فنان

William Wallace Denslow

1856 - 1915

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سيرته الذاتية متاحة بـ19 لغة مختلفة على ويكيبيديا (زيادة من 18 في 2024). يحتل William Wallace Denslow المرتبة 35 بين أكثر فنان شعبيةً (تقدمًا من 102 في 2024)، والمرتبة 2,187 بين أكثر السير الذاتية شعبيةً في الولايات المتحدة (تقدمًا من 10,884 في 2019)، كما يحتل المرتبة 6 بين أكثر فنان من الولايات المتحدة شعبيةً.

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Among فنان

Among فنان, William Wallace Denslow ranks 35 out of 125Before him are Edward Burne-Jones, Ai Weiwei, Jean-Michel Basquiat, Bernt Notke, Barnett Newman, and Méret Oppenheim. After him are John Heartfield, Ulay, Charles Bronson, André Charles Boulle, Jeff Koons, and Marcel Janco.

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Contemporaries

Among people born in 1856, William Wallace Denslow ranks 38Before him are Louis Franchet d'Espèrey, Mikhail Vrubel, Pedro Lascuráin, Sergei Taneyev, Wilhelm von Gloeden, and Hara Takashi. After him are Maurice Sarrail, Henri-Edmond Cross, Stepa Stepanović, Sergei Winogradsky, J.-H. Rosny aîné, and Matthias Zurbriggen. Among people deceased in 1915, William Wallace Denslow ranks 23Before him are Armand Peugeot, Michel Bréal, Joe Hill, Anton von Werner, Karl Goldmark, and Archduke Ferdinand Karl of Austria. After him are Saitō Hajime, Nadežda Petrović, Remy de Gourmont, Gopal Krishna Gokhale, Adèle Hugo, and Konstantin Makovsky.

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In الولايات المتحدة

Among people born in الولايات المتحدة, William Wallace Denslow ranks 2,187 out of NaNBefore him are Dean Cain (1966), Hugh McDonald (1950), Isaac Hayes (1942), Robert N. Bellah (1927), Alex Jones (1974), and Jean M. Auel (1936). After him are Gore Vidal (1925), Thornton Wilder (1897), Carl Keenan Seyfert (1911), Barrington Moore Jr. (1913), Blase J. Cupich (1949), and Henry Ford II (1917).

Among فنان In الولايات المتحدة

Among فنان born in الولايات المتحدة, William Wallace Denslow ranks 6Before him are Andy Warhol (1928), Roy Lichtenstein (1923), Keith Haring (1958), Jean-Michel Basquiat (1960), and Barnett Newman (1905). After him are Jeff Koons (1955), Louis Comfort Tiffany (1848), Judy Chicago (1939), Bill Viola (1951), Vito Acconci (1940), and Robert Indiana (1928).

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