画家

Georges de La Tour

1593 - 1652

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彼の伝記はウィキペディアで50言語で利用可能です。Georges de La Tourは、最も人気のある画家の中で第111位（2024年の第110位から順位を下げ）、フランス人物の伝記の中で第354位（2019年の第324位から順位を下げ）、また最も人気のあるフランス人画家の中で第31位に位置しています。

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Among 画家

Among 画家, Georges de La Tour ranks 111 out of 2,023. Before him are Matthias Grünewald, Lisa del Giocondo, Ivan Aivazovsky, Jacob van Ruisdael, Apelles, and William-Adolphe Bouguereau. After him are Jean-Baptiste-Siméon Chardin, Pontormo, Pieter Brueghel the Younger, Yayoi Kusama, Simone Martini, and Andrea del Sarto.

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Contemporaries

Among people born in 1593, Georges de La Tour ranks 3. Before him are Mumtaz Mahal, and Artemisia Gentileschi. After him are Jacob Jordaens, Toyotomi Hideyori, George I Rákóczi, Nicolaes Tulp, Matthäus Merian, Catherine de' Medici, Governor of Siena, Balthasar van der Ast, Anthony van Diemen, and Elisabeth of Brunswick-Wolfenbüttel, Duchess of Saxe-Altenburg. Among people deceased in 1652, Georges de La Tour ranks 2. Before him is Jusepe de Ribera. After him are Gregorio Allegri, Pietro Della Valle, Jacob De la Gardie, John Casimir, Count Palatine of Kleeburg, Inigo Jones, Jan Asselijn, Charles Amadeus, Duke of Nemours, Jan Dirksz Both, Denis Pétau, and Claes Jansz. Visscher.

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In フランス

Among people born in フランス, Georges de La Tour ranks 354 out of NaN. Before him are Olivier Messiaen (1908), Éliphas Lévi (1810), Henry VII, Holy Roman Emperor (1275), J. M. G. Le Clézio (1940), William-Adolphe Bouguereau (1825), and Elisabeth of Valois (1545). After him are Philip the Bold (1342), Honoré Gabriel Riqueti, comte de Mirabeau (1749), Anne of Brittany (1477), Louis Renault (1843), Baldwin I of Jerusalem (1058), and Paul Ricœur (1913).

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Among 画家 In フランス

Among 画家 born in フランス, Georges de La Tour ranks 31. Before him are Jean-Honoré Fragonard (1732), Élisabeth Vigée Le Brun (1755), Honoré Daumier (1808), Paul Signac (1863), Claude Lorrain (1600), and William-Adolphe Bouguereau (1825). After him are Jean-Baptiste-Siméon Chardin (1699), Pierre Bonnard (1867), Odilon Redon (1840), Gustave Moreau (1826), Jean Dubuffet (1901), and André Derain (1880).

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