画家

Jean-Marc Nattier

1685 - 1766

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彼の伝記はウィキペディアで31言語で利用可能です(2024年の30言語から増加)。Jean-Marc Nattierは、最も人気のある画家の中で第372位(2024年の第332位から順位を下げ)、フランス人物の伝記の中で第1160位(2019年の第1082位から順位を下げ)、また最も人気のあるフランス人画家の中で第81位に位置しています。

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Among 画家

Among 画家, Jean-Marc Nattier ranks 372 out of 2,023Before him are Balthus, Ferdinand Bol, Luigi Russolo, Karel Appel, Christian Krohg, and Sesshū Tōyō. After him are Anna Ancher, Alexander Roslin, Joseph Karl Stieler, Jean-Baptiste Carpeaux, Lucio Fontana, and Carlo Carrà.

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Contemporaries

Among people born in 1685, Jean-Marc Nattier ranks 9Before him are Charles VI, Holy Roman Emperor, Domenico Scarlatti, George Berkeley, Marie Adélaïde of Savoy, Brook Taylor, and Johann Maria Farina. After him are Gabrielle-Suzanne de Villeneuve, John Gay, Edward England, Bartolomeu de Gusmão, Sophia Louise of Mecklenburg-Schwerin, and William Kent. Among people deceased in 1766, Jean-Marc Nattier ranks 7Before him are Stanisław Leszczyński, Frederick V of Denmark, Elisabeth Farnese, James Francis Edward Stuart, Leopold Joseph von Daun, and Johann Maria Farina. After him are Giuseppe Castiglione, Thomas Abbt, Johann Christoph Gottsched, Marie Victoire de Noailles, Jean Astruc, and Unico Wilhelm van Wassenaer.

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In フランス

Among people born in フランス, Jean-Marc Nattier ranks 1,160 out of NaNBefore him are Daniel Cohn-Bendit (1945), Jean II Le Maingre (1366), Alain Poher (1909), Jean Rochefort (1930), Louise de Marillac (1591), and Étienne Bézout (1730). After him are Lionel Jospin (1937), Antoine Destutt de Tracy (1754), Simon de Montfort, 6th Earl of Leicester (1208), Antoine Jérôme Balard (1802), Leonard of Noblac (496), and Nicolas Leblanc (1742).

Among 画家 In フランス

Among 画家 born in フランス, Jean-Marc Nattier ranks 81Before him are Adélaïde Labille-Guiard (1749), Horace Vernet (1789), Léon Bonnat (1833), Jeanne Hébuterne (1898), Édouard Vuillard (1868), and Balthus (1908). After him are Jean-Baptiste Carpeaux (1827), Armand Guillaumin (1841), Albert Marquet (1875), Anne-Louis Girodet de Roussy-Trioson (1767), Eva Gonzalès (1849), and André Masson (1896).

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