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The Most Famous

FILM DIRECTORS from China

This page contains a list of the greatest Chinese Film Directors. The pantheon dataset contains 1,581 Film Directors, 23 of which were born in China. This makes China the birth place of the 16th most number of Film Directors behind Hungary and Sweden.

Top 10

The following people are considered by Pantheon to be the top 10 most legendary Chinese Film Directors of all time. This list of famous Chinese Film Directors is sorted by HPI (Historical Popularity Index), a metric that aggregates information on a biography’s online popularity. Visit the rankings page to view the entire list of Chinese Film Directors.

1. Zhang Yimou (1950 - )

With an HPI of 65.65, Zhang Yimou is the most famous Chinese Film Director. His biography has been translated into 51 different languages on wikipedia.

Zhang Yimou (Chinese: 张艺谋; pinyin: Zhāngyìmóu; born 14 November 1951) is a Chinese filmmaker. Considered a key figure of China's Fifth Generation filmmakers, he made his directorial debut in 1988 with Red Sorghum, which won the Golden Bear at the Berlin International Film Festival. Zhang has won numerous awards and recognitions, with three Academy Awards nominations for Best Foreign Language Film for Ju Dou in 1990, Raise the Red Lantern in 1991, and Hero in 2003; a Silver Lion, two Golden Lion prizes and the Glory to the Filmmaker Award at the Venice Film Festival; Grand Jury Prize, Prize of the Ecumenical Jury and Technical Grand Prize at the Cannes Film Festival; the Golden Bear, the Silver Bear Grand Jury Prize and the Prize of the Ecumenical Jury at the Berlin International Film Festival. In 1993, he was a member of the jury at the 43rd Berlin International Film Festival. Zhang directed the opening and closing ceremonies of the 2008 Beijing Summer Olympic Games as well as the opening and closing ceremonies of the 2022 Beijing Winter Olympic Games, which received considerable international acclaim. One of Zhang's recurrent themes is the resilience of Chinese people in the face of hardship and adversity, a theme which has been explored in such films as To Live (1994) and Not One Less (1999). His films are particularly noted for their rich use of colour, as can be seen in some of his early films, like Raise the Red Lantern, and in his wuxia films like Hero and House of Flying Daggers. His highest-budgeted film to date is the 2016 monster film The Great Wall, set in Imperial China and starring Matt Damon. In 2010, Zhang received an honorary doctorate from Yale, and in 2018, he was awarded an honorary doctorate from Boston University. In 2022, he joined the Beijing Film Academy as a distinguished professor.

2. John Woo (1946 - )

With an HPI of 63.18, John Woo is the 2nd most famous Chinese Film Director. His biography has been translated into 40 different languages.

John Woo Yu-Sen (Chinese: 吳宇森; born September 22, 1946) is a Hong Kong filmmaker, known as a highly influential figure in the action film genre. He is a pioneer of heroic bloodshed films (a crime action film genre involving Chinese triads) and the gun fu genre in Hong Kong action cinema, before working in Hollywood films. He is known for his highly chaotic "bullet ballet" action sequences, stylized imagery, Mexican standoffs, frequent use of slow motion and allusions to wuxia, film noir and Western cinema. Considered one of the major figures of Hong Kong cinema, Woo has directed several notable action films including A Better Tomorrow (1986), The Killer (1989), Hard Boiled (1992) and Red Cliff (2008/2009). His Hollywood films include Hard Target (1993), Broken Arrow (1996), Face/Off (1997) and Mission: Impossible 2 (2000). He also created the comic series Seven Brothers, published by Virgin Comics. He is the founder and chairman of the production company Lion Rock Productions. Woo is a winner of the Hong Kong Film Awards for Best Picture, Best Director, and Best Editing, as well as a Golden Horse Award, an Asia Pacific Screen Award and a Saturn Award.

3. Wong Kar-wai (1958 - )

With an HPI of 62.22, Wong Kar-wai is the 3rd most famous Chinese Film Director. His biography has been translated into 45 different languages.

Wong Kar-wai (born 17 July 1958) is a Hong Kong film director, screenwriter, and producer. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours. A pivotal figure of Hong Kong cinema, Wong is considered a contemporary auteur, and ranks third on Sight & Sound's 2002 poll of the greatest filmmakers of the previous 25 years. His films frequently appear on best-of lists domestically and internationally. Born in Shanghai, Wong emigrated to Hong Kong as a child with his family. He began a career as a screenwriter for soap operas before transitioning to directing with his debut, the crime drama As Tears Go By (1988). While As Tears Go By was fairly successful in Hong Kong, Wong moved away from the contemporary trend of crime and action movies to embark on more personal filmmaking styles. Days of Being Wild (1990), his first venture in such a direction, did not perform well at the box office. It however received critical acclaim, and won Best Film and Best Director at the 1991 Hong Kong Film Awards. His next film, Ashes of Time (1994), met with a mixed reception because of its vague plot and atypical take on the wuxia genre. Exhausted by the time-consuming filming and post-production of Ashes of Time, Wong directed Chungking Express (1994), a smaller film that he hoped would rekindle his love of cinema. The film, expressing a more lighthearted atmosphere, catapulted Wong to international prominence, and won Best Film and Best Director at the 1995 Hong Kong Film Awards. Wong followed up with the crime thriller Fallen Angels in 1995. Although it was initially tepidly received by critics, Fallen Angels has since come to be considered a cult classic of the Golden Age of Hong Kong cinema, being especially representative of Wong's style. Wong would go on to consolidate his worldwide reputation with the 1997 drama Happy Together, for which he won Best Director at the Cannes Film Festival. The 2000 drama In the Mood for Love, revered for its lush visuals and subtle storytelling, concretely established Wong's trademark filmmaking styles. Among his other work are 2046 (2004) and The Grandmaster (2013), both of which received awards and nominations worldwide.

