موسيقي

Niccolò Paganini

1782 - 1840

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سيرته الذاتية متاحة بـ88 لغة مختلفة على ويكيبيديا. يحتل Niccolò Paganini المرتبة 6 بين أكثر موسيقي شعبيةً، والمرتبة 63 بين أكثر السير الذاتية شعبيةً في إيطاليا (تراجعًا من 35 في 2019)، كما يحتل المرتبة الأولى بين أكثر موسيقي من إيطاليا شعبيةً.

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Among موسيقي

Among موسيقي, Niccolò Paganini ranks 6 out of 3,175Before him are Bob Marley, Freddie Mercury, Madonna, Michael Jackson, and Franz Liszt. After him are John Lennon, Bob Dylan, B.B. King, Louis Armstrong, Clara Schumann, and Leonard Cohen.

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Contemporaries

Among people born in 1782, Niccolò Paganini ranks 2Before him is Martin Van Buren. After him are Friedrich Fröbel, Daoguang Emperor, Daniel Auber, John Field, Caroline Bonaparte, Maria Amalia of Naples and Sicily, Ivan Paskevich, Maria Luisa, Duchess of Lucca, Hugues Felicité Robert de Lamennais, and Archduke John of Austria. Among people deceased in 1840, Niccolò Paganini ranks 1After him are Caspar David Friedrich, Heinrich Wilhelm Matthias Olbers, Frederick William III of Prussia, Siméon Denis Poisson, Emperor Kōkaku, Lucien Bonaparte, Jacques MacDonald, Princess Elizabeth of the United Kingdom, Johann Friedrich Blumenbach, Princess Augusta Sophia of the United Kingdom, and Dingane kaSenzangakhona.

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Others Deceased in 1840

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In إيطاليا

Among people born in إيطاليا, Niccolò Paganini ranks 63 out of NaNBefore him are Titian (1488), Maria Montessori (1870), Pontius Pilate (-12), Pope Julius II (1443), Parmenides (-501), and Pope Gregory XIII (1502). After him are Pope Leo XI (1535), Pope Pius VII (1742), Evangelista Torricelli (1608), Pope Leo X (1475), Silvio Berlusconi (1936), and Pope Leo XII (1760).

Among موسيقي In إيطاليا

Among موسيقي born in إيطاليا, Niccolò Paganini ranks 1After him are Arcangelo Corelli (1653), Ludovico Einaudi (1955), Giorgio Moroder (1940), Cosima Wagner (1837), Gianna Nannini (1954), Giovanni Battista Viotti (1755), Romano Mussolini (1927), Arturo Benedetti Michelangeli (1920), Giovanni Battista Martini (1706), Lucio Dalla (1943), and Paolo Conte (1937).

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