موسيقي

Paul de Senneville

1933 - 2023

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سيرته الذاتية متاحة بـ15 لغة مختلفة على ويكيبيديا. يحتل Paul de Senneville المرتبة 833 بين أكثر موسيقي شعبيةً (تراجعًا من 685 في 2024)، والمرتبة 3,266 بين أكثر السير الذاتية شعبيةً في فرنسا (تراجعًا من 2,997 في 2019)، كما يحتل المرتبة 40 بين أكثر موسيقي من فرنسا شعبيةً.

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Among موسيقي

Among موسيقي, Paul de Senneville ranks 833 out of 3,175Before him are Jim Croce, Lūcija Garūta, Marky Ramone, John Petrucci, Bernie Taupin, and Pierre Baillot. After him are Niels-Henning Ørsted Pedersen, Karol Mikuli, Vanessa-Mae, Gerry Rafferty, Ruggiero Ricci, and Tommy Aldridge.

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Contemporaries

Among people born in 1933, Paul de Senneville ranks 216Before him are Dan Flavin, Guido Crepax, Kamal Ganzouri, Hope Lange, Jörn Donner, and Ruzena Bajcsy. After him are Asha Bhosle, Kelvin Felix, Sergio Endrigo, Geraldo Majella Agnelo, Yukhym Zvyahilsky, and Kerstin Ekman. Among people deceased in 2023, Paul de Senneville ranks 213Before him are Natalie Zemon Davis, Kadriye Nurmambet, Richard G. Hovannisian, Terry Funk, Concha Velasco, and Hubert Reeves. After him are Friedrich Cerha, Geraldo Majella Agnelo, Sandra Day O'Connor, Dean Smith, Ama Ata Aidoo, and Romualdo Arppi Filho.

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In فرنسا

Among people born in فرنسا, Paul de Senneville ranks 3,266 out of NaNBefore him are Nicolas Henri, Duke of Orléans (1607), Jean-Jules-Antoine Lecomte du Nouÿ (1842), Yvonne Furneaux (1926), Jean-Sifrein Maury (1746), Georges Leygues (1857), and Pierre Baillot (1771). After him are Sébastien Vaillant (1669), Pierre Nicole (1625), Flodoard (894), Pasquier Quesnel (1634), Fernando Ocáriz Braña (1944), and Jean-Baptiste-Joseph Gobel (1727).

Among موسيقي In فرنسا

Among موسيقي born in فرنسا, Paul de Senneville ranks 40Before him are Claude Bolling (1930), Robert Casadesus (1899), Richard Galliano (1950), Christian Ferras (1933), Bob Sinclar (1969), and Pierre Baillot (1771). After him are Nicolas de Grigny (1672), Jean-Baptiste Arban (1825), Auguste Franchomme (1808), Jean-Luc Ponty (1942), Charles Dancla (1817), and Éric Serra (1959).

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