Lucius Shepard

In the mid-nineteenth century, vampires gather at Castle Banat, one of their most sprawling and ancient warrens. Their five-hundred-year breeding project has produced the Golden, a mortal of perfect blood, and they've come to drink from her in a ceremony that will incidentally make her one of the Family. When the girl is found murdered, the clan’s shadowy patriarch calls on the detective Michel Beheim to solve the crime. But Michel has been a vampire for only a short while, and though he was a talented investigator among mortals, he is ill prepared for the task. Soon he is fighting to survive the bizarre terrors of the labyrinthine castle and the schemes of vampires who guard a secret that may forever alter the world of the undead.

Winner of the 1988 World Fantasy and Locus Awards for Best Story Collection, The Jaguar Hunter brings together some of the 1980s' finest speculative fiction. From the battlegrounds of near-future Latin America, to spirit-haunted Nepal, to the ecosystem on the body of a giant dragon, the stories vividly evoke both real-world and fantastic locales with thorough credibility. Shepard's attention to character development and cultural detail are especially remarkable, and reflect his extensive world travels. Featured in the collection, "Salvador" won the Locus Award in 1985 and "R&R" the Nebula and Locus Awards in 1987.

Trouble with water / H.L. Gold -- Nothing in the rules / L. Sprague de Camp -- Fruit of knowledge / C.L. Moore -- Tlon, Uqbar, Orbis Tertius / Jorge Luis Borges -- Compleat werewolf / Anthony Boucher -- Small assassin / Ray Bradbury -- [Lottery](https://openlibrary.org/works/OL3171085W/Lottery) / Shirley Jackson -- Our fair city / Robert A. Heinlein -- There shall be no darkness / James Blish -- Loom of darkness / Jack Vance -- Man who sold rope to the gnoles / Margaret St. Clair -- Silken-swift / Theodore Sturgeon -- Golem / Avram Davidson -- Operation afreet / Poul Anderson -- That hell-bound train / Robert Bloch -- Bazaar of the bizarre / Fritz Leiber -- Come lady death / Peter S. Beagle -- Drowned giant / J.G. Ballard -- Narrow valley / R.A. Lafferty -- Faith of our fathers / Philip K. Dick -- Ghost of a Model T / Clifford D. Simak -- Demoness / Tanith Lee -- Jeffty is five / Harlan Ellison -- Detective of dreams / Gene Wolfe -- Unicorn variations / Roger Zelazny -- Basileus / Robert Silverberg -- Jaguar Hunter / Lucius Shepard -- Buffalo gals, won't you come out tonight / Ursula K. Le Guin -- Bears discover fire / Terry Bisson -- Tower of Babylon / Ted Chiang.

From the creeper-clad jungles of Guatemala to the windswept peaks of Nepal, from the arid urban wasteland of Detroit to the haunted holocaust of Vietnam, Lucius Shepard's massive new retrospective explores the ends of the earth with an arresting narrative intensity and virtuosic verbal exoticism that are unique. Shepard's previous Arkham House collection The Jaguar Hunter was acclaimed as a landmark volume in the development of modern fantasy, and The Ends of the Earth is an even finer testimonial to the emergence of a major American writer. The world of Lucius Shepard is a world inhabited by phantoms, but are such entities literal metaphysical demons or mere marauders of the imagination? Is the protagonist in ' 'The Ends of the Earth" confounded by ancient Mayan magic, or is he the victim of incipient mental breakdown? Have the survivors on "Nomans Land" discovered an archetypal realm of transcendent reality, or are they in thrall to the hallucinogenic wraiths of their own tortured souls? Does the narrator in "Bound for Glory" pass through a demonic landscape that lays bare the human heart of darkness, or has he merely uncovered his own unbridled libido? In Shepard's inimitable artistic vision, one can never be sure: "the life of one world was the shade of another . . . the best and brightest instances of our lives were merely functions of a dark design." And yet the specters that stalk through these stories can offer redemption as well as death, if only by pointing the way to an infinity of parallel universes that magically mirror our own: in the searingly brilliant "Life of Buddha," Shepard's alienated protagonist performs an act of human kindness and achieves thereby his entry into a better world. In these tales of the alienation of modern man, of magical existentialism and the possibility of redemption, we are all shadows in the realm of Lucius Shepard's dark design.