ملحن

Emilio Arrieta

1823 - 1894

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سيرته الذاتية متاحة بـ17 لغة مختلفة على ويكيبيديا. يحتل Emilio Arrieta المرتبة 1,213 بين أكثر ملحن شعبيةً (تراجعًا من 1,075 في 2024)، والمرتبة 1,595 بين أكثر السير الذاتية شعبيةً في إسبانيا (تراجعًا من 1,363 في 2019)، كما يحتل المرتبة 32 بين أكثر ملحن من إسبانيا شعبيةً.

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Among ملحن

Among ملحن, Emilio Arrieta ranks 1,213 out of 1,451Before him are William Bolcom, Eino Tamberg, Michael William Balfe, Dobri Hristov, Johann Nepomuk David, and Joonas Kokkonen. After him are Brad Fiedel, Lepo Sumera, Elliot Goldenthal, Cláudio Santoro, Jean-Joseph Mouret, and Abdylas Maldybaev.

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Contemporaries

Among people born in 1823, Emilio Arrieta ranks 71Before him are Gonçalves Dias, Daniel Harrwitz, Ernest Reyer, John Evans, Dmitry Tolstoy, and Francisco Asenjo Barbieri. After him are William M. Tweed, Guillermo Tell Villegas, Manolache Costache Epureanu, Charlotte Mary Yonge, Sanford Robinson Gifford, and George Campbell, 8th Duke of Argyll. Among people deceased in 1894, Emilio Arrieta ranks 75Before him are Baron Karl von Hasenauer, Verney Lovett Cameron, Alphons Czibulka, William Dwight Whitney, Adolf Friedrich von Schack, and Francisco Asenjo Barbieri. After him are José Eugenio Ellauri, Kitamura Tokoku, Victor Duruy, George Romanes, Svend Foyn, and Lobengula.

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In إسبانيا

Among people born in إسبانيا, Emilio Arrieta ranks 1,595 out of NaNBefore him are Alba Flores (1986), Diego Tristán (1976), Concha Piquer (1908), José Bordalás (1964), Simón Lecue (1912), and Teresa Ribera (1969). After him are Gabri García (1979), José Luis Sampedro (1917), Koldo Aguirre (1939), José Luis Panizo (1922), Ana Torrent (1966), and Alfredo Landa (1933).

Among ملحن In إسبانيا

Among ملحن born in إسبانيا, Emilio Arrieta ranks 32Before him are Xavier Montsalvatge (1912), Federico Moreno Torroba (1891), Luis de Pablo (1930), Cristóbal Halffter (1930), Ruperto Chapí (1851), and Francisco Asenjo Barbieri (1823). After him are Antón García Abril (1933), Federico Chueca (1846), Vicente Amigo (1967), and Javier Navarrete (1956).

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