مخرج سينمائي

Alexandre Astruc

1923 - 2016

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سيرته الذاتية متاحة بـ28 لغة مختلفة على ويكيبيديا (زيادة من 27 في 2024). يحتل Alexandre Astruc المرتبة 366 بين أكثر مخرج سينمائي شعبيةً (تقدمًا من 373 في 2024)، والمرتبة 2,132 بين أكثر السير الذاتية شعبيةً في فرنسا (تقدمًا من 2,172 في 2019)، كما يحتل المرتبة 45 بين أكثر مخرج سينمائي من فرنسا شعبيةً.

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Among مخرج سينمائي

Among مخرج سينمائي, Alexandre Astruc ranks 366 out of 2,041Before him are Alexander Sokurov, Héctor Babenco, Eldar Ryazanov, Veljko Bulajić, Chris Sanders, and Lotte Reiniger. After him are Veit Harlan, Édouard Molinaro, Leos Carax, Márta Mészáros, Park Chan-wook, and Walerian Borowczyk.

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Contemporaries

Among people born in 1923, Alexandre Astruc ranks 113Before him are Aaron Spelling, Wolfgang Sawallisch, Belisario Betancur, Álvaro Mutis, Ernst Nolte, and Menahem Pressler. After him are Walerian Borowczyk, André Courrèges, Alicia de Larrocha, Dexter Gordon, Charles Durning, and Wally Schirra. Among people deceased in 2016, Alexandre Astruc ranks 130Before him are Neville Marriner, Peter Shaffer, Meir Dagan, Héctor Babenco, Ernst Nolte, and António Mascarenhas Monteiro. After him are André Courrèges, Rudolf E. Kálmán, Einojuhani Rautavaara, Nimr al-Nimr, Tom Kibble, and Henry Heimlich.

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In فرنسا

Among people born in فرنسا, Alexandre Astruc ranks 2,132 out of NaNBefore him are Jean-Marie Loret (1918), Jacques de Morgan (1857), Jehanne D'Alcy (1865), Elisabeth Therese of Lorraine (1711), William de Longchamp (1101), and Jean Françaix (1912). After him are Jacques Cathelineau (1759), Édouard Molinaro (1928), Leos Carax (1960), Jean-Antoine Nollet (1700), Odo III, Duke of Burgundy (1166), and Roland Bonaparte (1858).

Among مخرج سينمائي In فرنسا

Among مخرج سينمائي born in فرنسا, Alexandre Astruc ranks 45Before him are Jeannot Szwarc (1937), Germaine Dulac (1882), Jean Girault (1924), Francis Veber (1937), William Kennedy Dickson (1860), and Jean Rouch (1917). After him are Édouard Molinaro (1928), Leos Carax (1960), Nadine Trintignant (1934), Marcel Camus (1912), Jacques Doillon (1944), and Claire Denis (1946).

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