ACTOR

Vladimir Luxuria

1965 - Today

Photo of Vladimir Luxuria

Icon of person Vladimir Luxuria

Vladimir Luxuria (Italian pronunciation: [ˈvlaːdimir luˈksuːrja]; born 24 June 1965), is an Italian activist, television personality and actress. Luxuria was a Communist Refoundation Party MP, belonging to The Union coalition led by Romano Prodi. She was the first openly transgender member of Parliament in Europe, and the world's second openly transgender MP after New Zealander Georgina Beyer. Read more on Wikipedia

Since 2007, the English Wikipedia page of Vladimir Luxuria has received more than 243,112 page views. Her biography is available in 17 different languages on Wikipedia. Vladimir Luxuria is the 7,666th most popular actor (down from 6,766th in 2019), the 4,221st most popular biography from Italy (down from 3,831st in 2019) and the 197th most popular Italian Actor.

Memorability Metrics

  • 240k

    Page Views (PV)

  • 41.96

    Historical Popularity Index (HPI)

  • 17

    Languages Editions (L)

  • 2.18

    Effective Languages (L*)

  • 3.22

    Coefficient of Variation (CV)

Page views of Vladimir Luxurias by language

Over the past year Vladimir Luxuria has had the most page views in the with 218,088 views, followed by English (24,795), and Russian (5,866). In terms of yearly growth of page views the top 3 wikpedia editions are Persian (46.97%), Egyptian Arabic (19.74%), and Portuguese (18.63%)

Among ACTORS

Among actors, Vladimir Luxuria ranks 7,666 out of 13,578Before her are Margaret Wycherly, Jasper Pääkkönen, Zoe Kazan, Karyn Parsons, Alice Lake, and Houko Kuwashima. After her are Eve Best, Stanislav Ianevski, Lysette Anthony, Hiro Shimono, John T. Dillon, and Calvin Lockhart.

Most Popular Actors in Wikipedia

Go to all Rankings

Contemporaries

Among people born in 1965, Vladimir Luxuria ranks 454Before her are Manolo, Lou Ye, Foto Strakosha, Salima Ikram, Stacey Kent, and Andrii Deshchytsia. After her are Anna Chancellor, Kenny Harrison, Petra Schersing, Amos Mansdorf, Alyson Noël, and Osamu Maeda.

Others Born in 1965

Go to all Rankings

In Italy

Among people born in Italy, Vladimir Luxuria ranks 4,221 out of 5,161Before her are Fabio Fognini (1987), Christian Maggio (1982), Andrea Dovizioso (1986), Antonio Siddi (1923), Francesco Bagnaia (1997), and Carla Marangoni (1915). After her are Marisa Del Frate (1931), Gianbattista Baronchelli (1953), Michelangelo Rampulla (1962), Eros Poli (1963), Vincenzo Sospiri (1966), and Sergio Bianchetto (1939).

Among ACTORS In Italy

Among actors born in Italy, Vladimir Luxuria ranks 197Before her are Elissa Landi (1904), Elena Sofia Ricci (1962), Monica Guerritore (1958), Joel McHale (1971), Dylan Sprouse (1992), and Monty Banks (1897). After her are Marisa Del Frate (1931), Sara Tommasi (1981), Alba Rohrwacher (1979), Alessio Boni (1966), Valeria Marini (1967), and Dado Coletti (1974).

Television and Movie Roles

Tutti giù per terra
Prostitute
The vicissitudes of Walter – a dissatisfied and disenchanted 20-year-old on-and-off philosophy student without a job, a girlfriend or any real beliefs – who reluctantly returns to his native Turin to live with his irascible blue-collar father and his mother, almost mute due to a severe nervous breakdown.
Guardami
The Queen
Nina is a young and very independent porno actress. She doesn't need the help of any agent or manager. She has a daughter and a lesbian relationship with Cristiana, a porno editor. Following a usual medical check she discovers she has a cancer. Her life is completely different now. Nina decides to visit her father. Also the real love finds now space in her heart. In fact at the hospital, she knows Flavio, a patient following her same therapies. Nevertheless their liaison Nina still continues to act in porn movies. But for one of them there won't be a future
Assholes: A Theory
Herself
Some people grapple with the moral challenges of treating human beings decently. Others are just… assholes. Inspired by Aaron James’ New York Times bestseller of the same name, this documentary investigates the breeding grounds of contemporary ‘asshole culture’ — and locates signs of civility in an otherwise rude and nasty universe. Venturing into predominantly male domain, this film moves from Ivy League frat clubs to the bratty princedoms of Silicon Valley and the bear pits of international finance. Why do assholes thrive in certain environments? What explains their perverse appeal? And how do they keep getting elected?