画家

Charles-Antoine Coypel

1694 - 1752

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彼の伝記はウィキペディアで16言語で利用可能です(2024年の15言語から増加)。Charles-Antoine Coypelは、最も人気のある画家の中で第1409位(2024年の第1381位から順位を下げ)、フランス人物の伝記の中で第3738位(2019年の第3642位から順位を下げ)、また最も人気のあるフランス人画家の中で第228位に位置しています。

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Among 画家

Among 画家, Charles-Antoine Coypel ranks 1,409 out of 2,023Before him are Charb, George Bellows, Uemura Shōen, Konstantin Savitsky, Karin Bergöö Larsson, and Eugen Schüfftan. After him are George Catlin, Abraham van Diepenbeeck, Inji Aflatoun, Sin Yun-bok, Hendrick Cornelisz Vroom, and Mary Beale.

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Contemporaries

Among people born in 1694, Charles-Antoine Coypel ranks 18Before him are Theodore of Corsica, Charlotte Christine of Brunswick-Wolfenbüttel, Leopold, Prince of Anhalt-Köthen, Johan Helmich Roman, Philip Stanhope, 4th Earl of Chesterfield, and Augustine Washington. After him are Daniel Gran, René Louis de Voyer de Paulmy d'Argenson, Hans Adolph Brorson, Richard Boyle, 3rd Earl of Burlington, Duchess Gustave Caroline of Mecklenburg-Strelitz, and George Edwards. Among people deceased in 1752, Charles-Antoine Coypel ranks 14Before him are Johann Christoph Pepusch, Jean François de Troy, Jacopo Amigoni, Joseph Butler, Pietro Grimani, and William Whiston. After him is Daniel Marot.

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In フランス

Among people born in フランス, Charles-Antoine Coypel ranks 3,738 out of NaNBefore him are Madeleine Renaud (1900), Léon Teisserenc de Bort (1855), Roger Ducret (1888), Édouard Lartet (1801), Pierre Schoendoerffer (1928), and Gérard Lenorman (1945). After him are Maurice Paléologue (1859), Alfred Sauvy (1898), Frédéric Vasseur (1968), Béatrice Dalle (1964), Marielle Goitschel (1945), and Dominique Baratelli (1947).

Among 画家 In フランス

Among 画家 born in フランス, Charles-Antoine Coypel ranks 228Before him are Jacques Aved (1702), Lucien Pissarro (1863), Alphonse Legros (1837), Julien Dupré (1851), Tony Robert-Fleury (1837), and Charb (1967). After him are Charles de La Fosse (1636), Isidore Pils (1813), Roger de La Fresnaye (1885), Ker-Xavier Roussel (1867), Edmond Aman-Jean (1858), and Antonin Mercié (1845).

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