Reżyser filmowy

Masaki Kobayashi

1916 - 1996

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Jego biografia jest dostępna w 31 różnych językach w Wikipedii. Masaki Kobayashi jest 151. najpopularniejszym reżyser filmowy (wzrost z 166. w 2024 roku), 180. najpopularniejszą biografią Japonia (spadek z 174. w 2019 roku) oraz 7. najpopularniejszym reżyser filmowy Japonia.

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Among Reżyser filmowies

Among reżyser filmowies, Masaki Kobayashi ranks 151 out of 2,041. Before him are Jim Jarmusch, Nikita Mikhalkov, Wong Kar-wai, Ang Lee, Robert Benton, and Erich von Stroheim. After him are Alexander Dovzhenko, Lasse Hallström, Jean-Pierre Jeunet, Marcel Carné, Moustapha Akkad, and Don Siegel.

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Contemporaries

Among people born in 1916, Masaki Kobayashi ranks 41. Before him are Natalia Ginzburg, Abdul Rahman Arif, Robert F. Furchgott, Bernard Lewis, Emil Gilels, and Yumjaagiin Tsedenbal. After him are Virginia Satir, Marcel Cerdan, Peter Weiss, Peter Finch, Amha Selassie, and C. Wright Mills. Among people deceased in 1996, Masaki Kobayashi ranks 41. Before him are Abdus Salam, Claudette Colbert, Lars Ahlfors, Andreas Papandreou, Geoffrey Wilkinson, and Fujiko Fujio. After him are Marcel Carné, António de Spínola, Helmut Schön, George Davis Snell, Alain Poher, and Martin Balsam.

Others Born in 1916

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In Japonia

Among people born in Japonia, Masaki Kobayashi ranks 180 out of NaN. Before him are Teiichi Matsumaru (1909), Masatoshi Koshiba (1926), Emperor Kōtoku (596), Fujiko Fujio (1934), Fumimaro Konoe (1891), and Hiroto Muraoka (1931). After him are Yasuo Suzuki (1913), Emperor Kōgen (-272), Akira Yoshizawa (1911), Emperor Tenji (626), Okita Sōji (1842), and Iwane Matsui (1878).

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Among Reżyser filmowies In Japonia

Among reżyser filmowies born in Japonia, Masaki Kobayashi ranks 7. Before him are Hayao Miyazaki (1941), Akira Kurosawa (1910), Isao Takahata (1935), Takeshi Kitano (1947), Yasujirō Ozu (1903), and Kenji Mizoguchi (1898). After him are Franklin J. Schaffner (1920), Nagisa Oshima (1932), Shohei Imamura (1926), Mamoru Oshii (1951), Hideaki Anno (1960), and Satoshi Kon (1963).

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