موسيقي

Gaspara Stampa

1523 - 1554

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سيرتها الذاتية متاحة بـ20 لغة مختلفة على ويكيبيديا. يحتل Gaspara Stampa المرتبة 659 بين أكثر موسيقي شعبيةً (تراجعًا من 565 في 2024)، والمرتبة 2,441 بين أكثر السير الذاتية شعبيةً في إيطاليا (تراجعًا من 2,255 في 2019)، كما يحتل المرتبة 25 بين أكثر موسيقي من إيطاليا شعبيةً.

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Among موسيقي

Among موسيقي, Gaspara Stampa ranks 659 out of 3,175Before her are Antonio Bazzini, Myung-whun Chung, Euronymous, Emanuel Feuermann, Chad Smith, and Jörg Demus. After her are Rezső Seress, Clifford Brown, Wendy Carlos, Axel Rudi Pell, Curtis Mayfield, and Peter Schreier.

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Contemporaries

Among people born in 1523, Gaspara Stampa ranks 9Before her are Gabriele Falloppio, Margaret of France, Duchess of Berry, Blaise de Vigenère, Marco Antonio Bragadin, Gulbadan Begum, and Charles de Bourbon. After her are Stradanus, Catherine Carey, Pieter Pourbus, and Jan Blahoslav. Among people deceased in 1554, Gaspara Stampa ranks 13Before her are João Manuel, Prince of Portugal, Henry Grey, 1st Duke of Suffolk, Sibylle of Cleves, Thomas Wyatt the Younger, Hieronymus Bock, and Pedro Cieza de León. After her are Moretto da Brescia, Thomas Howard, 3rd Duke of Norfolk, Marcantonio Trivisan, and Islam Shah Suri.

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In إيطاليا

Among people born in إيطاليا, Gaspara Stampa ranks 2,441 out of NaNBefore her are Alexander Farnese, Prince of Parma (1635), Eraldo Monzeglio (1906), Federico Lombardi (1942), Cino da Pistoia (1270), Andrew Avellino (1521), and Vulca (-600). After her are Irene Camber (1926), Alvise Giovanni Mocenigo (1701), Benedetto Castelli (1578), Valerian Wellesley, 8th Duke of Wellington (1915), Sergio Marchionne (1952), and Fernando d'Ávalos (1489).

Among موسيقي In إيطاليا

Among موسيقي born in إيطاليا, Gaspara Stampa ranks 25Before her are Guido Cantelli (1920), Rocco Granata (1938), Aldo Ciccolini (1925), Lucio Battisti (1943), Salvatore Accardo (1941), and Antonio Bazzini (1818). After her are Enrico Toselli (1883), Giovanni Sgambati (1841), Andrea Guarneri (1626), Vasco Rossi (1952), Giovanni Maria Bononcini (1642), and Gabry Ponte (1973).

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