FILM DIRECTOR

Pavel Lungin

1949 - Today

Photo of Pavel Lungin

Icon of person Pavel Lungin

Pavel Semyonovich Lungin (Russian: Па́вел Семёнович Лунги́н; born 12 July 1949) is a Russian film director. He is sometimes credited as Pavel Loungine (as in the American release of Tycoon). Read more on Wikipedia

Since 2007, the English Wikipedia page of Pavel Lungin has received more than 99,463 page views. Her biography is available in 20 different languages on Wikipedia (up from 18 in 2019). Pavel Lungin is the 1,106th most popular film director (down from 1,054th in 2019), the 1,899th most popular biography from Russia (down from 1,740th in 2019) and the 54th most popular Russian Film Director.

Memorability Metrics

  • 99k

    Page Views (PV)

  • 47.30

    Historical Popularity Index (HPI)

  • 20

    Languages Editions (L)

  • 1.77

    Effective Languages (L*)

  • 3.71

    Coefficient of Variation (CV)

Page views of Pavel Lungins by language

Over the past year Pavel Lungin has had the most page views in the with 115,362 views, followed by English (10,030), and French (4,117). In terms of yearly growth of page views the top 3 wikpedia editions are Croatian (43.77%), Swedish (36.34%), and Belarusian (32.73%)

Among FILM DIRECTORS

Among film directors, Pavel Lungin ranks 1,106 out of 2,041Before her are Gregory La Cava, Alan Crosland, Joe Wright, Elvira Notari, David Twohy, and Jonas Åkerlund. After her are Peter Del Monte, Willis H. O'Brien, Agustí Villaronga, Monte Hellman, Edgar Wright, and Caleb Deschanel.

Most Popular Film Directors in Wikipedia

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Contemporaries

Among people born in 1949, Pavel Lungin ranks 473Before her are Chris Van Allsburg, Fayez Tarawneh, Shlomo Artzi, Valeriu Muravschi, Orani João Tempesta, and Vladimír Martinec. After her are Lori Sandri, Efua Dorkenoo, Brian Yuzna, Carlo Petrini, Burghart Klaußner, and Takeshi Shudo.

Others Born in 1949

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In Russia

Among people born in Russia, Pavel Lungin ranks 1,899 out of 3,761Before her are Boris Livanov (1904), Igor Kirillov (1932), Natalia Bessmertnova (1941), Shlomo Mintz (1957), Mark Dvoretsky (1947), and Yuri Titov (1935). After her are Arkady Vorobyov (1924), Boris Kagarlitsky (1958), Grigory Leps (1962), Lyudmila Pakhomova (1946), Vladimir Naumov (1927), and Maya Kristalinskaya (1932).

Among FILM DIRECTORS In Russia

Among film directors born in Russia, Pavel Lungin ranks 54Before her are Fedor Ozep (1895), Stanislav Rostotsky (1922), Grigori Roshal (1899), Fyodor Bondarchuk (1967), Alexander Nevzorov (1958), and Ivan Perestiani (1870). After her are Vladimir Naumov (1927), Roman Abelevich Kachanov (1921), Aleksandr Adabashyan (1945), Alexander Mitta (1933), Gregory Ratoff (1897), and Sergey Urusevsky (1908).

Filmography

The Island
Director
Somewhere in Northern Russia in a small Russian Orthodox monastery lives an unusual man whose bizarre conduct confuses his fellow monks, while others who visit the island believe that the man has the power to heal, exorcise demons and foretell the future.
Leaving Afghanistan
Director
1988-1989. The end of the Soviet-Afghan war. The USSR begins its withdrawal from Afghanistan. Soviet General Vasiliev's son - a pilot named Alexander gets kidnapped by the mujahideen after his airplane crashes. As a result the 108th motorized infantry division's long awaited return home gets put on hold for one last mission: bring the General's son back. Based on true events the previously untold story of the courageous and tragic withdrawal campaign (through the Salang pass) reveals the danger the horror and the complexity of human nature during wartime.
Tsar
Director
In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia