long hair and we don't see why other people should persecute us because of it." In 1976, speaking as the Thin White Duke persona and "at least partially tongue-in-cheek", he made statements that expressed support for fascism and perceived admiration for Adolf Hitler in interviews with Playboy, NME and a Swedish publication. Bowie was quoted as saying: "Britain is ready for a fascist leader ... I think Britain could benefit from a fascist leader. After all, fascism is really nationalism... I believe very strongly in fascism, people have always responded with greater efficiency under a regimental leadership." He was also quoted as saying: "Adolf Hitler was one of the first rock stars" and "You've got to have an extreme right front come up and sweep everything off its feet and tidy everything up." These comments, along with Eric Clapton's comments in support of Enoch Powell at that time, have been named as an inspiration for the formation of the Rock Against Racism movement. Bowie retracted his comments in an interview with Melody Maker in October 1977, blaming them on mental instability caused by his drug problems, saying: "I was out of my mind, totally, completely crazed." In the same interview, Bowie described himself as "apolitical", stating "the more I travel and the less sure I am about exactly which political philosophies are commendable. The more government systems I see, the less enticed I am to give my allegiance to any set of people, so it would be disastrous for me to adopt a definitive point of view, or to adopt a party of people and say 'these are my people'." In the 1980s and 1990s, Bowie's public statements shifted sharply towards anti-racism and anti-fascism. In an interview with MTV anchor Mark Goodman in 1983, Bowie criticised the channel for not providing enough coverage of Black musicians, becoming visibly uncomfortable when Goodman suggested that the network's fear of backlash from the American Midwest was one reason for such a lack of coverage. The music videos for "China Girl" and "Let's Dance" were described by Bowie as a "very simple, very direct" statement against racism. The album Tin Machine took a more direct stance against fascism and neo-Nazism, and was criticised for being too preachy. In 1993 he released the single "Black Tie White Noise" which dealt with the 1992 LA riots. In 2007 Bowie donated $10,000 to the defence fund for the Jena Six saying, "there is clearly a separate and unequal judicial process going on in the town of Jena". When Bowie won the British Male Solo Artist award at the 2014 Brit Awards, he referenced the forthcoming Scottish independence referendum by saying, "Scotland, stay with us." This garnered a significant reaction throughout the UK on social media. Bowie was involved in philanthropic and charitable efforts for HIV/AIDS research in Africa, as well as other humanitarian projects helping disadvantaged children and developing nations, ending poverty and hunger, promoting human rights, and providing education and health care to children affected by war. A portion of the proceeds from the Pay-per-view showing of Bowie's 50th birthday concert in 1997 was donated to Save the Children. Bowie died of liver cancer in his New York City apartment on 10 January 2016. He had been diagnosed 18 months earlier, but he had not made his condition public. The Belgian theatre director Ivo van Hove, who had worked with Bowie on his off-Broadway musical Lazarus, explained that he was unable to attend rehearsals due to the progression of the disease. He noted that Bowie had kept working during the illness. Tony Visconti wrote: He always did what he wanted to do. And he wanted to do it his way and he wanted to do it the best way. His death was no different from his life – a work of art. He made Blackstar for us, his parting gift. I knew for a year this was the way it would be. I wasn't, however, prepared for it. He was an extraordinary man, full of love and life. He will always be with us. For now, it is appropriate to cry. Following Bowie's death, fans gathered at impromptu street shrines. At the mural of Bowie in his birthplace of Brixton, South London, which shows him in his Aladdin Sane character, fans laid flowers and sang his songs. Other memorial sites included Berlin, Los Angeles, and outside his apartment in New York. After news of his death, sales of his albums and singles soared. Bowie had insisted that he did not want a funeral, and according to his death certificate he was cremated in New Jersey on 12 January. As he wished in his will, his ashes were scattered in a Buddhist ceremony in Bali, Indonesia. Bowie is generally regarded as one of the most influential musicians of all time. According to Alexis Petridis of The Guardian, by 1980 he was "the most important and influential artist since the Beatles". His influence was wide-reaching due to constant reinvention, paving the way for performers such as Madonna and Lady Gaga, and leading him to be dubbed the "chameleon of rock". The biographer Thomas Forget said in 2002: "Because he succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie." Neil McCormick of The Daily Telegraph stated that Bowie had "one of the supreme careers in popular music, art and culture of the 20th century" and "he was too inventive, too mercurial, too strange for all but his most devoted fans to keep up with". Bowie's songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing its immediate forms and subsequent development. Perone credited Bowie with having "brought sophistication to rock music", and critical reviews frequently acknowledged the intellectual depth of his work and influence. The BBC's arts editor Will Gompertz likened Bowie to Pablo Picasso, writing that he was "an innovative, visionary, restless artist who synthesised complex avant garde concepts into beautifully coherent works that touched the hearts and minds of millions". Schinder and Schwartz credited Bowie and Marc Bolan as the founders of the glam rock genre. He also inspired the innovators of the punk rock movement and explored grunge and alternative rock styles with the band Tin Machine before those styles became popular. In The New York Times, Jon Pareles said Bowie "transcended music, art and fashion", and introduced his audiences to Philadelphia funk, Japanese fashion, German electronica and drum-and-bass dance music. Billboard's Joe Lynch argued Bowie "influenced more musical genres than any other rock star", from glam rock, folk rock and hard rock, to electronic, industrial rock and synth-pop, to even hip hop and indie rock. Broadcaster John Peel contrasted Bowie with his progressive rock contemporaries, arguing that Bowie was "an interesting kind of fringe figure... on the outskirts of things". Peel said he "liked the idea of him reinventing himself... the one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change"; then Bowie "subverted the whole notion of what it was to be a rock star". Buckley called Bowie "both star and icon. The vast body of work he has produced ... has created perhaps the biggest cult in popular culture. ... His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure." The BBC's Mark Easton argued that Bowie provided fuel for "the creative powerhouse that Britain has become" by challenging future generations "to aim high, to be ambitious and provocative, to take risks", concluding that he had "changed the way the world sees Britain. And the way Britain sees itself". In 2006, Bowie was voted the fourth greatest living British icon in a poll held by the BBC's Culture Show. Annie Zaleski wrote, "Every band or solo artist who's decided to rip up their playbook and start again owes a debt to Bowie". Numerous figures from the music industry whose careers Bowie had influenced paid tribute to him following his death; panegyrics on Twitter (tweets about him peaked at 20,000 a minute an hour after the announcement of his death) also came from outside the entertainment industry and pop culture, such as those from the Vatican, namely Cardinal Gianfranco Ravasi, who quoted "Space Oddity", and the German Federal Foreign Office, which thanked Bowie for his part in the fall of the Berlin Wall and referenced "'Heroes'". On 7 January 2017, the BBC broadcast the 90-minute documentary David Bowie: The Last Five Years. A day later, which would have been Bowie's 70th birthday, a charity concert in his birthplace of Brixton was hosted by close friend and actor Gary Oldman. A David Bowie walking tour through Brixton was also launched, and other events marking his birthday weekend included concerts in New York, Los Angeles, Sydney, and Tokyo. An exhibition of Bowie artefacts, called David Bowie Is, was organised by the Victoria and Albert Museum in London, and shown there in 2013. The London exhibit was visited by over 300,000 people, making it one of the most successful exhibitions ever staged at the museum. Later that year the exhibition began a world tour which started in Toronto and included stops lasting a few months each throughout Europe, Asia and North America before the exhibit ended in 2018 at the Brooklyn Museum. The exhibition hosted around 2,000,000 visitors over its run. The biopic Stardust was announced on 31 January 2019, with musician and actor Johnny Flynn as Bowie, Jena Malone as his wife Angie, and Marc Maron as his publicist. Written by Christopher Bell and directed by Gabriel Range, the film follows Bowie on his first trip to the United States in 1971. Bowie's son Duncan Jones spoke out against the film, saying he was not consulted and that the film would not have permission to use Bowie's music. The film was set to premiere at the 2020 Tribeca Film Festival, but the festival was postponed due to the COVID-19 pandemic. Critics were generally unfavourable in their reviews. A film based on Bowie's musical journey throughout his career was announced on 23 May 2022. Titled Moonage Daydream, after the song of the same name, the film is written and directed by Brett Morgen and features never-before-seen footage, performances and music framed by Bowie's own narration. Morgan stated that "Bowie cannot be defined, he can be experienced... That is why we crafted 'Moonage Daydream' to be a unique cinematic experience." The documentary is the first posthumous film about Bowie to be approved by his estate. After spending five years in production, the film premiered at the 2022 Cannes Film Festival, and was released theatrically in the US in IMAX on 16 September. It received positive reviews. Bowie's 1969 commercial breakthrough, "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in The Man Who Fell to Earth, he won the Saturn Award for Best Actor. In the ensuing decades he received six Grammy Awards and four Brit Awards, including Best British Male Artist twice; the award for Outstanding Contribution to Music in 1996; and the Brits Icon award for his "lasting impact on British culture", given posthumously in 2016. In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government, and received an honorary doctorate from Berklee College of Music. He declined the royal honour of Commander of the Order of the British Empire (CBE) in 2000, and turned down a knighthood in 2003. Bowie later stated "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for." During his lifetime, Bowie sold over 100 million records worldwide, making him one of the best-selling music artists. In the UK, he was awarded nine platinum, eleven gold and eight silver albums, and in the US, five platinum and nine gold. Since 2015, Parlophone has remastered Bowie's catalogue through the "Era" box set series, starting with Five Years (1969–1973). Bowie was announced as the best-selling vinyl artist of the 21st century in 2022. The 2020 revision of Rolling Stone's 500 Greatest Albums of All Time list includes The Rise and Fall of Ziggy Stardust and the Spiders from Mars at number 40, Station to Station at 52, Hunky Dory at 88, Low at 206, and Scary Monsters at 443. On the 2021 revision of the same magazine's 500 Greatest Songs of All Time list, Bowie's songs include "'Heroes'" at number 23, "Life on Mars?" at 105, "Space Oddity" at 189, "Changes" at 200, "Young Americans" at 204, "Station to Station" at 400, and "Under Pressure" at 429. Four of his songs are included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was ranked 29. In 2004, Rolling Stone magazine ranked him 39th on their list of the 100 Greatest Artists of All Time. Bowie was inducted into the Rock and Roll Hall of Fame in 1996 and into the Songwriters Hall of Fame in 2005. He was inducted into the Science Fiction and Fantasy Hall of Fame in 2013. Days after Bowie's death, Rolling Stone contributor Rob Sheffield proclaimed him "the greatest rock star ever". The magazine also listed him as the 39th greatest songwriter of all time. In 2022, Sky Arts ranked him the most influential artist in Britain of the last 50 years "owing to his transcendent influence on British culture". He ranked 32nd on the 2023 Rolling Stone list of the 200 Greatest Singers of All Time. In 2008, the spider Heteropoda davidbowie was named in Bowie's honour. In 2011, his image was chosen by popular vote for the B£10m note of the local currency of his birthplace, the Brixton Pound. On 5 January 2015, a main-belt asteroid was named 342843 Davidbowie. On 13 January 2016, Belgian amateur astronomers at MIRA Public Observatory created a "Bowie asterism" of seven stars which had been in the vicinity of Mars at the time of Bowie's death; the "constellation" forms the lightning bolt on Bowie's face from the cover of his Aladdin Sane album. In March 2017, Bowie featured on a series of UK postage stamps. On 25 March 2018, a statue of Bowie was unveiled in Aylesbury, Buckinghamshire, the town where he debuted Ziggy Stardust. The statue features a likeness of Bowie in 2002 accompanied with various characters and looks from over his career, with Ziggy Stardust at the front. Rue David Bowie in Paris is a short street near the Gare d'Austerlitz. The Man Who Fell to Earth (1976) Merry Christmas, Mr. Lawrence (1983) Labyrinth (1986) The Last Temptation of Christ (1988) Twin Peaks: Fire Walk with Me (1992) Basquiat (1996) The Prestige (2006) Ziggy Stardust Tour (1972–73) Diamond Dogs Tour (1974) Isolar – 1976 Tour (1976) Isolar II – The 1978 World Tour (1978) Serious Moonlight Tour (1983) The Glass Spider Tour (1987) Sound+Vision Tour (1990) The Outside Tour (1995–96) Earthling Tour (1997) Hours Tour (1999) Mini Tour (2000) Heathen Tour (2002) A Reality Tour (2003–04) Official website David Bowie at IMDb David Bowie at the TCM Movie Database David Bowie at the Internet Broadway Database "David Bowie". Rock and Roll Hall of Fame. Portraits of David Bowie at the National Portrait Gallery, London
3. Brian Johnson (b. 1947)
With an HPI of 73.27, Brian Johnson is the 3rd most famous British Singer. His biography has been translated into 42 different languages.
Brian Francis Johnson De Luca (born 5 October 1947) is an English singer and songwriter. In 1980, after the death of Bon Scott, he became the third lead singer of the Australian rock band AC/DC. Johnson was one of the founding members of the rock band Geordie formed in Newcastle upon Tyne in 1971. After a few hit singles, including UK Top 10 "All Because of You" (1973), the band split up in 1978. Following the death of Bon Scott on 19 February 1980, Johnson was asked to audition for AC/DC. AC/DC guitarists and founders Angus and Malcolm Young initially reached out to Brian remembering when Bon had been impressed with him after seeing him perform with Geordie. His first album with AC/DC, Back in Black, became the second-best-selling album of all time, according to most estimates. The Guardian ranked the successful transition to Johnson at No. 36 on their list of 50 key events in rock music history. He and the rest of the band were inducted into the Rock and Roll Hall of Fame in 2003. In March 2016, he temporarily stepped away from the band during the Rock or Bust World Tour due to hearing problems. In September 2020, AC/DC officially confirmed that Johnson along with fellow band-mates Phil Rudd and Cliff Williams had rejoined the band in August 2018 to record the band's 2020 album, Power Up. Johnson is known for his distinctive singing voice and strong Geordie accent. In July 2014, he was awarded an honorary degree of Doctor of Music by Northumbria University in the city of Newcastle in recognition of his significant contribution to the music industry.
4. Joe Cocker (1944 - 2014)
With an HPI of 70.37, Joe Cocker is the 4th most famous British Singer. His biography has been translated into 79 different languages.
