راقص

Zizi Jeanmaire

1924 - 2020

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سيرتها الذاتية متاحة بـ25 لغة مختلفة على ويكيبيديا (انخفاض من 26 في 2024). يحتل Zizi Jeanmaire المرتبة 44 بين أكثر راقص شعبيةً (تراجعًا من 41 في 2024)، والمرتبة 2,833 بين أكثر السير الذاتية شعبيةً في فرنسا (تراجعًا من 2,716 في 2019)، كما يحتل المرتبة 9 بين أكثر راقص من فرنسا شعبيةً.

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Among راقص

Among راقص, Zizi Jeanmaire ranks 44 out of 116Before her are Lev Ivanov, Yury Grigorovich, Louise Rasmussen, Merce Cunningham, Hilde Holger, and Ninette de Valois. After her are Léonide Massine, Frederick Ashton, Pierina Legnani, Gaétan Vestris, Jiří Kylián, and Arthur Saint-Léon.

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Contemporaries

Among people born in 1924, Zizi Jeanmaire ranks 168Before her are István Nyers, Walter Gotell, Bayezid Osman, Fud Leclerc, Mohammed Rafi, and Margit Sandemo. After her are Richard Bull, Arthur Janov, Franco Cristaldi, Grégoire Kayibanda, Daniel Inouye, and Rudolf Barshai. Among people deceased in 2020, Zizi Jeanmaire ranks 194Before her are Theodor Wagner, Viktor Ponedelnik, Jack Charlton, Earl Cameron, Myroslav Skoryk, and Philippe Nahon. After her are Jean Raspail, Sisavath Keobounphanh, Joachim Yhombi-Opango, Pietro Anastasi, Muhammad Mustafa Mero, and Fernando Solanas.

Others Born in 1924

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In فرنسا

Among people born in فرنسا, Zizi Jeanmaire ranks 2,833 out of NaNBefore her are Benedicta Henrietta of the Palatinate (1652), Philippe Nahon (1938), Pierre Bézier (1910), Jean Pierre Flourens (1794), Jacques Massu (1908), and Pierre-Émile Martin (1824). After her are Charles Floquet (1828), Jeanne Julie Éléonore de Lespinasse (1732), Julius Leber (1891), Marcel Griaule (1898), Jean Raspail (1925), and Sophie de Condorcet (1764).

Among راقص In فرنسا

Among راقص born in فرنسا, Zizi Jeanmaire ranks 9Before her are Jean-Georges Noverre (1727), Jules Perrot (1810), Liane de Pougy (1869), Pierre Beauchamp (1631), La Goulue (1866), and Roland Petit (1924). After her are Arthur Saint-Léon (1821), Jean Coralli (1779), Micheline Bernardini (1927), Yvette Chauviré (1917), Sylvie Guillem (1965), and Isabelle Delobel (1978).

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