رسام

Richard Anuszkiewicz

1930 - 2020

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سيرته الذاتية متاحة بـ19 لغة مختلفة على ويكيبيديا. يحتل Richard Anuszkiewicz المرتبة 1,475 بين أكثر رسام شعبيةً (تقدمًا من 1,697 في 2024)، والمرتبة 5,736 بين أكثر السير الذاتية شعبيةً في الولايات المتحدة (تقدمًا من 6,260 في 2019)، كما يحتل المرتبة 66 بين أكثر رسام من الولايات المتحدة شعبيةً.

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Among رسام

Among رسام, Richard Anuszkiewicz ranks 1,475 out of 2,023Before him are Eilif Peterssen, Cornelis Pietersz Bega, Sigrid Hjertén, Antonin Mercié, Joos van Craesbeeck, and Daniel Gran. After him are Qian Xuan, Joseph Ducreux, Henry Raeburn, Nadir Afonso, Carl Fredrik Hill, and Giuseppe Pellizza da Volpedo.

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Contemporaries

Among people born in 1930, Richard Anuszkiewicz ranks 336Before him are Gianfranco Parolini, Frank Carlucci, Olavi Mannonen, Bradford Dillman, Vlatko Pavletić, and Patricia Jones. After him are Wilferd Madelung, Julio Abbadie, Richard C. Sarafian, Henri Coppens, Adam Darius, and Edna O'Brien. Among people deceased in 2020, Richard Anuszkiewicz ranks 339Before him are Taryn Power, Mirza Khazar, Ashley Cooper, Hamed Karoui, Ernesto Brambilla, and Juan Giménez. After him are Giancarlo Bergamini, Alfred Riedl, Leon Fleisher, Ahmed Laraki, René Felber, and Ramadan Shalah.

Others Born in 1930

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In الولايات المتحدة

Among people born in الولايات المتحدة, Richard Anuszkiewicz ranks 5,736 out of NaNBefore him are Patti LuPone (1949), Joe E. Tata (1936), Mike Porcaro (1955), Marion Davies (1897), Mark Cuban (1958), and Eli Roth (1972). After him are Stuart Rosenberg (1927), Katherine Kelly Lang (1961), Brandi Love (1973), Donald Keene (1922), Bill Byrge (1932), and Jon Polito (1950).

Among رسام In الولايات المتحدة

Among رسام born in الولايات المتحدة, Richard Anuszkiewicz ranks 66Before him are Jasper Francis Cropsey (1823), Sam Francis (1923), Charles Demuth (1883), Robert Ryman (1930), Kenneth Noland (1924), and George Segal (1924). After him are Frederick Arthur Bridgman (1847), Edwin Austin Abbey (1852), Chuck Close (1940), Robert Henri (1865), Haddon Sundblom (1899), and Joan Mitchell (1925).

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