John Robert "Joe" Cocker (20 May 1944 – 22 December 2014) was an English singer known for his gritty, bluesy voice and dynamic stage performances that featured expressive body movements. Most of his best known singles, such as "Feelin' Alright?" and "Unchain My Heart", were recordings of songs written by other song writers, though he composed a number of songs for most of his albums as well, often in conjunction with songwriting partner Chris Stainton. His first album featured a recording of the Beatles' "With a Little Help from My Friends", which brought him to near-instant stardom. The song reached number one in the UK in 1968, became a staple of his many live shows (Woodstock and the Isle of Wight in 1969, the Party at the Palace in 2002) and was also known as the theme song for the late 1980s American TV series The Wonder Years. He continued his success with his second album, which included a second Beatles song: "She Came In Through the Bathroom Window". A hastily thrown together 1970 US tour led to the live double-album Mad Dogs & Englishmen, which featured an all-star band organized by Leon Russell. His 1974 recording of "You Are So Beautiful" reached number five in the US, and became his signature song. Cocker's best selling song was the US number one "Up Where We Belong", a duet with Jennifer Warnes that earned a 1983 Grammy Award. He released a total of 22 studio albums over a 43-year recording career. In 1993, Cocker was nominated for the Brit Award for Best British Male Solo Artist. He was awarded a bronze Sheffield Legends plaque in his hometown in 2007, and received an OBE the following year for services to music. Cocker was ranked number 97 on Rolling Stone's 100 greatest singers list. Cocker was born on 20 May 1944 at 38 Tasker Road, Crookes, Sheffield. He was the youngest son of a civil servant, Harold Norman Cocker (1907–2001), at the time of his son's birth serving as an aircraftman in the Royal Air Force, and Madge (née Lee). According to differing family stories, Cocker received his nickname of Joe either from playing a childhood game called "Cowboy Joe", or from a local window cleaner named Joe. Cocker's main musical influences growing up were Ray Charles and Lonnie Donegan. Cocker's first experience singing in public was at age 12 when his elder brother Victor invited him on stage to sing during a gig of his skiffle group. In 1960, along with three friends, Cocker formed his first group, the Cavaliers. For the group's first performance at a youth club, they were required to pay the price of admission before entering. The Cavaliers eventually broke up after a year and Cocker left school to become an apprentice gasfitter working for the East Midlands Gas Board, later British Gas Corporation, while simultaneously pursuing a career in music. Cocker is not related to fellow Sheffield-born musician Jarvis Cocker, despite a rumour to this effect (particularly in Australia, where Jarvis Cocker's father, radio presenter Mac Cocker, allowed listeners to believe that he was Joe's brother), although Joe was a friend of the family and even did some babysitting for Jarvis when the latter was an infant. In 1961, under the stage name "Vance Arnold", Cocker continued his career with a new group, Vance Arnold and the Avengers. The name was a combination of Vince Everett, Elvis Presley's character in Jailhouse Rock (which Cocker misheard as Vance), and country singer Eddy Arnold. The group mostly played in the pubs of Sheffield, performing Chuck Berry and Ray Charles songs. Cocker developed an interest in blues music and sought out recordings by John Lee Hooker, Muddy Waters, Lightnin' Hopkins and Howlin' Wolf. In 1963, they booked their first significant gig when they supported the Rolling Stones at Sheffield City Hall. In 1964, Cocker signed a recording contract as a solo act with Decca and released his first single, a recording of the Beatles' "I'll Cry Instead" (with Big Jim Sullivan and Jimmy Page playing guitars). Despite extensive promotion from Decca lauding his youth and working-class roots, the record was a flop and his recording contract with Decca lapsed at the end of 1964. After Cocker recorded the single, he dropped his stage name and formed a new group, Joe Cocker's Blues Band. There is only one known recording of Joe Cocker's Blues Band on an EP given out by The Sheffield College during Rag Week and called Rag Goes Mad at the Mojo. In 1966, after a year-long hiatus from music, Cocker teamed up with Chris Stainton, whom he had met several years before, to form the Grease Band. The Grease Band was named after Cocker read an interview with jazz keyboardist Jimmy Smith, where Smith positively described another musician as "having a lot of grease". Like the Avengers, Cocker's group mostly played in pubs in and around Sheffield. The Grease Band came to the attention of Denny Cordell, the producer of Procol Harum, the Moody Blues and Georgie Fame. Cocker recorded the single "Marjorine" without the Grease Band for Cordell in a London studio. He then moved to London with Chris Stainton, and the Grease Band was dissolved. Cordell set Cocker up with a residency at the Marquee Club in London, and a "new" Grease Band was formed with Stainton and keyboardist Tommy Eyre. In 1968, Cocker found commercial success with a rearrangement of "With a Little Help from My Friends", another Beatles song, which, many years later, was used as the opening theme for The Wonder Years. The recording features lead guitar from Jimmy Page, drumming by B. J. Wilson, backing vocals from Sue and Sunny, and Tommy Eyre on organ. The single remained in the top ten of the UK Singles Chart for thirteen weeks before eventually reaching number one, on 9 November 1968. It also reached number 68 on the US charts. The new touring line-up of Cocker's Grease Band featured Henry McCullough on lead guitar, who would go on to briefly play with McCartney's Wings. After touring the UK with the Who in autumn 1968 and Gene Pitney and Marmalade in early winter 1969, the Grease Band embarked on their first tour of the US in spring 1969. Cocker's album With a Little Help from My Friends was released soon after their arrival and made number 35 on the American charts, eventually going gold. During his US tour, Cocker played at several large festivals, including the Newport Rock Festival and the Denver Pop Festival. In August, Denny Cordell heard about the planned concert in Woodstock, New York and convinced organiser Artie Kornfeld to book Cocker and the Grease Band for the Woodstock Festival. The group had to be flown into the festival by helicopter due to the large crowds. They performed several songs, including "Feelin' Alright?", "Something's Comin' On", "Let's Go Get Stoned", "I Shall Be Released" and "With a Little Help from My Friends". Cocker would later say that the experience was "like an eclipse ... it was a very special day." Directly after Woodstock, Cocker released his second album, Joe Cocker! Impressed by his version of "With a Little Help from My Friends", Paul McCartney and George Harrison allowed Cocker to use their songs "She Came In Through the Bathroom Window" and "Something" for the album. Recorded during a break in touring in the spring and summer, the album reached number 11 on the US charts and garnered a second UK hit with the Leon Russell song, "Delta Lady". In August 1969, Cocker performed at the Isle of Wight Festival at Wootton Bridge, Isle of Wight, England. Throughout 1969 he was featured on variety TV shows like The Ed Sullivan Show and This Is Tom Jones. Onstage, he exhibited an idiosyncratic physical intensity, flailing his arms and playing air guitar. At the end of the year Cocker was unwilling to embark on another US tour, so he dissolved the Grease Band. Despite Cocker's reluctance to venture out on the road again, an American tour had already been booked so he had to quickly form a new band in order to fulfill his contractual obligations. It proved to be a large group of more than 20 musicians, including pianist and bandleader Leon Russell, three drummers – Jim Gordon, Jim Keltner, and Chuck Blackwell, and backing vocalists Rita Coolidge and Claudia Lennear. Denny Cordell christened the new band "Mad Dogs & Englishmen", after the Noël Coward song of the same name (with its refrain, "Mad dogs and Englishmen go out in the midday sun"). Cocker's music evolved into a more bluesy type of rock, comparable to that of the Rolling Stones. During the ensuing Mad Dogs & Englishmen tour (later described by drummer Jim Keltner as "a big, wild party"), Cocker toured 48 cities, recorded a live album, and received positive reviews from Time and Life for his performances. However, the pace of the tour was exhausting. Russell and Cocker had personal problems; Cocker became depressed and began drinking excessively as the tour wound down in May 1970. Meanwhile, he enjoyed several chart entries in the United States with cover versions of "Feelin' Alright" (originally recorded by Traffic) and "Cry Me a River". His version of the Box Tops' hit "The Letter", which appeared on the live album and film, Mad Dogs & Englishmen, became his first US Top Ten hit. After spending several months in Los Angeles, Cocker returned home to Sheffield, where his family became increasingly concerned with his deteriorating physical and mental health. In the summer of 1971, A&M Records released the single "High Time We Went". This became a hit, reaching number 22 on the US Billboard Hot 100 chart, but was not issued on an album until November 1972 on the Joe Cocker album. In early 1972, after nearly two years away from music, Cocker went on tour with a group that Chris Stainton had formed. He opened with a performance in Madison Square Garden which was attended by about 20,000 people. After touring the United States, he embarked on a European tour where he played to large audiences in Milan and Germany. He then returned to the United States for another tour in autumn 1972. During these tours the group cut the songs that would be part of his newest album, Joe Cocker. A mixture of live songs and studio recordings, the album peaked at number 30 on the US charts. In October 1972, when Cocker toured Australia, he and six members of his entourage were arrested in Adelaide for possession of marijuana. The next day, in Melbourne, assault charges were laid after a brawl at the Commodore Chateau Hotel, and the Australian Federal Police gave Cocker 48 hours to leave the country. This caused huge public outcry in Australia, as Cocker was a high-profile overseas artist and had a strong support base, especially among the baby boomers who were coming of age and able to vote for the first time. It sparked hefty debate about the use and legalisation of marijuana in Australia, and gained Cocker the nickname "the Mad Dog". Shortly after the Australian tour, Stainton retired from his music career to establish his own recording studio. After his friend's departure and his estrangement from his longtime producer Denny Cordell, Cocker sank into depression and began using heroin. In June 1973, he kicked the habit but continued to drink heavily. At the end of 1973, Cocker returned to the studio to record a new album, I Can Stand a Little Rain. The album, released in August 1974, was number 11 on the US charts and one single, a recording of Billy Preston's "You Are So Beautiful", which reached the number 5 slot. Despite positive reviews for the album, Cocker struggled with live performances, largely due to his problems with alcohol. One such instance was reported in a 1974 issue of Rolling Stone, which said that during two West Coast performances in October of that year he threw up onstage. In January 1975, he released a second album that had been recorded at the same time as I Can Stand a Little Rain, Jamaica Say You Will. To promote his new album, Cocker embarked on another tour of Australia, made possible by the country's new Labor government. In late 1975, he contributed vocals on a number of the tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. He also recorded a new album in a Kingston, Jamaica studio, Stingray. However, record sales were disappointing; the album reached only number 70 on the US charts. In May 1976, Cocker headlined an 11-date tour of Canada, and on 2 October, Cocker performed "Feelin' Alright" on Saturday Night Live. John Belushi joined him onstage doing his famous impersonation of Cocker's stage movements. At the time, Cocker was $800,000 in debt to A&M Records and struggling with alcoholism. Several months later, he met producer Michael Lang, who agreed to manage him on the condition that he stay sober. With a new band, Cocker embarked on a tour of New Zealand, Australia and South America. He then recorded a new album with session work by Steve Gadd and Chuck Rainey, and a new, young bassist from Scotland, Rob Hartley. Hartley also toured briefly with Cocker's friends in 1977. In the autumn of 1978, Cocker toured North America promoting his album, Luxury You Can Afford. Despite this effort, it received mixed reviews, selling around 300,000 copies. In 1979, Cocker joined the "Woodstock in Europe" tour, which featured musicians like Arlo Guthrie and Richie Havens who had played at the 1969 Woodstock Festival. He also performed in New York's Central Park to an audience of 20,000 people. The concert was recorded and released as the live album, Live in New York. Cocker also toured Europe and appeared on the German television recording amphitheatre Rockpalast, the first of many performances on the show. In 1982, Cocker recorded two songs with the jazz group the Crusaders on their album Standing Tall. One song, "I'm So Glad I'm Standing Here Today", was nominated for a Grammy Award and Cocker performed it with the Crusaders at the awards ceremony. The Crusaders wrote this song with Cocker in mind to sing it. Cocker then released a new reggae-influenced album, Sheffield Steel, recorded with the Compass Point All Stars, produced by Chris Blackwell and Alex Sadkin. In 1982 Cocker recorded the duet "Up Where We Belong" with Jennifer Warnes for the soundtrack of the film An Officer and a Gentleman. The song was an international hit, reaching number 1 on the Billboard Hot 100, and winning a Grammy Award for Best Pop Performance by a Duo. The duet also won an Academy Award for Best Original Song, and Cocker and Warnes performed the song at the awards ceremony. Several days later, he was invited to perform "You Are So Beautiful" with Ray Charles in a television tribute to the musician. In 1983, Cocker joined a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood and Bill Wyman for singer Ronnie Lane's 1983 tour to raise money for the London-based organisation Action for Research into Multiple Sclerosis, in particular because Lane was beginning to suffer from the degenerative disease. The tour included a performance at New York's Madison Square Garden. While on another tour that year, Cocker was arrested by Austrian police after refusing to perform because of inadequate sound equipment. The charges were eventually dropped and Cocker was released. Shortly after the incident, he released his ninth studio album, Civilized Man. His next album Cocker was dedicated to his mother, Madge, who died when he was recording in the studio with producer Terry Manning. A track from the album, "You Can Leave Your Hat On" was featured in the 1986 film 9½ Weeks. The album eventually went Platinum on the European charts. His song "Love Lives On" was featured in the 1987 film Harry and the Hendersons. His 1987 album Unchain My Heart was nominated for a Grammy Award, although it did not win. One Night of Sin was also a commercial success, surpassing Unchain My Heart in sales and yielding his final Top 20 hit in the United States, "When The Night Comes", written by Bryan Adams, Jim Vallance and Diane Warren that peaked at number 11 in January 1990. Throughout the 1980s, Cocker continued to tour around the world, playing to large audiences in Europe, Australia and the United States. In 1986 he met the Italian singer Zucchero Fornaciari, who dedicated a song (Nuovo, meraviglioso amico, in Rispetto) to the English bluesman. After that Cocker took part in some concerts of the promotional tours for the albums Blue's (1987) and Oro Incenso & Birra (1989). In 1988, he performed at London's Royal Albert Hall and appeared on The Tonight Show. After Barclay James Harvest and Bob Dylan, Cocker was the first to give rock concerts in the German Democratic Republic, in East Berlin and Dresden. The venue, the Blüherwiese, next to the Rudolf–Harbig–Stadion, bears the vernacular name Cockerwiese ('Cocker meadow') today. He also performed for US President George H. W. Bush at an inauguration concert in February 1989. In 1992, his version of Bryan Adams' "Feels Like Forever" made the UK Top 40. In 1992, Joe Cocker teamed with Canadian rocker Sass Jordan to sing "Trust in Me", which was featured on The Bodyguard soundtrack. At the 1993 Brit Awards, Cocker was nominated for British Male Solo Artist. Cocker performed the Saturday opening set at Woodstock '94 as one of the few alumni who played at the original Woodstock Festival in 1969 and was well received. On 3 June 2002, Cocker performed "With A Little Help From My Friends" accompanied by Phil Collins on drums and Queen guitarist Brian May at the Party at the Palace concert in the grounds of Buckingham Palace, an event in commemoration of the Golden Jubilee of Elizabeth II. In 2007, Cocker appeared playing minor characters in the film Across the Universe, as the lead singer on another Beatles' hit, "Come Together", Cocker was awarded an OBE in the Queen's 2007 Birthday Honours list for services to music. To celebrate receiving his award in mid December 2007, Cocker played two concerts in London and in his home town of Sheffield where he was awarded a bronze Sheffield Legends plaque outside Sheffield Town Hall. In April and May 2009, Cocker conducted a North American tour in support of his album Hymn for My Soul. He sang the vocals on "Little Wing" for the Carlos Santana album, Guitar Heaven: The Greatest Guitar Classics of All Time, released on 21 September 2010. In the autumn of 2010, Cocker toured Europe promoting his studio album Hard Knocks. In 2000, Cocker was the opening act in select cities in the United States and Europe for Tina Turner's Twenty Four Seven Tour. He returned to Australia in 2008 and again in 2011, the latter of which featured George Thorogood and the Destroyers as an opening act. On 20 March 2011, Cocker took part in a benefit concert for Cornell Dupree at B.B. King's Blues Club in New York City. Dupree played on four Cocker albums: I Can Stand A Little Rain (1974), Jamaica Say You Will (1975), Stingray (1976) and Luxury You Can Afford (1978). Dupree's band Stuff was also Cocker's backing band on a tour promoting Stingray in 1976. Cocker kept recording and touring throughout his later years. 