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Tahar Djaout

1954 - 1993

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Zijn biografie is beschikbaar in 24 verschillende talen op Wikipedia (toegenomen van 22 in 2024). Tahar Djaout staat op plaats 4.703 onder de meest populaire schrijver (gestegen van plaats 5.263 in 2024), plaats 122 onder de meest populaire biografieën uit Algerije (gestegen van plaats 133 in 2019) en op plaats 18 onder de populairste schrijver uit Algerije.

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Among Schrijvers

Among schrijvers, Tahar Djaout ranks 4,703 out of 7,302Before him are Saul Alinsky, Patrik Ouředník, Juan José Arreola, Johann Wilhelm Ludwig Gleim, Cesar Millan, and Jane Wilde. After him are Milo Yiannopoulos, Ricardo Güiraldes, Hedwig Dohm, Janwillem van de Wetering, Marta Kauffman, and Reynold A. Nicholson.

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Contemporaries

Among people born in 1954, Tahar Djaout ranks 320Before him are Marc Ribot, Edward Natapei, Michel Camilo, Philippe Bergeroo, Lance Kinsey, and Roy Jacobsen. After him are Hōchū Ōtsuka, Spagna, Ariane Ascaride, Norihito, Prince Takamado, Carter Burwell, and E. Allen Emerson. Among people deceased in 1993, Tahar Djaout ranks 191Before him are Bob Kiesel, Fred Gwynne, Mirza Ibrahimov, Alfred Manessier, Rudolf Wetzer, and Uğur Mumcu. After him are Alexander Mackendrick, Axel von dem Bussche, Héctor De Bourgoing, Joseph B. Soloveitchik, Kamal Hassan Ali, and Pino Puglisi.

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In Algerije

Among people born in Algerije, Tahar Djaout ranks 122 out of NaNBefore him are Mohamed Ben Ahmed Abdelghani (1927), Lounès Matoub (1956), Sofia Boutella (1982), Kad Merad (1964), Redha Malek (1931), and Abdelhamid Brahimi (1936). After him are Ernest Libérati (1906), Smail Hamdani (1930), Mohammed El Filali (1945), Mustapha Dahleb (1952), Hassiba Boulmerka (1968), and Françoise Dürr (1942).

Among Schrijvers In Algerije

Among schrijvers born in Algerije, Tahar Djaout ranks 18Before him are Mohammed Dib (1920), Mouloud Feraoun (1913), Yasmina Khadra (1955), Ahmed Mohammed al-Maqqari (1578), Mouloud Mammeri (1917), and Emmanuel Roblès (1914). After him are Jean Amrouche (1906), Jules Roy (1907), Brigitte Giraud (null), and Mimi Hafida (1965).

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