彫刻家

Antoine Coysevox

1640 - 1720

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彼の伝記はウィキペディアで24言語で利用可能です(2024年の23言語から増加)。Antoine Coysevoxは、最も人気のある彫刻家の中で第75位(2024年の第103位から順位を上げ)、フランス人物の伝記の中で第2083位(2019年の第2450位から順位を上げ)、また最も人気のあるフランス人彫刻家の中で第16位に位置しています。

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Among 彫刻家

Among 彫刻家, Antoine Coysevox ranks 75 out of 258Before him are Antenor, Francesco Laurana, Giorgio da Sebenico, Robert Smithson, François Girardon, and Properzia de' Rossi. After him are Marino Marini, Andrea Sansovino, Anna Mahler, Nicolas Coustou, Jean Goujon, and Leone Leoni.

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Contemporaries

Among people born in 1640, Antoine Coysevox ranks 10Before him are Françoise-Athénaïs de Rochechouart, Marquise de Montespan, Michał Korybut Wiśniowiecki, Pu Songling, La Voisin, Gaspar Sanz, and Aphra Behn. After him are Monsieur de Sainte-Colombe, Yohannes I, Philippe de La Hire, Abraham Mignon, Jacques Ozanam, and Mariana Alcoforado. Among people deceased in 1720, Antoine Coysevox ranks 6Before him are Calico Jack, Sukjong of Joseon, Eleonor Magdalene of Neuburg, Maria Barbara Bach, and Maria Margaretha Kirch. After him are Edward England, Peter Tordenskjold, Anne Dacier, Abdul-Qādir Bedil, Giovanni Maria Lancisi, and Henri de Massue, Earl of Galway.

Others Born in 1640

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In フランス

Among people born in フランス, Antoine Coysevox ranks 2,083 out of NaNBefore him are Jean Sorel (1934), Louis-Sébastien Mercier (1740), Joan of Valois, Queen of Navarre (1343), William Kennedy Dickson (1860), Charles, Prince Napoléon (1950), and Léon Brillouin (1889). After him are Peter Nolasco (1180), Antoine, Duke of Lorraine (1489), Adhémar Jean Claude Barré de Saint-Venant (1797), Jehan Alain (1911), Jean-Pierre Beltoise (1937), and René-Louis Baire (1874).

Among 彫刻家 In フランス

Among 彫刻家 born in フランス, Antoine Coysevox ranks 16Before him are Jean-Antoine Houdon (1741), François Rude (1784), Étienne Maurice Falconet (1716), Jean-Baptiste Pigalle (1714), David d'Angers (1788), and François Girardon (1628). After him are Nicolas Coustou (1658), Jean Goujon (1510), César Baldaccini (1921), Jean de Chelles (1200), Raymond Duchamp-Villon (1876), and Antoine-Louis Barye (1795).

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