2012's Fire it up, which would turn out to be Cocker's last studio album, was followed by an extensive tour, consisting of a US leg in 2012 and a European run in 2013. He played 25 shows in Germany alone on the European leg of the tour, which reflects the popularity Cocker enjoyed there. The full show of 22 April at Cologne's Lanxess Arena was recorded and released on CD and DVD under the title Fire it up Live later in 2013. The last concert on the tour, which was to be Cocker's final live performance, was at the Loreley Open Air Theatre in Sankt Goarshausen on 7 September 2013. In 1994, fellow Yorkshire musician Philip Oakey, on behalf of his group, the Human League, said that Cocker was their "hero". The two remaining living ex-Beatles, Paul McCartney and Ringo Starr, were among those who paid tribute to the singer following his death, while Cocker's agent, Barrie Marshall, said that Cocker was "without doubt the greatest rock/soul singer ever to come out of Britain". McCartney commented: "He was a lovely northern lad who I loved a lot and, like many people, I loved his singing. I was especially pleased when he decided to cover 'With a Little Help from My Friends' and I remember him and (producer) Denny Cordell coming round to the studio in Savile Row (central London) and playing me what they'd recorded and it was just mind-blowing, totally turned the song into a soul anthem and I was forever grateful to him for doing that." On 11 September 2015, a "Mad Dogs & Englishmen" tribute concert to Joe Cocker was performed at the Lockn' Festival featuring Tedeschi Trucks Band, Chris Stainton, Leon Russell, Rita Coolidge, Claudia Lennear, Pamela Polland, Doyle Bramhall II, Dave Mason, John Bell, Warren Haynes and Chris Robinson, among others. In commemoration, a Joe Cocker Mad Dogs and Englishmen Memory Book was created by Linda Wolf to celebrate the event. In late 2021, the feature-length documentary Learning to Live Together was released documenting the reunion concert. In 2017, a feature-length documentary film about Cocker titled Joe Cocker: Mad Dog with Soul was released. 1983: 25th Annual Grammy Award, Best Pop Performance by a Duo or Group with Vocal, with Jennifer Warnes for "Up Where We Belong" 1988 Nominee: Grammy Award for Best Solo Rock Vocal Performance 1989, 1990, 1991 Nominees: Grammy Award for Best Male Rock Vocal Performance 1993 Nominee: Brit Award for Best British Male Solo Artist 1994 Honorary Doctorate: Sheffield Hallam University 1996, 2013: Goldene Kamera 1998, 1999, 2013, 2014 Nominees: Echo 2007: Order of the British Empire (OBE) In 1963, Cocker began dating Eileen Webster, also a resident of Sheffield. The couple dated intermittently for the next 13 years. In 1978, Cocker moved onto a ranch owned by Jane Fonda in Santa Barbara, California. Pam Baker, a local summer camp director and fan of Cocker's music, had persuaded the actress to lend the house to Cocker. Baker began dating Cocker, and they married on 11 October 1987. The couple resided on the Mad Dog Ranch in Crawford, Colorado. While performing a concert at Madison Square Garden on 17 September 2014, fellow pop musician Billy Joel stated that Cocker was "not very well right now" and endorsed Cocker for induction into the Rock and Roll Hall of Fame before his tribute performance of "With a Little Help from My Friends". Cocker died from lung cancer on 22 December 2014 in Crawford, at the age of 70. He had smoked two packs of cigarettes a day until he quit in 1991. Bean, Julian P. (2003). Joe Cocker: The Authorised Biography. London: Virgin Books. ISBN 1-85227-043-8. Logan, Nick; Woffinden, Bob (1975). The New Musical Express Book of Rock. Star Books. ISBN 0-352-30074-4. Guinness Book of British Hit Singles (16th edition) ISBN 0-85112-190-X The Guinness Book of 500 Number One Hits ISBN 0-85112-250-7 Guinness Book of British Hit Albums (7th edition) ISBN 0-85112-619-7 Guinness Rockopedia ISBN 0-85112-072-5 The Great Rock Discography (5th edition) ISBN 1-84195-017-3 Official website Joe Cocker at IMDb Joe Cocker discography at Discogs Joe Cocker at Curlie Photos taken by photographer Linda Wolf, one of the two official photographers of the Joe Cocker, Mad Dogs & Englishmen Tour, 1970
5. Ozzy Osbourne (b. 1948)
With an HPI of 69.95, Ozzy Osbourne is the 5th most famous British Singer. His biography has been translated into 71 different languages.
John Michael "Ozzy" Osbourne (born 3 December 1948) is an English musician and media personality. He rose to prominence during the 1970s as the lead singer of the heavy metal band Black Sabbath, during which period he adopted the nickname "Prince of Darkness". Osbourne became a founding member of Black Sabbath in 1968, providing lead vocals from their self-titled debut album in 1970 to Never Say Die! in 1978. The band was highly influential in the development of heavy metal music, in particular their critically acclaimed releases Paranoid, Master of Reality, and Sabbath Bloody Sabbath. Osbourne was fired from Black Sabbath in 1979 due to alcohol and drug problems. He then began a successful solo career with Blizzard of Ozz in 1980 and has released 13 studio albums, the first seven of which received multi-platinum certifications in the US. He has since reunited with Black Sabbath on several occasions. He rejoined in 1997 and helped record the group's final studio album, 13 (2013) before they embarked on a farewell tour that ended with a 2017 performance in their native Birmingham. His longevity and success have earned him the informal title of the "Godfather of Metal". Osbourne has sold over 100 million albums, including his solo work and Black Sabbath releases. He was inducted into the Rock and Roll Hall of Fame as a member of Black Sabbath in 2006 and as a solo artist in 2024. He was also inducted into the UK Music Hall of Fame both solo and with Black Sabbath in 2005. He has been honoured with stars on the Hollywood Walk of Fame and Birmingham Walk of Stars. At the 2014 MTV Europe Music Awards, he received the Global Icon Award. In 2015, he received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors. In the early 2000s, Osbourne became a reality television star when he appeared in the MTV reality show The Osbournes alongside his wife and manager Sharon and two of their children, Kelly and Jack. He co-stars with Jack and Kelly in the television series Ozzy & Jack's World Detour.
6. Phil Collins (b. 1951)
With an HPI of 69.13, Phil Collins is the 6th most famous British Singer. His biography has been translated into 79 different languages.
Philip David Charles Collins (born 30 January 1951) is an English musician, singer, songwriter, record producer and actor. He was the drummer and later became the lead singer of the rock band Genesis and had a successful solo career, achieving three UK number-one singles and seven US number-one singles as a solo artist. In total, his work with Genesis, other artists, and solo resulted in more US top-40 singles than any other artist throughout the 1980s. His most successful singles from the period include "In the Air Tonight", "Against All Odds (Take a Look at Me Now)", "One More Night", "Sussudio", "Another Day in Paradise" and "I Wish It Would Rain Down". Born and raised in west London, Collins began playing drums at age five. During the same period he attended drama school, which helped secure various roles as a child actor. His first major role was the Artful Dodger in the West End production of the musical Oliver!. As an accomplished professional actor by his early teens, he pivoted to pursue a music career, becoming the drummer for Genesis in 1970 at age 19. He took over the role of lead singer in 1975 following the departure of Peter Gabriel. During the second half of the 1970s, in between Genesis albums and tours, Collins was the drummer of jazz rock band Brand X. Collins began a successful solo career in the 1980s, initially inspired by his marital breakdown and love of soul music, releasing the albums Face Value (1981), Hello, I Must Be Going (1982), No Jacket Required (1985) and ...But Seriously (1989). Collins became, in the words of AllMusic, "one of the most successful pop and adult contemporary singers of the '80s and beyond". He became known for a distinctive gated reverb drum sound on many of his recordings. He played drums on the 1984 charity single "Do They Know It's Christmas?", and in July 1985, he was the only artist to perform at both Live Aid concerts. He resumed his acting career, appearing in Miami Vice and subsequently starring in the film Buster (1988). Collins left Genesis in 1996 to focus on solo work; this included writing songs for Disney's animated film Tarzan (1999). He wrote and performed the songs, "Two Worlds", "Son of Man", "Strangers Like Me" and "You'll Be in My Heart", the last of which earned him the Academy Award for Best Original Song. He rejoined Genesis for their Turn It On Again Tour in 2007. Following a five-year retirement to focus on his family life, Collins released his memoir in 2016 and completed his Not Dead Yet Tour in 2019. He then rejoined Genesis in 2020 for a second reunion tour, ending in March 2022. Collins's discography includes eight studio albums that have sold 33.5 million certified units in the US and an estimated 150 million records sold worldwide, making him one of the world's best-selling artists. He is one of only three recording artists, along with Paul McCartney and Michael Jackson, who have sold over 100 million records both as solo artists and separately as principal members of a band. He has won eight Grammy Awards, six Brit Awards (winning Best British Male Artist three times), two Golden Globe Awards, one Academy Award, and a Disney Legend Award. He was awarded six Ivor Novello Awards from the British Academy of Songwriters, Composers and Authors, including the International Achievement Award. He received a star on the Hollywood Walk of Fame in 1999, and was inducted into the Songwriters Hall of Fame in 2003 and the Rock and Roll Hall of Fame as a member of Genesis in 2010. He has been praised by music publications with induction into the Modern Drummer Hall of Fame in 2012, and the Classic Drummer Hall of Fame in 2013.
7. Kate Bush (b. 1958)
With an HPI of 68.41, Kate Bush is the 7th most famous British Singer. Her biography has been translated into 63 different languages.
Catherine Bush (born 30 July 1958) is an English singer, songwriter, record producer and dancer. Bush began writing songs at age 11. She was signed to EMI Records after Pink Floyd's David Gilmour helped produce a demo tape. In 1978, at the age of 19, she topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights", becoming the first female artist to achieve a UK number one with a solely self-written song. Her debut album, The Kick Inside, was released that same year. Bush slowly gained artistic independence in album production and has produced all her studio albums by herself since The Dreaming (1982). Bush has released 25 UK Top 40 singles, including the Top 10 hits "The Man with the Child in His Eyes", "Babooshka", "Running Up That Hill", "Don't Give Up" (a duet with Peter Gabriel), and "King of the Mountain". All nine of her studio albums reached the UK Top 10, with all but one reaching the top five, including the number one albums Never for Ever (1980), Hounds of Love (1985) and the greatest hits compilation The Whole Story (1986). She took a hiatus between her seventh and eighth albums, The Red Shoes (1993) and Aerial (2005). In 2011, Bush released the albums Director's Cut and 50 Words for Snow. She drew attention again in 2014 with her concert residency Before the Dawn, her first shows since 1979's The Tour of Life. Bush was the first British solo female artist to top the UK Albums Chart and the first female artist to enter it at number one. Her eclectic musical style, unconventional lyrics, performances and literary themes have influenced a diverse range of artists. In 2022, "Running Up That Hill" received renewed attention after it appeared in the Netflix series Stranger Things, becoming Bush's second UK number one and reaching the top of several other charts. It peaked at number three on the US Billboard Hot 100, and its parent album, Hounds of Love, became Bush's first album to reach the top of a Billboard albums chart. Bush has received 14 Brit Awards nominations, winning for Best British Female Artist in 1987, and has been nominated for three Grammy Awards. In 2002, Bush was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. She was appointed a Commander of the Order of the British Empire (CBE) in the 2013 New Year Honours for services to music. She became a Fellow of The Ivors Academy in the UK in 2020. Bush was inducted into the Rock and Roll Hall of Fame in 2023. Bush was born on 30 July 1958 at a maternity hospital in Bexleyheath, Kent, to an English doctor, general practitioner Robert Bush (1920–2008), and Hannah Patricia (née Daly) (1918–1992), an Irish staff nurse, daughter of a farmer in County Waterford. She grew up with her elder brothers, John and Paddy, in a 350-year-old former farmhouse at East Wickham near Welling, which neighbours Bexleyheath. Bush came from an artistic background: her mother was an amateur traditional Irish dancer, her father was an amateur pianist, Paddy worked as a musical instrument maker, and John was a poet and photographer. Both brothers were involved in the local folk music scene. She was raised as a Roman Catholic. Bush trained at Goldsmiths College karate club where her brother John was a karate instructor. There she became known as "Ee-ee" because of her squeaky kiai. Her family's musical influence inspired Bush to teach herself the piano at the age of 11. She also played the organ in a barn behind her parents' house and studied the violin. She soon began composing songs, eventually adding her own lyrics. Bush attended St Joseph's Convent Grammar School, a Catholic girls' school in nearby Abbey Wood. During this time, her family produced a demo tape with over 50 of her compositions, which was turned down by record labels. David Gilmour of Pink Floyd received the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. (The 1973 song "Passing Through Air" was recorded as a demo at Gilmour‘s studio a few weeks after her 15th birthday and would later be the earliest Kate Bush recording to be released officially). Impressed, Gilmour financed the 16-year-old Bush's recording of a more professional demo tape. The tape consisted of three tracks, produced by Gilmour's friend Andrew Powell and sound engineer Geoff Emerick, who had worked with the Beatles. Powell later produced Bush's first two albums, The tape was sent to EMI executive Terry Slater who signed Bush. The British record industry was reaching a point of stagnation. Progressive rock was very popular and visually oriented rock performers were growing in popularity, thus record labels looking for the next big thing were considering experimental acts. Bush was put on retainer for two years by Bob Mercer, managing director of EMI's group-repertoire division. Mercer believed that Bush's material was good enough to release, but he also believed that should the album fail it would be demoralising and if it were successful Bush was too young to handle this. In a 1987 interview, Gilmour disputed this version of events, blaming EMI for initially using the "wrong" producers. EMI gave Bush a large advance, which she used to enroll in interpretive dance classes taught by Lindsay Kemp, a former teacher of David