Festő

Richard Anuszkiewicz

1930 - 2020

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Életrajza 19 különböző nyelven érhető el a Wikipédián. Richard Anuszkiewicz a 1,475th legnépszerűbb festő (növekedés a 1,697th-ről 2024-ben), a 5,735th legnépszerűbb életrajz Egyesült Államok országából (növekedés a 6,260th-ről 2019-ben) és a 66th legnépszerűbb Egyesült Államokból festő.

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Among Festő

Among festő, Richard Anuszkiewicz ranks 1,475 out of 2,023Before him are Eilif Peterssen, Cornelis Pietersz Bega, Sigrid Hjertén, Antonin Mercié, Joos van Craesbeeck, and Daniel Gran. After him are Qian Xuan, Joseph Ducreux, Henry Raeburn, Nadir Afonso, Carl Fredrik Hill, and Giuseppe Pellizza da Volpedo.

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Contemporaries

Among people born in 1930, Richard Anuszkiewicz ranks 336Before him are Gianfranco Parolini, Frank Carlucci, Olavi Mannonen, Bradford Dillman, Vlatko Pavletić, and Patricia Jones. After him are Wilferd Madelung, Julio Abbadie, Richard C. Sarafian, Henri Coppens, Adam Darius, and Edna O'Brien. Among people deceased in 2020, Richard Anuszkiewicz ranks 339Before him are Taryn Power, Mirza Khazar, Ashley Cooper, Hamed Karoui, Ernesto Brambilla, and Juan Giménez. After him are Giancarlo Bergamini, Alfred Riedl, Leon Fleisher, Ahmed Laraki, René Felber, and Ramadan Shalah.

Others Born in 1930

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In Egyesült Államok

Among people born in Egyesült Államok, Richard Anuszkiewicz ranks 5,735 out of NaNBefore him are Patti LuPone (1949), Joe E. Tata (1936), Mike Porcaro (1955), Marion Davies (1897), Mark Cuban (1958), and Eli Roth (1972). After him are Stuart Rosenberg (1927), Katherine Kelly Lang (1961), Brandi Love (1973), Donald Keene (1922), Bill Byrge (1932), and Jon Polito (1950).

Among Festő In Egyesült Államok

Among festő born in Egyesült Államok, Richard Anuszkiewicz ranks 66Before him are Jasper Francis Cropsey (1823), Sam Francis (1923), Charles Demuth (1883), Robert Ryman (1930), Kenneth Noland (1924), and George Segal (1924). After him are Frederick Arthur Bridgman (1847), Edwin Austin Abbey (1852), Chuck Close (1940), Robert Henri (1865), Haddon Sundblom (1899), and Joan Mitchell (1925).

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