Sarah Waters

Abundantly atmospheric and elegantly told, *The Little Stranger* is Sarah Waterss most thrilling and ambitious novel yet. After her award-winning trilogy of victorian novels, sarah waters turned to the 1940s and wrote the night watch, a tender and tragic novel set against the backdrop of wartime britain shortlisted for both the orange and the man booker, it went straight to number one in the bestseller chart in a dusty post-war summer in rural warwickshire, a doctor is called to a patient at hundreds hall home to the ayres family for over two centuries, the georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine but are the ayreses haunted by something more sinister than a dying way of life little does dr faraday know how closely, and how terrifyingly, their story is about to become entwined with his prepare yourself from this wonderful writer who continues to astonish us, now comes a chilling ghost story.

A novel of relationships set in 1940s London that brims with vivid historical detail, thrilling coincidences, and psychological complexity, by the author of the Booker Prize finalist <i>Fingersmith</i>. <br><br> Sarah Waters, whose works set in Victorian England have awards and acclaim and have reinvigorated the genres of both historical and lesbian fiction, returns with novel that marks a departure from nineteenth century and a spectacular leap forward in the career of this masterful storyteller. <br><br> Moving back through the 1940s, through air raids, blacked-out streets, illicit liasons, and sexual adventure, to end with its beginning in 1941, <i>The Night Watch</i> tells the story of Londoners: three women and a young man with a past-whose lives, and those of their friends and lovers, connect in ways that are surprising not always known to them. In wartime London, the women work-as ambulance drivers, ministry clerks, and building inspectors. There are feats of heroism, epic and quotidian, and tragedies both enormous and personal, but the emotional interiors of her characters that Waters captures with absolute and intimacy. <br><br> Waters describes with perfect knowingness the taut composure of a rescue worker in the aftermath of a bombing, the idle longing of a young woman her soldier lover, the peculiar thrill convict watching the sky ignite through the bars on his window, the hunger a woman stalking the streets for encounter, and the panic of another who sees her love affair coming end. At the same time, Waters is absolute control of a narrative that offers up subtle surprises and exquisite twists, even as it depicts the impact grand historical event on individual lives. <br><br> Tender, tragic, and beautifully poignant, <i>The Night Watch</i> is a towering achievement that confirms its author as "one of the best storytellers alive today" (<i>Independent on Sunday</i>).

A spellbinding ghost story, a complex and intriguing historical mystery, and a poignant romance with an enexpected twist.An upper-class woman recovering from a suicide attempt, Margaret Prior has begun visiting the women’s ward of Millbank prison, Victorian London’s grimmest jail, as part of her rehabilitative charity work. Amongst Millbank’s murderers and common thieves, Margaret finds herself increasingly fascinated by on apparently innocent inmate, the enigmatic spiritualist Selina Dawes. Selina was imprisoned after a seance she was conducting went horribly awry, leaving an elderly matron dead and a young woman deeply disturbed. Although initially skeptical of Selina’s gifts, Margaret is soon drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina’s freedom, and her own.As in her noteworthy deput, Tipping the Velvet, Sarah Waters brilliantly evokes the sights and smells of a moody and beguiling nineteenth-century London, and proves herself yet again a storyteller, in the words of the New York Times Book Review, of "startling power." A tale that will leave readers "transfixed with horror and excitement" (Daily Mail, London) Affinity, in its accomplishment and sophistication, leaves no doubt as to this writer's considerable gifts.“[Affinity] confirms Waters’ uncanny gift for establishing an instant connection between her readers and her flawed yet compelling central protagonists…she’s a novelist of major rank [who] probes into questions of difference and susceptibility, privilege and confinement, betrayal and loss—and there are few young writers out there who can match it.” —The Seattle Times“The novel takes numerous surprising twists and turns before the startling resolution…superb…Waters pulls out all the stops.” —Milwaukee Journal Sentinel“If lesbian fiction is to reach a wider readership, Waters is the person to carry the banner.”—The New York Times Book Review“The author of Tipping the Velvet displays her incredible talent for the Gothic historical novel in this splendid book about a Victorian women’s prison and the affair there between an inmate and a ‘lady visitor.’” —The San Francisco Chronicle“Unfolds sinuously and ominously…a powerful plot-twister. The book is multidimensional: a naturalistic look at Victorian society; a truly suspenseful tale of terror; and a piece of elegant, thinly veiled erotica…Like a Ouija board, Affinity offers different messages to different readers, scaring the shrouds off everyone in the process.”—USA Today“Waters has perfect pitch in her representations of bourgeois Victorian life, the puritanical misery of prisons in the 1870s, and the spiritualist subculture…a deeply absorbing book.” —The Advocate

Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naive gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.The New York Times Book Review has called Sarah Waters a writer of "startling power" and The Seattle Times has praised her work as "gripping, astute fiction that feeds the mind and the senses." Fingersmith marks a major leap forward in this young and brilliant career.

When Nancy Drew, together with her two close friends, arrive for the Emerson University June Week celebration and learn there has been a mix-up in their motel reservations, the confusion leads to a baffling mystery. Uncle John Rorick, a descendant of the early settlers of the town of Emerson, invites the three girls to be his guests at his historic mansion on Pine Hill. Shortly after their arrival, he tells them about the phantom who haunts the mansion's library.