Bowie, and mime training with Adam Darius. For the first two years of her contract, Bush spent more time on schoolwork than recording. She left school after doing her mock A-Levels and having gained ten GCE O-Level qualifications. Bush wrote and recorded demos of almost 200 songs, some of which circulated as bootlegs. From March to August 1977, she fronted the KT Bush Band at public houses in London. The band included Del Palmer (bass), Brian Bath (guitar), and Vic King (drums). She began recording her first album in August 1977. For her debut album, The Kick Inside (1978), Bush was persuaded to use established session musicians instead of the KT Bush Band. She retained some of these even after she had brought her bandmates back on board. Her brother Paddy played the harmonica and mandolin. Stuart Elliott played some of the drums and became her main drummer on subsequent albums. The Kick Inside was released when Bush was 19, with some songs written when she was as young as 13. EMI originally wanted the more rock-oriented track "James and the Cold Gun" to be her debut single, but Bush, who already had a reputation for asserting herself in decisions about her work, insisted that it should be "Wuthering Heights". Two music videos with similar choreography were created by Bush to accompany the song. The studio version sees her perform in a dark room with mist while wearing a white dress, suggesting her character is a ghost (as is the case with Cathy in the novel that inspired the song). The outside version sees Bush dancing in a grassy area on Salisbury Plain (inspired by the novel's moors) while wearing a red dress. In the United Kingdom alone, The Kick Inside sold over a million copies. "Wuthering Heights" topped the UK and Australian charts and became an international hit. Bush became the first British woman to reach number one on the UK charts with a self-written song. "The Man with the Child in His Eyes" made it onto the US Billboard Hot 100 where it reached number 85 in early 1979, and went on to win her an Ivor Novello Award in 1979 for Outstanding British Lyric. According to Guinness World Records, Bush was the first female artist in pop history to have written every track on a million-selling debut album. Bob Mercer blamed Bush's lesser success in the United States on American radio formats, saying there were no outlets for Bush's visual presentation. EMI capitalised on Bush's appearance by promoting the album with a poster of her in a tight pink top which emphasised her breasts. In an interview with NME in 1982, Bush criticised the choice: "People weren't even generally aware that I wrote my own songs or played the piano. The media just promoted me as a female body. It's like I've had to prove that I'm an artist in a female body." In late 1978, EMI persuaded Bush to quickly record a follow-up album, Lionheart, to take advantage of the success of The Kick Inside. The album was produced by Andrew Powell, assisted by Bush. Although it gained a high number of sales and spawned the hit single "Wow", it did not achieve the success of The Kick Inside, reaching number six in the UK album charts. She went on to express dissatisfaction with Lionheart, feeling that it had needed more time. Bush set up her own publishing company, Kate Bush Music, and her own management company, Novercia, to maintain control of her work. Members of her family, along with Bush herself, composed the board of directors. Following the release of Lionheart, she was required by EMI to undertake heavy promotional work and an exhausting tour. The Tour of Life began in April 1979 and lasted six weeks. It was described by The Guardian as "an extraordinary, hydra-headed beast, combining music, dance, poetry, mime, burlesque, magic and theatre". The show was co-devised and performed on stage with magician Simon Drake. Bush was involved in every aspect of the production, choreography, set design, costume design and hiring. The shows were noted for her dancing, complex lighting and her 17 costume changes per show. Because of her need to dance as she sang, sound engineers used a wire coat hanger and a radio microphone to fashion a headset microphone; it was the first use by a rock performer since the Spotnicks used a rudimentary version in the early 1960s. Bush's first experience as a producer was on her live On Stage EP, released in August 1979. Released in September 1980, Never for Ever was Bush's second foray into production, co-producing with Jon Kelly. The first two albums had resulted in a definitive sound evident in every track, with orchestral arrangements supporting the live band sound. The range of styles on Never for Ever is much more diverse, veering from the straightforward rocker "Violin" to the wistful waltz of hit single "Army Dreamers". Never for Ever was her first album to feature synthesisers and drum machines, in particular the Fairlight CMI. She was introduced to the technology while providing backing vocals on Peter Gabriel's eponymous third album in early 1980. It was her first record to reach the top position in the UK album charts, also making her the first female British artist to achieve that status, and the first female artist ever to enter the album chart at No. 1. The top-selling single from the album was "Babooshka", which reached No. 5 in the UK Singles Chart. In November 1980, she released the standalone Christmas single "December Will Be Magic Again", which reached No. 29 in the UK charts. September 1982 saw the release of The Dreaming, the first album Bush produced by herself. With her new-found freedom, she experimented with production techniques, creating an album that features a diverse blend of musical styles and is known for its near-exhaustive use of the Fairlight CMI. The Dreaming received a mixed reception in the UK, and critics were baffled by the dense soundscapes Bush had created to become "less accessible". In a 1993 interview with Q magazine, Bush stated: "That was my 'She's gone mad' album." The album entered the UK album chart at No. 3, but is to date her lowest-selling album, garnering "only" a silver disc. The album became her first to enter the US Billboard 200 chart, albeit only reaching No. 157. "Sat in Your Lap" was the first single from the album to be released. It preceded the album by over a year and peaked at No. 11 in the UK. The title track, featuring Rolf Harris and Percy Edwards, stalled at No. 48, while the third single, "There Goes a Tenner", stalled at No. 93, despite promotion from EMI and Bush. The track "Suspended in Gaffa" was released as a single in Europe, but not in the UK. Continuing in her storytelling tradition, Bush looked far outside her own personal experience for sources of inspiration. She drew on old crime films for "There Goes a Tenner", a documentary about the Vietnam War for "Pull Out the Pin", and the plight of Indigenous Australians for "The Dreaming". "Houdini" is about the magician's death, and "Get Out of My House" was inspired by Stephen King's novel The Shining. Hounds of Love was released in 1985. Because of the high cost of hiring studio space for her previous album, she built a private studio near her home, where she could work at her own pace. Hounds of Love topped the charts in the UK, knocking Madonna's Like a Virgin from the number-one position. The album takes advantage of the vinyl and cassette formats with two very different sides. The first side, Hounds of Love, contains five "accessible" pop songs, including the four singles "Running Up That Hill", "Cloudbusting", "Hounds of Love", and "The Big Sky". "Running Up That Hill" reached No. 3 in the UK charts and re-introduced Bush to American listeners, climbing to No. 30 on the Billboard Hot 100 in November 1985. Bush has stated that she initially wanted to name the song "A Deal With God", but the record company was reluctant because some people might think it was "a sensitive title", but that "... for me, this is still called A Deal With God". The second side of the album, The Ninth Wave, takes its name from Tennyson's poem, "Idylls of the King", about the legendary King Arthur's reign, and is seven interconnecting songs joined in one continuous piece of music. The album earned Bush nominations for Best Female Solo Artist, Best Album, Best Single, and Best Producer at the 1986 Brit Awards. In the same year, Bush and Peter Gabriel had a UK Top 10 hit with the duet "Don't Give Up" (Dolly Parton, Gabriel's original choice to sing the female vocal, turned his offer down), and EMI released her "greatest hits" album, The Whole Story. Bush provided a new lead vocal and refreshed backing track on "Wuthering Heights", and recorded a new single, "Experiment IV", for inclusion on the compilation. Dawn French and Hugh Laurie were among those featured in the video for Experiment IV. At the 1987 Brit Awards, Bush won the award for Best British Female Solo Artist. Released in 1989, The Sensual World was described by Bush herself as "her most honest, personal album". One of the tracks, "Heads We're Dancing", inspired by her own black humour, is about a woman who dances all night with a charming stranger only to discover in the morning that he is Adolf Hitler. The title track drew its inspiration from James Joyce's novel Ulysses. The Sensual World went on to become her biggest-selling album in the US, receiving an RIAA Gold certification four years after its release for 500,000 copies sold. In the United Kingdom album charts, it reached the number-two position. Another single from the album, "This Woman's Work", was featured in the John Hughes film She's Having a Baby, and a slightly remixed version appeared on Bush's album The Sensual World. The song reached number-eight in 2005 on the UK download chart after featuring in a British television advertisement for the charity NSPCC. In 1990, the boxed set This Woman's Work was released; it included all of her albums with their original cover art, as well as two discs featuring the majority of her singles' B-sides recorded from 1978 to 1990. In 1991, Bush released a cover of Elton John's "Rocket Man", which reached number 12 in the UK singles chart, and reached number two in Australia. In 2007, it was voted the greatest cover ever by readers of The Observer newspaper. Another John cover, "Candle in the Wind", was the B-side. In the same year, she starred in the black comedy film Les Dogs, produced by The Comic Strip for BBC television. Bush plays the bride Angela at a wedding set in a post-apocalyptic Britain. Bush's seventh studio album, The Red Shoes, was released in November 1993. The album gave Bush her highest chart position in the US, reaching number 28, although the only song from the album to make the US singles chart was "Rubberband Girl", which peaked at number 88 in January 1994. In the UK, the album reached number-two, and the singles "Rubberband Girl", "The Red Shoes", "Moments of Pleasure", and "And So Is Love" (featuring Eric Clapton on guitar) all reached the top 30. Bush directed and starred in the short film The Line, the Cross and the Curve, which featured music from her album The Red Shoes, itself inspired by the 1948 film of that name. It was released on VHS in the UK in 1994 and also received a small number of cinema screenings around the world. The initial plan had been to tour with The Red Shoes release, but did not reach fruition. Thus, Bush deliberately produced her tracks live, with less studio production that had typified her last three albums and which would have been too difficult to re-create on stage. The result polarised her fan base, who had enjoyed the intricacy of her earlier compositions, with other fans claiming they had found new complexities in the lyrics and the emotions they expressed. During this period of time, Bush suffered a series of bereavements, including the loss of guitarist Alan Murphy, who had started working with her on The Tour of Life in 1979, and her mother Hannah, to whom she was exceptionally close. The people she lost were honoured in the ballad "Moments of Pleasure", although Bush's mother was still alive when "Moments of Pleasure" was written and recorded. Bush describes playing the song to her mother, who thought the line where she is quoted by Bush as saying, "Every old sock meets an old shoe", was hilarious and "couldn't stop laughing." After the release of The Red Shoes, Bush dropped out of the public eye. She had originally intended to take one year off, but despite working on material, twelve years passed before her next album release. Her name occasionally cropped up in the media with rumours of a new album release. The press often viewed her as an eccentric recluse, sometimes drawing a comparison with Miss Havisham from Charles Dickens's Great Expectations. In 1998, Bush gave birth to Albert, known as "Bertie", fathered by guitarist Dan McIntosh, whom she met in 1992. In 2001, Bush was awarded a Q Award as Classic Songwriter. In 2002, she was awarded an Ivor Novello Award for Outstanding Contribution to Music, and performed "Comfortably Numb" at David Gilmour's concert at the Royal Festival Hall in London. Bush's eighth studio album, Aerial, was released on double CD and vinyl in November 2005. The album single "King of the Mountain", had received its premiere on BBC Radio 2 on 1 September 2005. The single entered the UK Downloads Chart at number six, and would become Bush's third-highest-charting single ever in the UK, peaking at number four on the full chart. Aerial entered the UK albums chart at number three, and the US chart at number 48. Aerial, like Hounds of Love (1985), is divided into two sections, each with its own theme and mood. The first disc, subtitled A Sea of Honey, features a set of unrelated themed songs, including "King of the Mountain"; "Bertie", a Renaissance-style ode to her son; and "Joanni", based on the story of Joan of Arc. In the song " π {\displaystyle \pi } ", Bush sings 117 digits of the number pi. The second disc, subtitled A Sky of Honey, features one continuous piece of music describing the experience of 24 hours passing by. Aerial earned Bush two nominations at the 2006 Brit Awards, for Best British Female Solo Artist and Best British Album. In 2007, Bush was asked to write a song for The Golden Compass soundtrack which made reference to the lead character, Lyra Belacqua. The song, "Lyra", was played over the closing credits of the film, reached No 187 in the UK Singles Chart and was nominated for the International Press Academy's Satellite Award for original song in a motion picture. According to Del Palmer, Bush was asked to compose the song at short notice; the project was completed in 10 days. In May 2011, Bush released Director's Cut, comprising 11 reworked tracks from The Sensual World and The Red Shoes, recorded using analogue rather than digital equipment. All the tracks have new lead vocals, drums, and instrumentation. Some were transposed to a lower key to accommodate her lowering voice. Three of the songs, including "This Woman's Work", have been completely rerecorded, often with lyrics changed in places. Bush described the album as a new project rather than a collection of remixes. It was the first album on her new label, Fish People, a division of EMI Records. In addition to Director's Cut in its single CD form, the album was released with a box-set that contains the albums The Sensual World and the analogue re-mastered The Red Shoes. It debuted at No 2 on the United Kingdom chart. Bush's ninth studio album, 50 Words for Snow, was released on 21 November 2011. It features the high-profile appearance of Elton John on the duet "Snowed in at Wheeler Street". The album contains seven new songs "set against a backdrop of falling snow", with a total running time of 65 minutes. The album's songs are built around Bush's quietly jazzy piano and Steve Gadd's drums, and use both sung and spoken word vocals in what Classic Rock critic Stephen Dalton calls "a ... supple and experimental affair, with a contemporary chamber pop sound grounded in crisp piano, minimal percussion and light-touch electronics ... billowing jazz-rock soundscapes, interwoven with fragmentary narratives delivered in a range of voices from shrill to Laurie Anderson-style cooing". Bassist Danny Thompson appears on the album, while the sixth track on the album, "50 Words for Snow", features the voice of Stephen Fry reciting a list of words to describe snow. 50 Words for Snow received general acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 88, based on 26 reviews, which indicates "universal acclaim". At the 2012 Brit Awards she was nominated in the Best Female Artist category, and the album won the 2012 Best Album at the South Bank Arts Awards, and was also nominated for Best Album at the Ivor Novello Awards. Bush turned down an invitation to perform at the 2012 Summer Olympics closing ceremony in London. Instead, a new vocal remix of her 1985 single "Running Up That Hill" was played. In 2013, Bush became the only female artist to have top five albums in the UK charts in five successive decades. In March 2014, Bush announced her first live concerts in decades: Before the Dawn, a 22-night residency in London running from 26 August to 1 October 2014 at the Hammersmith