4. Terence Young (1915 - 1994)

With an HPI of 59.49, Terence Young is the 4th most famous Chinese Film Director. His biography has been translated into 31 different languages.

Stewart Terence Herbert Young (20 June 1915 – 7 September 1994) was a British film director and screenwriter who worked in the United Kingdom, Europe and Hollywood. He is best known for directing three James Bond films: the first two films in the series, Dr. No (1962) and From Russia with Love (1963), and Thunderball (1965). His other films include the Audrey Hepburn thrillers Wait Until Dark (1967) and Bloodline (1979), the historical drama Mayerling (1968), the infamous Korean War epic Inchon (1981), and the Charles Bronson films Cold Sweat (1970), Red Sun (1971), and The Valachi Papers (1972).

5. Yuen Woo-ping (1945 - )

With an HPI of 57.55, Yuen Woo-ping is the 5th most famous Chinese Film Director. His biography has been translated into 22 different languages.

Yuen Woo-ping (Chinese: 袁和平; pinyin: Yuán Hépíng; alias: Yuen Wo-ping; born 1945) is a Hong Kong martial arts choreographer and film director who worked in Hong Kong action cinema and later Hollywood films. He is one of the inductees on the Avenue of Stars in Hong Kong. Yuen is also a son of Yuen Siu-tien, a martial arts film actor. He attended the China Drama Academy for one year as a day student of Master Yu Jim-yuen as well.

6. Chen Kaige (1952 - )

With an HPI of 56.05, Chen Kaige is the 6th most famous Chinese Film Director. His biography has been translated into 35 different languages.

Chen Kaige (Chinese: 陈凯歌; born 12 August 1952) is a Chinese filmmaker and a leading figure of the fifth generation of Chinese cinema. His films are known for their visual flair and epic storytelling. Chen won the Palme d'Or at 1993 Cannes Film Festival and the International Federation of Film Critics (FIPRESCI) Award in 1993 for directing Farewell My Concubine. In recent years, Chen directed the war film The Battle at Lake Changjin and its sequel with Tsui Hark and Dante Lam, with the two films characterized by his signature storytelling and made in cooperation with the Chinese Communist Party.

7. Lo Wei (1918 - 1996)

With an HPI of 55.78, Lo Wei is the 7th most famous Chinese Film Director. His biography has been translated into 19 different languages.

Lo Wei ( 12 December 1918 – 20 January 1996) was a Hong Kong film director and film actor best known for launching the martial arts film careers of both Bruce Lee, in The Big Boss and Fist of Fury, and Jackie Chan, in New Fist of Fury.

8. Edward Yang (1947 - 2007)

With an HPI of 54.45, Edward Yang is the 8th most famous Chinese Film Director. His biography has been translated into 24 different languages.

Edward Yang (Chinese: 楊德昌; pinyin: Yáng Déchāng; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. He rose to prominence as a pioneer in the Taiwanese New Wave of the 1980s, alongside fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang. Yang was regarded as one of the leading filmmakers of Taiwanese cinema. He won the Best Director Award at Cannes for his 2000 film Yi Yi.

9. King Hu (1932 - 1997)

With an HPI of 52.13, King Hu is the 9th most famous Chinese Film Director. His biography has been translated into 20 different languages.

Hu Jinquan (胡金銓, 29 April 1932 – 14 January 1997), better known as King Hu, was a Chinese film director and actor based in Hong Kong and Taiwan. He is best known for directing various wuxia films in the 1960s and 1970s, which brought Hong Kong and Taiwanese cinema to new technical and artistic heights. His films Come Drink with Me (1966), Dragon Inn (1967), and A Touch of Zen (1970–1971) inaugurated a new generation of wuxia films in the late 1960s. Apart from being a film director, Hu was also a screenwriter and set designer.

10. Ann Hui (1947 - )

With an HPI of 51.27, Ann Hui is the 10th most famous Chinese Film Director. Her biography has been translated into 24 different languages.

Ann Hui On-wah, (Chinese: 許鞍華; born 23 May 1947) is a film director, producer, screenwriter and actress from Hong Kong who is one of the most critically acclaimed filmmakers of the Hong Kong New Wave. She is known for her films about social issues in Hong Kong which include: literary adaptations, martial arts, semi-autobiographical works, women's issues, social phenomena, political changes, and thrillers. She served as the president of the Hong Kong Film Directors' Guild from 2004 to 2006. Hui has won numerous awards. She won Best Director at the Golden Horse Awards three times (1999, 2011, 2014); Best Film at the Asia Pacific Film Festival; and Best Director at the Hong Kong Film Awards six times (1983, 1996, 2009, 2012, 2015, 2018). Only two films have won a Grand Slam (Best Picture, Best Director, Best Screenplay, Best Actor, and Best Actress) at the Hong Kong Film Awards; they are Summer Snow and A Simple Life, both directed by Ann Hui. She was honored for her lifetime accomplishments at the 2012 Asian Film Awards. In 2017, the US based Academy of Motion Picture Arts and Sciences invited Hui to become a member.

People

Pantheon has 23 people classified as film directors born between 1899 and 1982. Of these 23, 15 (65.22%) of them are still alive today. The most famous living film directors include Zhang Yimou, John Woo, and Wong Kar-wai. The most famous deceased film directors include Terence Young, Lo Wei, and Edward Yang. As of April 2022, 6 new film directors have been added to Pantheon including Chang Cheh, Li Han-hsiang, and Wang Xiaoshuai.