雕塑家

Jean-Antoine Houdon

1741 - 1828

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他的传记在维基百科上提供 34 种语言版本。Jean-Antoine Houdon在最受欢迎的雕塑家中排名第42位(较 2024 年的第33位下降),在法国人物传记中排名第1247位(较 2019 年的第965位下降),并在最受欢迎的法国雕塑家中排名第10位。

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Among 雕塑家

Among 雕塑家, Jean-Antoine Houdon ranks 42 out of 258Before him are Wäinö Aaltonen, Paul Landowski, Jacopo della Quercia, Eva Hesse, César Manrique, and Eduardo Chillida. After him are Claes Oldenburg, Veit Stoss, Magdalena Abakanowicz, Ivan Meštrović, Vera Mukhina, and Paeonius.

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Contemporaries

Among people born in 1741, Jean-Antoine Houdon ranks 14Before him are Emperor Momozono, Benedict Arnold, Jean-François de Galaup, comte de Lapérouse, Johann Kaspar Lavater, Andrea Luchesi, and Nicolas Chamfort. After him are Carl Linnaeus the Younger, Charles II, Grand Duke of Mecklenburg-Strelitz, Augustin Barruel, Johann Gottlieb Naumann, Arthur Young, and Pierre Pigneau de Behaine. Among people deceased in 1828, Jean-Antoine Houdon ranks 13Before him are Victor of Aveyron, Maria Feodorovna, Kobayashi Issa, Alexander Ypsilantis, Franz Joseph Gall, and William Hyde Wollaston. After him are Karl Mack von Leiberich, Karl August, Grand Duke of Saxe-Weimar-Eisenach, Radama I, Amalie of Zweibrücken-Birkenfeld, Sineperver Sultan, and Robert Jenkinson, 2nd Earl of Liverpool.

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In 法国

Among people born in 法国, Jean-Antoine Houdon ranks 1,247 out of NaNBefore him are Jean de Dunois (1402), Jacques Ibert (1890), Camille Jordan (1838), Michel Tournier (1924), Princess Maria Amélia of Brazil (1831), and Emmanuel Chabrier (1841). After him are Prince Lorenz of Belgium, Archduke of Austria-Este (1955), Amadeus VI, Count of Savoy (1334), Francis III, Duke of Brittany (1518), Odo of Bayeux (1036), Samy Naceri (1961), and Charles Trenet (1913).

Among 雕塑家 In 法国

Among 雕塑家 born in 法国, Jean-Antoine Houdon ranks 10Before him are Louise Bourgeois (1911), Giambologna (1529), Marie Tussaud (1761), Rosa Bonheur (1822), Antoine Bourdelle (1861), and Paul Landowski (1875). After him are François Rude (1784), Étienne Maurice Falconet (1716), Jean-Baptiste Pigalle (1714), David d'Angers (1788), François Girardon (1628), and Antoine Coysevox (1640).

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