Apollo. Tickets sold out in 15 minutes. The concerts received universal acclaim. An album of recordings from the concerts, Before the Dawn, was released on 25 November 2016. Bolstered by publicity around Before the Dawn, Bush became the first female performer to have eight albums in the UK Top 40 Albums Chart simultaneously, putting her at number three for simultaneous UK Top 40 albums. The only artists ahead of Bush were Elvis Presley, who had 12 entries in the top 40 after his death in 1977 and the Beatles who had 11 in 2009. She had 11 albums in the top 50. In a statement, Bush said, It was an extraordinary experience putting the show together. It was a huge amount of work, a lot of fun and an enormous privilege to work with such an incredibly talented team. This is the audio document. I hope that this can stand alone as a piece of music in its own right and that it can be enjoyed by people who knew nothing about the shows as well as those who were there. I never expected the overwhelming response of the audiences, every night filling the show with life and excitement. They are there in every beat of the recorded music. Even when you can't hear them, you can feel them. On 6 December 2018, Bush published her first book, How to Be Invisible, a compilation of lyrics. In November 2018, Bush released two box sets of remasters of her studio albums. Vocals from Rolf Harris, who was convicted of multiple sexual assault charges in 2014, were replaced by versions by Bush's son Bertie. A compilation of rare tracks, cover versions and remixes from the boxsets, The Other Sides, was released on 8 March 2019. It includes the previously unreleased track "Humming," recorded in 1975. In September 2019, Bush released "Ne t'enfuis pas" / "Un baiser d'enfant" on vinyl, in France, as a limited-edition promotional single. In September 2020, Bush became a Fellow of The Ivors Academy, the UK's independent professional association for songwriters, composers and music authors. Following Bush's award, another Fellow, Annie Lennox, commented, "She is visionary and iconic and has made her own magical stamp upon the zeitgeist of the British cultural landscape." Bush's 1985 single "Running Up That Hill" gained newfound popularity in May 2022 after it was incorporated into the plot of the fourth season of the Netflix series Stranger Things. It became the most streamed song on Spotify in the United States, the United Kingdom, Ireland, Canada, Australia, New Zealand and globally. Winona Ryder, who plays the character Joyce Byers on Stranger Things, said she had pushed for the song to be on the show: "I've been obsessed with her since I was a little girl. I've also for the last seven years been dropping hints on set wearing my Kate Bush T-shirts." According to The Guardian, "Running Up That Hill" has become particularly popular with members of Generation Z, who were not born when the song was first released, and it has appeared in numerous videos on the social media platform TikTok. Bush released a statement praising Stranger Things and saying the resurgence was "really exciting". On 10 June 2022, "Running Up That Hill" reached number two on the UK Singles Chart, surpassing its peak of number three from 1985. It was the most popular track of the week in the UK, ahead of "As It Was" by Harry Styles, but a pre-existing chart rule penalised older songs that are streamed. The Chart Supervisory Committee responded by giving the record an exemption from the "accelerated chart ratio" rule due to its ongoing sales resurgence. On 17 June, the song reached number one in the UK, making it Bush's second UK number one. It broke three UK chart records in the process. With 44 years since her last number one, "Wuthering Heights" in 1978, Bush surpassed Tom Jones's 42-year gap between number ones and replaced Cher as the oldest female solo chart-topping artist at 63 years and 11 months. Bush also achieved the record for a single with the longest period taken to reach number one, beating the previous record, held by "Last Christmas" by Wham!, by a year. On 11 June 2022, "Running Up That Hill" re-entered the US Billboard Hot 100 at number eight, surpassing its 1985 peak at No 30 and becoming Bush's first US top-ten hit. The following week, it climbed to No 4 in the US, before reaching No 3 on 25 July. The parent album, Hounds of Love, also reached a new peak in the US, charting at No 12. The song topped the Australian ARIA Charts to become her second No 1 single in the country. In France, "Running Up That Hill" beat its original chart peak of 24, placing at No 3. Hounds of Love also rose in popularity on various album charts, with it reaching No 1 on Billboard's Top Alternative Albums chart, making it Bush's first US chart-topping album. On 10 June, The Whole Story rose from No 76 to No 19 on the UK Albums Chart, peaking a week later at No 17. A limited edition CD single was released by Rhino. in September 2022, published in this format for the first time, The 2022 film A Man Called Otto featured the song "This Woman's Work" from Bush's album, The Sensual World. In May 2023, it was also featured in the Netflix film The Mother, spiking a sales resurgence for the song. On 1 January 2023, Bush was included at No 60 in the list of 200 Best Singers of All Time by Rolling Stone. On 22 February 2023, Bush announced that her label, Fish People, had moved to the new distribution partner, The state51 Conspiracy. The new company took over distribution of her post-1980 releases (starting from The Dreaming) worldwide, and the entire catalogue in the US only. This move has also generated renewed "indie" reissues of her albums. Bush was nominated for the Rock and Roll Hall of Fame in 2018, 2021 and 2022, and was inducted in 2023. She was inducted by Big Boi of OutKast, a long-time fan of her music. In his induction speech, Big Boi said, "What I love about Kate's music is that I never know what sound I’m gonna hear next. She ignores anything that seems like a formula and instead just does whatever she wants to do, like me. She challenges me as a listener and expands my ears and my mind. No matter how many times I look to albums like The Dreaming or 50 Words for Snow, they sound fresh and surprise me every time. They fill my head with ideas and expand my ambitions for what music can achieve." In February 2024, it was announced that Bush was an ambassador for that year's Record Store Day on 20 April 2024. Her cancelled 1993-single "Eat the Music" will be released as a 10" vinyl single. In a statement, Bush said, Isn't it great to see how the resurgence in vinyl has taken the music industry by surprise? It had decided to leave vinyl far behind, but it would seem that not everyone agrees! I love that [...] In the same way that some people like to read a book on Kindle but also want to have a book as a physical object, a lot of people like vinyl and streaming. Both have different appeals. An album on vinyl is a beautiful thing, given a strong identity by its large-scale artwork. There's a much more personal connection with the artist and their work. The added bonus of vinyl is that it encourages people to listen to albums. An art form that I've always thought can be treasured in a unique way. This year, I hope you have a fantastic time at this very important event, and that you get to celebrate music that's been specially released for you." Bush's musical aesthetic is eclectic, and is known to employ varied influences and meld disparate styles, often within a single song or over the course of an album. Simon Reynolds of The Guardian called Bush "the queen of art-pop", and she has also been described as art rock, baroque pop, post-progressive, progressive pop, avant-pop and experimental pop. She has been grouped with other "'arty' 1970s and '80s British pop rock artists" such as Roxy Music and Peter Gabriel. Even in her earliest works, with piano the primary instrument, she wove together diverse influences, drawing on classical music, glam rock, and a wide range of ethnic and folk sources. This has continued throughout her career. By the time of Never for Ever, Bush had begun to make prominent use of the Fairlight CMI synthesiser, which allowed her to sample and manipulate sounds, expanding her sonic palette. Bush has a soprano vocal range. Her vocals contain elements of British, Anglo-Irish and most prominently (southern) English accents and, in its use of musical instruments from various periods and cultures, her music has differed from American pop norms. Reviewers have used the term "surreal" to describe her music. Her songs explore melodramatic emotional and musical surrealism that defies easy categorisation. It has been observed that even her more joyous pieces are often tinged with traces of melancholy and vice versa. Elements of Bush's lyrics employ historical or literary references, as embodied in her first single "Wuthering Heights", which is based on Emily Brontë's novel of the same name. She has described herself as a storyteller who embodies the character singing the song and has dismissed efforts by others to conceive of her work as autobiographical. Bush's lyrics have been known to touch on obscure or esoteric subject matter, and New Musical Express noted that Bush was not afraid to tackle sensitive and taboo subjects in her work. "The Kick Inside" is based on a traditional English folk song (The Ballad of Lucy Wan) about an incestuous pregnancy and a resulting suicide. "Kashka from Baghdad" is a song about a gay couple; She has referenced G. I. Gurdjieff in the song "Them Heavy People", while "Cloudbusting" was inspired by Peter Reich's autobiography, A Book of Dreams, about his relationship with his father, Wilhelm Reich. "Breathing" explores the results of nuclear fallout from the perspective of a fœtus. Other non-musical sources of inspiration for Bush include horror films, which have influenced the gothic nature of her songs, such as "Hounds of Love", which samples the 1957 horror movie Night of the Demon. "The Infant Kiss" is a song about a haunted, unstable woman's infatuation with a young boy in her care (inspired by Jack Clayton's film The Innocents (1961), which had been based on Henry James's novella The Turn of the Screw). The title of the song "Hammer Horror" is from Hammer Film Productions' horror movies, and the song's story was inspired by the film Man of a Thousand Faces (1957). Her songs have occasionally combined comedy and horror to form dark humour, such as murder by poisoning in "Coffee Homeground", an alcoholic mother in "Ran Tan Waltz" and the upbeat "The Wedding List", a song inspired by François Truffaut's 1967 film of Cornell Woolrich's The Bride Wore Black about the murder of a groom and the bride's subsequent revenge against the killer. Bush has also cited comedy as a significant influence. She has cited Woody Allen, Monty Python, Fawlty Towers, and The Young Ones as particular favourites. Bush is regarded as the first artist to have had a headset with a wireless microphone built for use in music. For her Tour of Life in 1979 she had a compact microphone combined with a self-made construction of wire clothes hangers, so that she did not have to use a hand microphone. Having her hands free allowed Bush to dance her rehearsed choreography of expressionist dance on the concert stage and sing with a microphone at the same time. Her idea was later adopted by other artists such as Janet Jackson, Madonna and Peter Gabriel. According to Alexis Petridis of The Guardian, Bush's "shadow looms so large that whenever a female singer-songwriter emerges who is even remotely out of the ordinary, it's only a matter of time before someone, fairly or otherwise, mentions Bush". Musicians who have acknowledged Bush's influence include Bjork, Alanis Morissette, Nigel Godrich, Florence Welch, Fever Ray, Big Boi, Regina Spektor, Fiona Apple, Imogen Heap, Sharon Van Etten, Ellie Goulding, Kyros, Aisles, FKA Twigs, Neil Hannon of the Divine Comedy, Grimes, Solange Knowles, Julia Holter, Angel Olsen, Halsey, Tupac Shakur, Robyn, Caroline Polachek, and Chappell Roan. In 2015, Adele stated that the release of her third studio album 25 was inspired by Bush's 2014 comeback to the stage. Nerina Pallot was inspired to become a songwriter after seeing Bush play "This Woman's Work" on Wogan. Bush was described by The Guardian as an "early role model" for Dido. The Australian singer-songwriter Sia described Bush as one of the "weird" artists she "grew up with", along with Adam Ant, Boy George and Cyndi Lauper. k.d. lang named Bush as one of the artists she was listening to when she was starting to write songs. Jack Antonoff has described Bush as an artist he listens to when he writes songs. Andy Bell described Bush as "a major influence on a lot of Erasure's album tracks". When Little Boots was asked about female producers or songwriters that have inspired her, she highlighted Bush for "how involved she got with the studio side as well as the performance". Kate Nash described Bush as "really amazing and really inspirational". Charli XCX listed "The Sensual World" as one of the records that defines her. Bat for Lashes also called her "a real inspiration". Tegan and Sara called Bush a "huge influence" on them when they were growing up in the 1980s, and Sky Ferreira named her when asked about her "primary influences" from that decade. Rosalía named Bush as one of the female artists who made success possible for artists like her. Beverley Craven acknowledged that when she was beginning to write songs, she was "trying to sound like Kate Bush". Tim Bowness of No-Man named Bush as one of his early influences. The Weeknd named "Running Up That Hill" as one of the songs that inspired his debut studio album Kiss Land (2013). Elton John cited Bush's duet with Peter Gabriel, "Don't Give Up", for helping him to become sober, particularly Bush's lyric, "Rest your head. You worry too much. It's going to be all right. When times get rough you can fall back on us. Don't give up." He stated, "she [Bush] played a big part in my rebirth." After doing a duet with Bush in 2011, John praised her talents as a musician, stating "I'm so proud to be on a Kate Bush record; she's always marched to the beat of her own drum. She was groundbreaking – a bit like a female equivalent of Freddie Mercury. She does come out socially sometimes and she came to my civil partnership occasion with her husband. There were so many stars in the room, but all the musicians there were only interested in saying, 'You've got to introduce me to Kate Bush.' I remember Boy George saying, 'Oh my God, is that Kate Bush?' I said, 'Yeah!'." Bush was one of the singers whom Prince thanked in the liner notes of 1991's Diamonds and Pearls. Kirk Hammett of Metallica listed Bush as one of the influences on Master of Puppets. According to an unauthorised biography, Courtney Love of Hole listened to Bush among other artists as a teenager. Tricky of Massive Attack wrote an article about The Kick Inside, saying: "Her music has always sounded like dreamland to me.... I don't believe in God, but if I did, her music would be my bible". John Lydon, better known as Johnny Rotten of the Sex Pistols, declared her work to be "beauty beyond belief". Rotten once wrote a song for her, titled "Bird in Hand" (about exploitation of parrots) that Bush rejected. In 1999, VH1 named Bush the 46th-greatest woman in rock and roll. Marianne Faithfull mentioned Bush's four-octave range should be regarded as a "national treasure". "My favourite instrument in the whole world is the human female voice, and Kate Bush is one of the reasons why. It is, by far, a Stradivarius," Faithfull says. "Which is why she rarely deals with the press or isn't in a rush to record. She's one of the few who can be above all that." Enya praised Bush in a similar manner: "When you think of Kate Bush, you think of the music, not the headlines." Rufus Wainwright named Bush one of his top ten gay icons. Outside music, Bush has been an inspiration to several fashion designers, including Hussein Chalayan. In 1998 an asteroid was named after Bush. In 2019, French record producer Pone, who is paralysed from amyotrophic lateral sclerosis, released Kate & Me, an entire album created from samples of Kate Bush's work. According to The Guardian, it's the "first album in history to be entirely produced through an eye-tracking device". Pone declares that Bush is the greatest artist of the past 40 years. A few months later, after hearing about the album and listening to it, the English star wrote a message to the French producer, expressing her emotion, admiration and approval. With this encouragement, Pone reiterates the experience in June 2021 by publishing Listen And Donate. An EP composed of four tracks including two originals by Pone, still based on samples of Kate Bush's work, and two remixes produced by SCH and Para One. JR signs the visual part of the project. The goal is to raise funds for the Trakadom association, created by Pone and two doctors in collaboration with the intensive care unit of the hospital of Nîmes. In 2020, Grazia magazine conducted an interview with UK Prime Minister Boris Johnson. When asked about the five most influential women in his life, Johnson placed Kate Bush at the fifth spot after deliberating between nominating Queen Elizabeth II, Margaret Thatcher, and Bush. In addition to her music, her dancing has been critically acclaimed and proven influential, as well as enduring in the popular consciousness. Critics have noted her "pioneering synthesis of music and movement" and called her work "modern dance at its most powerful". Prix Benois de la Danse winner Sidi Larbi Cherkaoui credits her dancing as a formative influence. For the recurring The Most Wuthering Heights Day Ever event, thousands of people gather worldwide to recreate her dance routine from the "Wuthering Heights" music video—the outside version where Bush is seen dancing "out in the wily, windy moors", adorned with flowers and a flowy red dress. Bush's only tour, the Tour of Life, ran for six weeks in April and May 1979, covering Britain and mainland Europe. The BBC suggested that she may have quit touring due to a fear of flying, or because of the death of a lighting engineer, Bill Duffield, who was killed in an accident after a warmup concert. Mercer, who signed Bush to EMI, said touring was "just too hard ... I think [Bush] liked it but the equation didn't work ... I could see at the end of the show that she was completely wiped out." Bush described the tour as "enormously enjoyable" but "absolutely exhausting". During the same period as the Tour of Life, Bush performed on television programs including Top of the Pops in the UK, Bio's Bahnhof in Germany, and Saturday Night Live in the United States (performing "The Man with the Child in His Eyes" with Paul Shaffer on piano, and later in the programme, "Them Heavy People"), which remains her only live performance in the country. On 28 December 1979, BBC TV aired the Kate Bush Christmas Special. In July 1982, Bush participated in the first benefit concert in aid of The Prince's Trust, singing "The Wedding List" with a backing band composed of Pete Townshend, Phil Collins, Midge Ure, Mick Karn, Gary Brooker, Dave Formula, and Peter Hope Evans. The performance was later released on VHS video, Laserdisc and CED disc. She performed live for British charity event Comic Relief in 1986, singing "Do Bears... ?", a humorous duet with Rowan Atkinson, and a rendition of "Breathing". In March 1987, Bush sang "Running Up That Hill" at The Secret Policeman's Third Ball accompanied by David Gilmour. She appeared with Gilmour again in 2002, singing the Pink Floyd song "Comfortably Numb" at the Royal Festival Hall in London. Bush returned to headline performance with a 22-night residency, Before the Dawn, which ran from 26 August to 1 October 2014 at the London Hammersmith Apollo. The set list encompassed most of Hounds of Love featuring the entire Ninth Wave suite, most of Aerial, two songs from The Red Shoes, and one song from 50 Words for Snow. Bush provided vocals on two of Peter Gabriel's albums, including the hits "Games Without Frontiers" and "Don't Give Up", as well as "No Self-Control". Gabriel appeared on Bush's 1979 television special, where they sang a duet of Roy Harper's "Another Day". She has sung on two Roy Harper tracks, "You", on his 1979 album, "The Unknown Soldier"; and "Once", the title track of his 1990 album. She has also sung on the title song of the 1986 Big Country album The Seer; the Midge Ure song "Sister and Brother" from his 1988 album Answers to Nothing; Go West's 1987 single "The King Is Dead"; and two songs with Prince – "Why Should I Love You?", from her 1993 album The Red Shoes, and "My Computer" from Prince's 1996 album Emancipation. In 1987, she sang a verse on the Beatles cover charity single "Let It Be" by Ferry Aid. In 1990 Bush produced a song for another artist, Alan Stivell's "Kimiad" for his album Again; this is the only time she has done this to date. Stivell had appeared on The Sensual World. In 1991, Bush was invited to perform a cover of Elton John's 1972 song "Rocket Man" for the tribute album Two Rooms: Celebrating the Songs of Elton John & Bernie Taupin. In 2007 Bush's cover won The Observer readers' award for Greatest Cover of all time. In 2011, Elton John collaborated with Bush once again in "Snowed in at Wheeler Street" for her most recent album 50 Words for Snow. In 1994, Bush covered George Gershwin's "The Man I Love" for the tribute album The Glory of Gershwin. In 1996, Bush contributed a version of "Mná na hÉireann" (Irish for "Women of Ireland") for the Anglo-Irish folk-rock compilation project Common Ground: The Voices of Modern Irish Music. Bush had to sing the song in Irish, which she learned to do phonetically. Artists who have contributed to Bush's own albums include Elton John, Eric Clapton, Jeff Beck, David Gilmour, Nigel Kennedy, Gary Brooker, Danny Thompson, and Prince. Bush provided backing vocals for a song that was recorded during the 1990s titled Wouldn't Change a Thing by Lionel Azulay, the drummer with the original band that was later to become the KT Bush Band. The song, which was engineered and produced by Del Palmer, was released on Azulay's album Out of the Ashes. Bush declined a request by Erasure to produce one of their albums because, according to Vince Clarke, "she didn't feel that that was her area". Bush is married to guitarist Danny McIntosh. They have a son, Albert McIntosh, known as Bertie, born in 1998. From the late 1970s to the early 1990s, Bush was in a relationship with bassist and sound engineer Del Palmer. Bush is a former resident of Eltham in southeast London. In the 1990s she moved to a canalside residence in Sulhamstead, Berkshire, and bought a second home in Devon in 2004. Bush is a vegetarian. Bush was raised a Roman Catholic. In 1999, she said: I would never say I was a strict follower of Roman Catholic belief, but a lot of images are in there; they have to be; they're so strong. Such powerful, beautiful, passionate images! There's a lot of suffering in Roman Catholicism. I think I'm looking for not necessarily religion, but ways of helping myself to become more understanding, more complete, a happier person ... But I really don't think I've found a niche. The length of time between albums has led to rumours concerning Bush's health or appearance. In 2011, she told BBC Radio 4 that the amount of time between albums was stressful: "It's very frustrating the albums take as long as they do ... I wish there weren't such big gaps between them". In the same interview, she denied that she was a perfectionist, saying: "I think it's important that things are flawed ... That's what makes a piece of art interesting sometimes – the bit that's wrong or the mistake you've made that's led onto an idea you wouldn't have had otherwise." She reiterated her prioritisation of her family life. Bush's son Bertie featured in the 2014 concert Before the Dawn. Her nephew Raven Bush was a violinist in the English indie band Syd Arthur. Some of Bush's songs contain references to political and social themes, including "Breathing", which addresses the fear of nuclear warfare and "Army Dreamers", which examines the grief felt by mothers who lose children serving in the military during war. In a 1985 interview with The NewMusic, Bush stated "I've never felt I've written from a political point of view, it's always been an emotional point of view that just happens to perhaps be a political situation." During the 1979 United Kingdom general election campaign, Bush, who at the time was on a live concert tour of the UK, posed for a photograph alongside the Labour Prime Minister James Callaghan. When asked about her political beliefs in a 1985 interview with Hot Press, Bush replied that she preferred not to discuss how she voted and added "I don't feel I am a political thinker at all. I don't really understand politics." In The Comic Strip Presents... episode GLC: The Carnage Continues..., she produced and sang on the theme song "Ken", a satirical take on how Hollywood glamourises and fictionalises political figures, in this particular case Ken Livingstone, the former leader of the Greater London Council, and the lyrics parodied the theme from Shaft. In 2016, the Canadian news magazine Maclean's published an interview in which Bush was asked about people being afraid of women holding political power. Bush pointed out that the UK, unlike the US, did have a female premier, Theresa May, who a few months earlier had become the Conservative Prime Minister. The interview quoted Bush as saying: "I actually really like her and think she's wonderful. I think it's the best thing that's happened to us in a long time ... It is great to have a woman in charge of the country. She's very sensible and I think that's a good thing at this point in time." In 2019, Bush published a statement on her website saying that she was not a Conservative Party supporter, that she felt May was an improvement over the previous Prime Minister, and that she had intended only to defend women in power. In April 2021, Bush was one of 156 signatories of an open letter to Prime Minister Boris Johnson calling for a change in the wording of the Copyright, Designs and Patents Act 1988 to make royalty payments for streaming closer to the amounts paid for radio broadcast. In December 2022, in her annual Christmas message, Bush expressed solidarity with nurses undertaking strike action, stating that NHS nurses should be "appreciated and cherished". Studio albums The Kick Inside (1978) Lionheart (1978) Never for Ever (1980) The Dreaming (1982) Hounds of Love (1985) The Sensual World (1989) The Red Shoes (1993) Aerial (2005) Director's Cut (2011) 50 Words for Snow (2011) Concert tours The Tour of Life (1979) Concert residences Before the Dawn (2014) Official website Kate Bush at AllMusic Kate Bush discography at Discogs Kate Bush at IMDb Kate Bush interview, Ireland, 1978
8. George Michael (1963 - 2016)
With an HPI of 68.35, George Michael is the 8th most famous British Singer. His biography has been translated into 86 different languages.
George Michael (born Georgios Kyriacos Panayiotou; 25 June 1963 – 25 December 2016) was an English singer-songwriter, record producer and philanthropist. Regarded as a pop culture icon, he is one of the best-selling musicians of all time, with his sales estimated at between 100 million to 125 million records worldwide. Michael was known as a creative force in songwriting, vocal performance, and visual presentation. He achieved 10 number-one songs on the US Billboard Hot 100 and 13 number-one songs on the UK Singles Chart. Michael won numerous music awards, including two Grammy Awards, three Brit Awards, twelve Billboard Music Awards, and four MTV Video Music Awards. He was listed among Billboard's the "Greatest Hot 100 Artists of All Time" and Rolling Stone's the "200 Greatest Singers of All Time". The Radio Academy named him the most played artist on British radio during the period 1984–2004. Michael was inducted into the Rock and Roll Hall of Fame in 2023. Born in East Finchley, Middlesex, Michael rose to fame after forming the pop duo Wham! with Andrew Ridgeley in 1981. Their first two albums, Fantastic (1983) and Make It Big (1984), reached number one on the US Billboard 200 and UK Albums Chart. They had commercial success with singles "Wham Rap! (Enjoy What You Do)", "Young Guns (Go for It)", "Bad Boys", "Club Tropicana", "Wake Me Up Before You Go-Go", "Last Christmas", "Everything She Wants", "Freedom", and "I'm Your Man". Their 1985 tour in China was the first by a Western popular music act, and generated worldwide media coverage. Michael took part in Band Aid's UK number-one single "Do They Know It's Christmas?" in 1984 and performed at the following year's Live Aid concert. Michael's first solo single, "Careless Whisper" (1984), reached number one in over 20 countries, including the UK and US. The second solo single, "A Different Corner", also reached number one in 1986. After Wham! disbanded that year, Michael released the number-one duet with Aretha Franklin, "I Knew You Were Waiting (For Me)". His debut solo album, Faith (1987), stayed at number one on the Billboard 200 for 12 weeks and topped the UK Albums Chart. It is one of the best-selling albums of all time, having sold over 25 million copies worldwide. The singles "Faith", "Father Figure", "One More Try", and "Monkey" reached number one on the Billboard Hot 100. Michael became the best-selling music artist of 1988, and Faith was awarded Album of the Year at the 1989 Grammy Awards. Michael's second solo album, Listen Without Prejudice Vol. 1 (1990), was also a number one in the UK and yielded the Billboard Hot 100 number one "Praying for Time" and the worldwide hit "Freedom! '90". Michael went on to release a series of multimillion-selling albums, including Older (1996), Ladies & Gentlemen: The Best of George Michael (1998), Songs from the Last Century (1999), Patience (2004), and Twenty Five (2006). The albums earned him multiple hits such as "Jesus to a Child", "Fastlove", "Outside", "Amazing", and "An Easier Affair". Michael came out as gay in 1998, and was an active LGBT rights campaigner and HIV/AIDS charity fundraiser. His personal life, drug use, and legal troubles made headlines following an arrest for public lewdness in 1998 and multiple drug-related offences. The 2005 documentary A Different Story covered his career and personal life. Michael's 25 Live tour spanned three tours from 2006 to 2008. Michael fell into a coma in 2011 during a bout with pneumonia, but later recovered. He performed his final concert at London's Earls Court in 2012. Michael died of heart disease on Christmas Day in 2016, at his home in Goring-on-Thames, Oxfordshire.
9. Marianne Faithfull (b. 1946)
With an HPI of 68.31, Marianne Faithfull is the 9th most famous British Singer. Her biography has been translated into 36 different languages.
Marianne Evelyn Gabriel Faithfull (born 29 December 1946) is an English rock singer. She achieved popularity in the 1960s with the release of her hit single "As Tears Go By" and became one of the lead female artists during the British Invasion in the United States. Born in Hampstead, London, Faithfull began her career in 1964 after attending a party for the Rolling Stones, where she was discovered by Andrew Loog Oldham. Her debut album Marianne Faithfull (1965, released simultaneously with her album Come My Way), was a commercial success followed by a number of albums on Decca Records. From 1966 to 1970, she had a highly publicised romantic relationship with Mick Jagger. Her popularity was enhanced by her film roles, such as those in I'll Never Forget What's'isname (1967), The Girl on a Motorcycle (1968) and Hamlet (1969). However, her popularity was overshadowed by personal problems in the 1970s. During this time, she was anorexic, homeless and addicted to heroin. Faithfull was noted for her distinctive voice; her melodic and high-registered vocals prevailed during her 1960s career, but these were altered by severe laryngitis coupled with persistent drug abuse during the 1970s, which left her voice permanently raspy, cracked and lower in pitch. This new sound was praised as "whisky soaked" by some critics and seen as having helped to capture the raw emotions expressed in Faithfull's music. After a long commercial absence, Faithfull made a comeback with the 1979 release of her critically acclaimed album Broken English. The album was a commercial success and marked a resurgence of her musical career. Broken English earned Faithfull a nomination for the Grammy Award for Best Female Rock Vocal Performance and is often regarded as her "definitive recording". She followed this with a series of albums, including Dangerous Acquaintances (1981), A Child's Adventure (1983) and Strange Weather (1987). Faithfull wrote three books about her life: Faithfull: An Autobiography (1994), Memories, Dreams & Reflections (2007) and Marianne Faithfull: A Life on Record (2014). Faithfull received the World Lifetime Achievement Award at the 2009 Women's World Awards, and she was made a Commandeur of the Ordre des Arts et des Lettres by the government of France. Faithfull was born in Hampstead, London. Her half-brother is artist Simon Faithfull. Her father, Major Robert Glynn Faithfull, was a British intelligence officer and professor of Italian Literature at Bedford College of London University. Faithfull's mother Eva was the daughter of Artur Wolfgang, Ritter von Sacher-Masoch, an Austro-Hungarian nobleman. Eva chose to style herself as Eva von Sacher-Masoch, Baroness Erisso. Eva had been a ballerina for the Max Reinhardt Company during her early years, and danced in productions of works by the German theatrical duo Bertolt Brecht and Kurt Weill. Faithfull's mother had been born in Budapest and moved to Vienna in 1918. The family of Sacher-Masoch secretly opposed the Nazi regime in Vienna. Faithfull's father's intelligence work for the British Army brought him into contact with the family, and he thus met Eva. Faithfull's maternal grandfather had aristocratic roots in the Habsburg Dynasty, and Faithfull's maternal grandmother was Jewish. Faithfull's maternal great-great-uncle was Leopold von Sacher-Masoch, whose erotic novel, Venus in Furs, spawned the word "masochism." In regard to her roots in the Austrian nobility, Faithfull appeared on the British television series Who Do You Think You Are? where it was discussed that the title used by family members was Ritter von Sacher-Masoch. Her family lived in Ormskirk, Lancashire, while her father completed a doctorate at Liverpool University. She spent some of her early life at the commune at Braziers Park, Oxfordshire, formed by John Norman Glaister, where her father, who was instrumental in its foundation, lived and participated. Her parents divorced when she was age 6, after which she moved with her mother to Milman Road in Reading. Her primary school was in Brixton. Living in reduced circumstances, Faithfull's girlhood was marred by bouts of tuberculosis. She was a charitably subsidised (bursaried) pupil at St Joseph's Roman Catholic Convent School, Reading, where she was, for a time, a weekly boarder. While at St Joseph's, she was a member of the Progress Theatre's student group. Faithfull began her singing career in 1964, landing her first gigs as a folk music performer in coffeehouses. She soon began taking part in London's exploding social scene. In early 1964 she attended a Rolling Stones launch party with artist John Dunbar and met Andrew Loog Oldham, who 'discovered' her. "As Tears Go By", her first single, was written and composed by Jagger, Keith Richards, and Oldham, and became a chart success. (The Rolling Stones recorded their version one year later, which also became successful.) She then released a series of successful singles, including "This Little Bird", "Summer Nights", and "Come and Stay with Me". Faithfull married John Dunbar on 6 May 1965 in Cambridge with Peter Asher as the best man. The couple lived in a flat at 29 Lennox Gardens in Belgravia, London SW1. On 10 November 1965, she gave birth to their son Nicholas. In 1966, she took Nicholas to stay with Brian Jones and Anita Pallenberg in London. During this period, Faithfull started smoking marijuana and became best friends with Pallenberg. She began a much-publicised relationship with Mick Jagger that same year and left her husband to live with him. The couple became a notorious part of the hip Swinging London scene. She is heard on The Beatles' song "Yellow Submarine". She was found wearing only a fur rug by police executing a drug search at Keith Richards's house in West Wittering, Sussex. In an interview 27 years later with A.M. Homes for Details, Faithfull discussed her wilder days and admitted that the drug bust fur rug incident had ravaged her personal life: "It destroyed me. To be a male drug addict and to act like that is always enhancing and glamorising. A woman in that situation becomes a slut and a bad mother." It was during this time that Faithfull lost three opportunities to appear in films. “I really thought I had blown my career.” In 1968, Faithfull, by now addicted to cocaine, gave birth to a stillborn daughter (whom she had named Corrina) while returning from Jagger's country house in Ireland. Faithfull's involvement in Jagger's life was reflected in some of the Rolling Stones's best known songs. "Sympathy for the Devil", featured on the 1968 album Beggars Banquet, partially was inspired by The Master and Margarita, written by Mikhail Bulgakov, a book that Faithfull introduced to Jagger. The song "You Can't Always Get What You Want" on the 1969 album Let It Bleed was supposedly written and composed about Faithfull; the songs "Wild Horses" and "I Got the Blues" on the 1971 album Sticky Fingers were allegedly influenced by Faithfull, and she co-wrote "Sister Morphine" (the writing credit for the song was the subject of a protracted legal battle that was resolved with Faithfull listed as co-author). In her autobiography, Faithfull said Jagger and Richards released it in their own names so that her agent did not collect all the royalties and proceeds from the song, especially as she was homeless and addicted to heroin at the time. In 1968, Faithfull appeared in The Rolling Stones Rock and Roll Circus concert, giving a solo performance of "Something Better". She is bisexual, and during the 1960s, she had relationships with both men and women. Faithfull ended her relationship with Jagger in May 1970 after she started an affair with Anglo-Irish nobleman "Paddy" Rossmore, and she lost custody of her son in that same year, which led to her attempting suicide. Faithfull's personal life went into decline, and her career went into a tailspin. She made only a few appearances, including an October 1973 performance with David Bowie, singing Sonny & Cher's "I Got You Babe". Faithfull lived on London's Soho streets for two years, suffering from heroin addiction and anorexia nervosa. Friends intervened and enrolled her in an NHS heroin-assisted treatment programme. She failed at controlling or stabilising her addiction at this time. In 1971, producer Mike Leander found her on the streets and made an attempt to revive her career, producing part of her album Rich Kid Blues. The album was shelved until 1985. Severe laryngitis, coupled with persistent drug abuse during this period, permanently altered Faithfull's voice, leaving it cracked and lower in pitch. While the new sound was praised as "whisky soaked" by some critics, journalist John Jones of the Sunday Times wrote that she had "permanently vulgarised her voice". In 1975, she released the country-influenced record Dreamin' My Dreams, re-released in 1978 as Faithless with some new tracks added, which reached No.1 on the Irish Albums Chart. Faithfull moved into a squat without hot water or electricity in Chelsea with then-boyfriend Ben Brierly of the band the Vibrators. She later shared flats in Chelsea and Regent's Park with Henrietta Moraes. In 1979, the same year she was arrested for marijuana possession in Norway, Faithfull's career returned full force with the album Broken English, her most critically hailed album. Partially influenced by the punk explosion and her marriage to Brierly in the same year, it ranged from the punk-pop sounds of the title track, which addressed terrorism in Europe (being dedicated to Ulrike Meinhof), to the punk-reggae rhythms of "Why D'Ya Do It?", a song with aggressive lyrics adapted from a poem by Heathcote Williams. The musical structure of this song is complex: On the surface hard rock, it has a tango in 4/4 time, with an opening electric guitar riff by Barry Reynolds in which beats 1 and 4 of each measure are accented on the up-beat, and beat 3 is accented on the down beat. Faithfull, in her autobiography, commented that her fluid yet rhythmic reading of Williams' lyric was "an early form of rap". Broken English was the album that revealed the full extent of Faithfull's alcohol and drug use and their effects on her singing voice, with the melodic vocals on her early records being replaced by a raucous, deep voice which helped capture the raw emotions expressed in the album's songs.A disastrous Feb. 1980 appearance on Saturday Night Live was blamed on too many rehearsals, but it was suspected that drugs had caused her vocal cords to seize up. Faithfull began living in New York City after the release of Dangerous Acquaintances in 1981. The same year, she appeared as a vocalist on the single "Misplaced Love" by Rupert Hine, which charted in Australia. Despite her comeback, she was battling with addiction in the mid-1980s, at one point breaking her jaw tripping on a flight of stairs while under the influence. Rich Kid Blues (1985) was another collection of her early work combined with new recordings, a double record showcasing both the pop and rock 'n' roll facets of her output to date. In 1985, Faithfull performed "Ballad of the Soldier's Wife" on Hal Willner's tribute album Lost in the Stars: The Music of Kurt Weill. Faithfull's restrained readings lent themselves to the material, and this collaboration informed several subsequent works. In 1985, she was at the Hazelden Foundation Clinic in Minnesota for rehabilitation. She then received treatment at McLean Hospital in Belmont, Massachusetts. While living at a hotel in nearby Cambridge, Massachusetts, Faithfull started an affair (while still married to Brierly) with a dual diagnosis (mentally ill and drug dependent) man, Howard Tose, who later committed suicide by jumping from a 14th floor window of the flat they shared. In 1987, Faithfull dedicated a "thank you" to Tose within the album package of Strange Weather, on the back sleeve: "To Howard Tose with love and thanks". Faithfull's divorce from Brierly was finalised that year. In 1995, she wrote and sang about Tose's death in "Flaming September" from the album A Secret Life. In 1987, Faithfull ventured into jazz and blues on Strange Weather, also produced by Willner. The album became her most critically lauded album of the decade. Coming full circle, the renewed Faithfull cut another recording of "As Tears Go By" for Strange Weather, this time in a tighter, more gravelly voice. The singer confessed to a lingering irritation with her first hit. "I always childishly thought that was where my problems started, with that damn song," she told Jay Cocks in Time magazine, but she came to terms with it as well as with her past. In a 1987 interview with Rory O'Connor of Vogue, Faithfull declared "forty is the age to sing it, not seventeen." The album of covers was produced by Hal Willner after the two had spent numerous weekends listening to hundreds of songs from the annals of 20th-century music. They chose to record such diverse tracks as Bob Dylan's "I'll Keep It with Mine" and "Yesterdays", written by Broadway composers Jerome Kern and Otto Harbach. The work includes tunes first made notable by such blues luminaries as Billie Holiday and Bessie Smith; Tom Waits wrote the title track. In 1988, Faithfull married writer and actor Giorgio Della Terza, and they divorced in 1991. When Roger Waters assembled an all-star cast of musicians to perform the rock opera The Wall live in Berlin in July 1990, Faithfull played the part of Pink's overprotective mother. Her musical career rebounded for the third time during the early 1990s with the live album Blazing Away, which featured Faithfull revisiting songs she had performed over the course of her career. Blazing Away was recorded at St. Ann's Cathedral in Brooklyn. The 13 selections include "Sister Morphine", a cover of Edith Piaf's "Les Prisons du Roy", and "Why D'Ya Do It?" from Broken English. Alanna Nash of Stereo Review commended the musicians whom Faithfull had chosen to back her—longtime guitarist Reynolds was joined by former Band member Garth Hudson and pianist Dr. John. Nash was impressed with the album's autobiographical tone, noting "Faithfull's gritty alto is a cracked and halting rasp, the voice of a woman who's been to hell and back on the excursion fare which, of course, she has." The reviewer extolled Faithfull as "one of the most challenging and artful of women artists," and Rolling Stone writer Fred Goodman asserted: "Blazing Away is a fine retrospective – proof that we can still expect great things from this greying, jaded contessa." A Collection of Her Best Recordings was released in 1994 by Island Records to coincide with the release of the Faithfull autobiography; the two products originally shared the same cover art. It contained Faithfull's updated version of "As Tears Go By" from Strange Weather, several cuts from Broken English and A Child's Adventure and a song written by Patti Smith scheduled for inclusion on an Irish AIDS benefit album. This track, "Ghost Dance", suggested to Faithfull by a friend who later died of AIDS, was made with a trio of old friends: Stones' drummer Charlie Watts and guitarist Ron Wood backed Faithfull's vocals on the song, while Keith Richards coproduced it. The retrospective album featured one live track, "Times Square", from Blazing Away as well as the Faithfull original "She", penned with composer and arranger Angelo Badalamenti to be released the following year on A Secret Life, with additional songs co written with Badalamenti. Faithfull sang "Love Is Teasin," an Irish folk standard, with The Chieftains on their album The Long Black Veil, released in 1995. Faithfull sang a duet and recited text on the San Francisco band Oxbow's 1997 album Serenade in Red. Faithfull sang interlude vocals on Metallica's song "The Memory Remains" from their 1997 album Reload and appeared in the song's music video; the track reached No. 28 in the U.S. (No.3 on the U.S. Mainstream Rock chart) and No.13 in the UK. As her fascination with the music of Weimar-era Germany continued, Faithfull performed in The Threepenny Opera at the Gate Theatre, Dublin, playing Pirate Jenny. Her interpretation of the music led to a new album, Twentieth Century Blues (1996), which focused on the music of Kurt Weill and Bertolt Brecht as well as Noël Coward, followed in 1998 by a recording of The Seven Deadly Sins, with the Vienna Radio Symphony Orchestra, conducted by Dennis Russell Davies. A hugely successful concert and cabaret tour accompanied by Paul Trueblood at the piano, culminated in the filming, at the Montreal Jazz Festival, of the DVD Marianne Faithfull Sings Kurt Weill. In 1998, Faithfull released A Perfect Stranger: The Island Anthology, a two-disc compilation that chronicled her years with Island Records. It featured tracks from her albums Broken English, Dangerous Acquaintances, A Child's Adventure, Strange Weather, Blazing Away, and A Secret Life, as well as several B sides and unreleased tracks. Faithfull's 1999 DVD Dreaming My Dreams contained material about her childhood and parents, with historical video footage going back to 1964 and interviews with the artist and several friends who have known her since childhood. The documentary included sections on her relationship with John Dunbar and Mick Jagger, and brief interviews with Keith Richards. It concluded with footage from a 30-minute live concert, originally broadcast on PBS for the series Sessions at West 54th. The same year, she ranked 25th in VH1's 100 Greatest Women in Rock and Roll. Roger Waters (Pink Floyd) wrote the song "Incarceration of a Flower Child" portraying Syd Barrett in 1968; it was never recorded by Pink Floyd. The song was recorded by Faithfull on her 1999 album Vagabond Ways. Faithfull released several albums in the 2000s that received positive critical response, beginning with Vagabond Ways (1999), which was produced and recorded by Mark Howard. It included collaborations with Daniel Lanois, Emmylou Harris, Pink Floyd's Roger Waters, and writer (and friend) Frank McGuinness. Later that year she sang "Love Got Lost" on Joe Jackson's Night and Day II. Her renaissance continued with Kissin Time, released in 2002. The album contained songs written with Blur, Beck, Billy Corgan, Jarvis Cocker, Dave Stewart, David Courts and the French pop singer Étienne Daho. On this record, she paid tribute to Nico (with "Song for Nico"), whose work she admired. The album included an autobiographical song she co-wrote with Cocker, called "Sliding Through Life on Charm". In 2005, she released Before the Poison. The album was primarily a collaboration with PJ Harvey and Nick Cave, but Damon Albarn and Jon Brion also contributed. Before the Poison received mixed reviews from both Rolling Stone and Village Voice. In 2005 she recorded (and co-produced) "Lola R Forever", a cover of the Serge Gainsbourg song "Lola Rastaquouere" with Sly & Robbie for the tribute album Monsieur Gainsbourg Revisited. In 2007, Faithfull collaborated with the British singer-songwriter Patrick Wolf on the duet "Magpie" from his third album The Magic Position and wrote and recorded a new song for the French film Truands called "A Lean and Hungry Look" with Ulysse. In March 2007 she returned to the stage with a touring show titled Songs of Innocence and Experience. Supported by a trio, the performance had a semi-acoustic feel and toured European theatres throughout the spring and summer. The show featured many songs she had not performed live before including "Something Better", the song she sang on The Rolling Stones Rock and Roll Circus. The show included the Harry Nilsson song "Don't Forget Me", "Marathon Kiss" from Vagabond Ways, and a version of the traditional "Spike Driver Blues". Articles published at that time hinted Faithfull was looking to retirement and was hoping that money from Songs of the Innocence and Experience would enable her to live in comfort. She said: "I'm not prepared to be 70 and absolutely broke. I realised last year that I have no safety net at all and I'm going to have to get one. So I need to change my attitude to life, which means I have to put away 10 per cent every year of my old age. I want to be in a position where I don't have to work. I should have thought about this a long time ago but I didn't." However, she still lived in her flat in Paris (located in one of the most expensive streets of the capital) and had a house in County Waterford, Ireland. Recording of Easy Come, Easy Go commenced in New York City on 6 December 2007; the album was produced by Hal Willner who had recorded Strange Weather in 1997. A version of Morrissey's "Dear God Please Help Me" from his 2006 album Ringleader of the Tormentors is one of the songs featured. In March 2009, she performed "The Crane Wife 3" on The Late Show. In late March, she began the Easy Come, Easy Go tour, which took her to France, Germany, Austria, New York City, Los Angeles and London. On 3 May 2009, she was featured on CBS News Sunday Morning and interviewed by Anthony Mason in the "Sunday Profile" segment. Both in-studio and on-the-street (New York City) interview segments with Faithfull and Mason were interspersed with extensive biographical and musical footage. In November, Faithfull was interviewed by Jennifer Davies on World Radio Switzerland, where she described the challenges of being stereotyped as a "mother, or the pure wife". Because of this, she insisted, it has been hard to maintain a long career as a female artist, which, she said, gave her empathy for Amy Winehouse when they met recently. In 2010, she was honoured with the Icon of the Year award from Q magazine. On 31 January 2011, Faithfull released her 18th studio album Horses and High Heels in mainland Europe with mixed reviews. The 13 track album contains four songs co-written by Faithfull; the rest are covers of mainly well known songs such as Dusty Springfield's "Goin' Back" and the Shangri-Las' "Past, Present, Future". A UK CD release was planned for 7 March 2011. Faithfull supported the album's release with an extensive European tour with a five-piece band, arriving in the UK on 24 May for a rare show at London's Barbican Centre, with an extra UK show at Leamington Spa on 26 May. On 7 May 2011, she appeared on the Graham Norton Show. She reunited with Metallica in December 2011 for their 30th anniversary celebration at the Fillmore where she performed "The Memory Remains". In 2012, Faithfull recorded a cover version of a Stevie Nicks track from the Fleetwood Mac album Tusk as part of a Fleetwood Mac tribute project. The track "Angel" was released on 14 August 2012 as part of the tribute album Just Tell Me That You Want Me. On 22 June 2013, she made a sell-out concert appearance at the Queen Elizabeth Hall, with jazz musician Bill Frisell playing guitar, as a part of Meltdown Festival curated by Yoko Ono. In September 2014, Faithfull released an album of all-new material, titled Give My Love to London. She started a 12-month 50th anniversary tour at the end of 2014. During a webchat hosted by The Guardian on 1 February 2016, Faithfull revealed plans to release a live album from her 50th anniversary tour. She had ideas for a follow-up for Give My Love to London, but had no intention of recording new material for at least a year and a half. Faithfull's album Negative Capability, was released in November 2018. It featured Rob Ellis, Warren Ellis, Nick Cave, Ed Harcourt, and Mark Lanegan. A spoken word album titled She Walks in Beauty was released in May 2021. She is accompanied with musical arrangements by Warren Ellis, Brian Eno, Nick Cave and Vincent Segal. The album sees her recite the 19th-century British Romantic poets. In 2023, Rolling Stone ranked Faithfull at number 173 on its list of the 200 Greatest Singers of All Time. In 1999, Faithfull ranked 25th on VH1's 100 Greatest Women of Rock and Roll. On 4 November 2007, the European Film Academy announced that Faithfull had received a nomination for Best Actress for her role as Maggie in Irina Palm. On 5 March 2009, Faithfull received the World Arts Award for Lifetime Achievement at the 2009 Women's World Awards. "Marianne's contribution to the arts over a 45-year career including 18 studio albums as a singer, songwriter and interpreter, and numerous appearances on stage and screen is now being acknowledged with this special award." The award was presented in Vienna, with ceremonies televised in over 40 countries on 8 March 2009 as part of International Women's Day. On 23 March 2011, Faithfull was awarded the Commandeur of the Ordre des Arts et des Lettres, one of France's highest cultural honours. Faithfull has had three miscarriages and four abortions. The first abortion was in 1964, when she had become pregnant by Gene Pitney; the procedure was still illegal in the United Kingdom at the time and Faithfull has stated that she had a hard time dealing with the guilt. She began to feel better once her son was born the year after. Subsequent terminations were from her period of drug abuse as she did not wish for the children to be born as addicts. Faithfull's touring and work schedule has been repeatedly interrupted by health problems. In late 2004 she called off the European leg of a world tour, promoting Before The Poison after collapsing on stage in Milan, and was hospitalised for exhaustion. The tour resumed later and included a US leg in 2005. In September 2006, she again called off a concert tour, this time after she was diagnosed with breast cancer. The following month, she underwent surgery in France and no further treatment was necessary owing to the tumour having been caught at a very early stage. Less than two months after she declared having beaten the disease, Faithfull made her public statement of full recovery. In October 2007, Faithfull said that she suffered from hepatitis C on the UK television programme This Morning and that she had first been diagnosed with the condition 12 years earlier. She discusses both the cancer and hepatitis diagnoses in further depth in her memoir Memories, Dreams and Reflections. On 27 May 2008, Faithfull released the following blog posting on her MySpace page, with the headline "Tour Dates Cancelled" and credited to FR Management – the company operated by her boyfriend/manager François Ravard: "Due to general mental, physical and nervous exhaustion doctors have ordered Marianne Faithfull to immediately cease all work activities and rehabilitate. The treatment and recovery should last around six months." In August 2013, Faithfull was forced to cancel a string of concerts in the US and Lebanon following a back injury while on holiday in California. On 30 May 2014, Faithfull suffered a broken hip after a fall while on holiday on the Greek island of Rhodes and underwent surgery. Afterwards, an infection developed at the site of the prosthesis, causing Faithfull to cancel or postpone parts of her 50th anniversary tour for additional surgery and rehabilitation. On 4 April 2020, it was announced that Faithfull was in hospital in London receiving treatment for pneumonia after having tested positive for COVID-19. Her management company reported that she was "stable and responding to treatment". On 21 April she was discharged following a three-week hospitalisation. In a brief statement, Faithfull publicly thanked the hospital staff who "without a doubt" saved her life. She initially thought that she would not be able to sing again after the effects of the coronavirus on her lungs and continued to suffer memory loss because of it. However, she has since been working on her breathing and undertaking singing practice as a part of her recovery. In addition to her music career, Faithfull has had a career as an actress in theatre, television and film. Her first professional theatre appearance was in a 1967 stage adaptation of Chekhov's Three Sisters at the Royal Court Theatre, London, in which she played Irina, co-starring with Glenda Jackson and Avril Elgar. The previous year, she played herself in Jean-Luc Godard's film Made in U.S.A.. Faithfull featured in the 1967 film I'll Never Forget What's'isname. In the French television film Anna, Faithfull sang Serge Gainsbourg's "Hier ou Demain". 1968 found a fetishist portrayal, a black leather-clad motorcyclist in the French film La Motocyclette (English titles: The Girl on a Motorcycle and Naked Under Leather), and 1969 Kenneth Anger's Lucifer Rising, her role Lilith. In London 1969 at the Round House, Faithfull played Ophelia in Hamlet, later filmed as Hamlet. Her stage work included Edward Bond's Early Morning at the Royal Court Theatre, London, in which she played a lesbian Florence Nightingale; The Collector at St Martin's Theatre in the West End; Mad Dog at Hampstead Theatre; A Patriot for Me by John Osborne, at the Palace Theatre; and the role of Lizzie Curry in N. Richard Nash's The Rainmaker, which toured the UK. Other film roles in the 1970s included Sophy Kwykwer in Stephen Weeks's Ghost Story (AKA Madhouse Mansion); and Helen Rochefort in Assault on Agathon. Her television acting in the late 1960s and early 1970s included The Door of Opportunity (1970), adapted from W. Somerset Maugham's story, followed by August Strindberg's The Stronger (1971), and Terrible Jim Fitch (1971) by James Leo Herlihy. In 1991, she played the role of Pirate Jenny in The Threepenny Opera at the Gate Theatre in Dublin. Later she performed Kurt Weill's "The Seven Deadly Sins" with the Vienna Radio Symphony Orchestra, a CD of which was released in 1998. She has played both God and the Devil. She appeared as God in two guest appearances in the British sitcom Absolutely Fabulous. In 2004 and 2005, she played the Devil in William Burroughs' and Tom Waits' musical The Black Rider, directed by Robert Wilson, which opened at London's Barbican Theatre. In 2001, Faithfull appeared in C.S. Leigh's Far From China. She has appeared in Patrice Chéreau's Intimacy (2001), and in 2004, in Jose Hayot's Nord-Plage. Faithfull appeared as Empress Maria Theresa in Sofia Coppola's 2006 biopic Marie Antoinette. She starred in the film Irina Palm, released at the Berlinale film festival in 2007. Faithfull plays the central role of Maggie, a 60-year-old widow who becomes a sex worker to pay for medical treatment for her ill grandson. Faithfull lent her voice to the 2008 film Evil Calls: The Raven, but it was recorded several years earlier when the project was titled Alone in the Dark. She has appeared in the 2008 feature documentary by Nik Sheehan on Brion Gysin and the dreamachine, titled FLicKeR. In 2008, Faithfull toured readings of Shakespeare's sonnets, drawing on the "Dark Lady" sequence. Her accompanist was the cellist Vincent Ségal. In 2011 and 2012, Faithfull had supporting roles in the films Faces in the Crowd and Belle du Seigneur. Faithfull starred in a production of Kurt Weill's The Seven Deadly Sins at Landestheater Linz, Austria. The production ran from October 2012 to January 2013. On 18 September 2013, Faithfull was featured in the genealogy documentary series Who Do You Think You Are?, tracing her family's roots, in particular her mother's side of the family in pre-World War II Austria. Faithfull: An Autobiography, Marianne Faithfull (1994), Cooper Square Press Memories, Dreams & Reflections, Marianne Faithfull (7 July 2008), Harper Perennial Marianne Faithfull: A Life on Record, edited by Marianne Faithfull and Francois Ravard, Contribution by Will Self and Terry Southern, Introduction by Salman Rushdie (2014), Rizzoli Stieven-Taylor, Alison (2007). Rock Chicks:The Hottest Female Rockers from the 1960s to Now. SYD. Rockpool Publishing. ISBN 978-1-921295-06-5 "As years go by." The Independent, 1 September 1996, p. 18. An interview with Faithfull in which she specifically denies the notorious Mars Bar incident. Epinions.com entry on Marianne Faithfull Official website Marianne Faithfull at Curlie Marianne Faithfull at IMDb Marianne Faithfull fansite Faithfull Forever – Inspired by Marianne Faithfull Innocence and Experience: Marianne Faithfull at Tate Gallery Liverpool
10. Rod Stewart (b. 1945)
With an HPI of 68.08, Rod Stewart is the 10th most famous British Singer. His biography has been translated into 68 different languages.
Sir Roderick David Stewart (born 10 January 1945) is a British rock and pop singer and songwriter. Known for his distinctive raspy singing voice, Stewart is among the best-selling music artists of all time, having sold more than 120 million records worldwide. His music career began in 1962 when he took up busking with a harmonica. In 1963, he joined the Dimensions as a harmonica player and vocalist. In 1964, Stewart joined Long John Baldry and the All Stars before moving to the Jeff Beck Group in 1967. Joining Faces in 1969, he also launched a solo career, releasing his debut album that year. Stewart's early albums were a fusion of rock, folk music, soul music, and R&B. His third album, 1971's Every Picture Tells a Story, was his breakthrough, topping the charts in the UK, US, Canada and Australia, as did its ballad "Maggie May". His 1972 follow-up album, Never a Dull Moment, also reached number one in the UK and Australia, while going top three in the US and Canada. Its single, "You Wear It Well", topped the chart in the UK and was a moderate hit elsewhere. After Stewart had a handful more UK top-ten hits, Faces broke up in 1975. Stewart's next few hit singles were ballads, with "Sailing", off the 1975 UK and Australian number-one album, Atlantic Crossing, becoming a hit in the UK and the Netherlands (number one), Germany (number four) and other countries, but barely charting in North America. A Night on the Town (1976), his fifth straight chart-topper in the UK, began a three-album run of going number one or top three in the US, Canada, the UK and Australia with each release. That album's "Tonight's the Night (Gonna Be Alright)" spent almost two months at number one in the US and Canada, and made the top five in other countries. Foot Loose & Fancy Free (1977) contained the hit "You're in My Heart (The Final Acclaim)" as well as the rocker "Hot Legs". Blondes Have More Fun (1978) and its disco-tinged "Da Ya Think I'm Sexy" both went to number one in Canada, Australia and the US, with "Da Ya Think I'm Sexy" also hitting number one in the UK and the top ten in other countries. Stewart's albums regularly hit the upper rungs of the charts in the Netherlands throughout the '70s and in Sweden from 1975 onward. After a disco and new wave period in the late 1970s and early 1980s, Stewart's music turned to a soft rock/middle-of-the-road style, with most of his albums reaching the top ten in the UK, Germany and Sweden, but faring less well in the US. The single "Rhythm of My Heart" was a top five hit in the UK, US and other countries, with its source album, 1991's Vagabond Heart, becoming, at number ten in the US and number two in the UK, his highest-charting album in a decade. In 1993, he collaborated with Bryan Adams and Sting on the power ballad "All for Love", which went to number one in many countries. In the early 2000s, he released a series of successful albums interpreting the Great American Songbook. In 2008, Billboard magazine ranked Stewart the 17th most successful artist on the "Billboard Hot 100 All-Time Top Artists". A Grammy and Brit Award recipient, he was voted at No. 33 in Q Magazine's list of the Top 100 Greatest Singers of all time. As a solo artist, Stewart was inducted into the US Rock and Roll Hall of Fame in 1994, the UK Music Hall of Fame in 2006, and he was inducted a second time into the Rock and Roll Hall of Fame in 2012 as a member of Faces. He has had 10 number-one albums and 31 top-ten singles in the UK, six of which reached number one. Stewart has had 16 top-ten singles in the US, with four reaching number one on the Billboard Hot 100. He was knighted in the 2016 Birthday Honours for services to music and charity.
People
Pantheon has 396 people classified as British singers born between 1874 and 2001. Of these 396, 341 (86.11%) of them are still alive today. The most famous living British singers include Mick Jagger, Brian Johnson, and Ozzy Osbourne. The most famous deceased British singers include David Bowie, Joe Cocker, and George Michael. As of April 2024, 26 new British singers have been added to Pantheon including Al Atkins, Colin Hay, and Annie Haslam.
Living British Singers
Go to all Rankings
Mick Jagger
1943 - Present
HPI: 81.35
Brian Johnson
1947 - Present
HPI: 73.27
Ozzy Osbourne
1948 - Present
HPI: 69.95
Phil Collins
1951 - Present
HPI: 69.13
Kate Bush
1958 - Present
HPI: 68.41
Marianne Faithfull
1946 - Present
HPI: 68.31
Rod Stewart
1945 - Present
HPI: 68.08
Ian Gillan
1945 - Present
HPI: 67.86
Bonnie Tyler
1951 - Present
HPI: 67.71
Morrissey
1959 - Present
HPI: 67.51
Robert Plant
1948 - Present
HPI: 65.84
Peter Gabriel
1950 - Present
HPI: 64.56
Deceased British Singers
Go to all RankingsDavid Bowie
1947 - 2016
HPI: 75.99
Joe Cocker
1944 - 2014
HPI: 70.37
George Michael
1963 - 2016
HPI: 68.35
Shane MacGowan
1957 - 2023
HPI: 59.90
Peter Green
1946 - 2020
HPI: 58.34
Marc Bolan
1947 - 1977
HPI: 58.28
Black
1962 - 2016
HPI: 58.02
Dusty Springfield
1939 - 1999
HPI: 57.67
David Byron
1947 - 1985
HPI: 57.59
Malcolm McLaren
1946 - 2010
HPI: 57.22
Gary Brooker
1945 - 2022
HPI: 57.11
Christine McVie
1943 - 2022
HPI: 56.81
Newly Added British Singers (2024)
Go to all Rankings
Al Atkins
1947 - Present
HPI: 48.36
Colin Hay
1953 - Present
HPI: 46.28
Annie Haslam
1947 - Present
HPI: 42.28
Tony Ashton
1946 - 2001
HPI: 41.62
Elizabeth Fraser
1963 - Present
HPI: 39.97
Perrie Edwards
1993 - Present
HPI: 39.27
Muriel Day
1942 - Present
HPI: 38.64
Elkie Brooks
1945 - Present
HPI: 38.36
Maddy Prior
1947 - Present
HPI: 37.75
Leigh-Anne Pinnock
1991 - Present
HPI: 36.05
Clodagh Rodgers
1947 - Present
HPI: 33.49
Aled Jones
1970 - Present
HPI: 29.08
Overlapping Lives
Which Singers were alive at the same time? This visualization shows the lifespans of the 25 most globally memorable Singers since 1700.
