Edward P. Jones

E-Book exclusive extras: "Inside The Known World: An Interview with Edward P. Jones"; Reading Group GuideHenry Townsend, a black farmer, bootmaker, and former slave, has a fondness for Paradise Lost and an unusual mentor -- William Robbins, perhaps the most powerful man in antebellum Virginia's Manchester County. Under Robbins's tutelage, Henry becomes proprietor of his own plantation -- as well as of his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery begin to betray one another. Beyond the Townsend estate, the known world also unravels: low-paid white patrollers stand watch as slave "speculators" sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years.An ambitious, luminously written novel that ranges seamlessly between the past and future and back again to the present, The Known World weaves together the lives of freed and enslaved blacks, whites, and Indians -- and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery.

In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than everReturning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them.In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed.With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

pt. 1. The color of evil. The reach / Stephen King -- Evening primrose / John Collier -- The ash-tree / M.R. James -- The new mother / Lucy Clifford -- There's a long, long trail a-winding / Russell Kirk -- The call of Cthulhu / H.P. Lovecraft -- The summer people / Shirley Jackson -- The whimper of whipped dogs / Harlan Ellison -- [Young Goodman Brown](https://openlibrary.org/works/OL455569W/Young_Goodman_Brown) / Nathaniel Hawthorne -- Mr. Justice Harbottle -- J. Sheridan Le Fanu -- The crowd / Ray Bradbury -- The autopsy / Michael Shea -- John Charrington's wedding / E. Nesbit -- Sticks / Karl Edward Wagner -- Larger than oneself / Robert Aickman -- Belsen Express / Fritz Leiber -- Yours truly, Jack the Ripper / Robert Bloch -- If Damon comes / Charles L. Grant -- Vandy, Vandy / Manly Wade Wellman -- pt. 2. The Medusa in the shield. The swords / Robert Aickman -- The roaches / Thomas M. Disch -- Bright segment / Theodore Sturgeon -- Dread / Clive Barker -- The fall of the house of Usher / Edgar Allan Poe -- The monkey / Stephen King -- Within the walls of Tyre / Michael Bishop -- The rats in the walls / H.P. Lovecraft -- Schalken the painter / J. Sheridan Le Fanu -- The yellow wallpaper / Charlotte Perkins Gilman -- A rose for Emily / William Faulkner -- How love came to Professor Guildea / Robert Hichens -- Born of man and woman / Richard Matheson -- My dear Emily / Joanna Russ -- You can go now / Dennis Etchison -- The rocking-horse winner / D.H. Lawrence -- Three days / Tanith Lee -- Good country people / Flannery O'Connor -- Mackintosh Willy / Ramsey Campbell -- The jolly corner / Henry James -- pt. 3. A fabulous formless darkness. Smoke ghost / Fritz Leiber -- Seven American nights / Gene Wolfe -- The signal-man / Charles Dickens -- [Crouch End](https://openlibrary.org/works/OL19650699W/Crouch_End) / Stephen King -- Night-side / Joyce Carol Oates -- Seaton's aunt / Walter de la Mare -- Clara Militch / Ivan Turgenev -- The repairer of reputations / Robert W. Chambers -- The beckoning fair one / Oliver Onions -- What was it? / Fitz-James O'Brien -- The beautiful stranger / Shirley Jackson -- [The damned thing](https://openlibrary.org/works/OL20084265W/The_Damned_Thing) / Ambrose Bierce -- Afterward / Edith Wharton -- The willows / Algernon Blackwood -- The Asian shore / Thomas M. Disch -- The hospice / Robert Aickman -- A little something for us tempunauts / Philip K. Dick.

"The joy of fiction is the joy of the imagination. . . ."The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all."Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains."As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

The nation's capital that serves as the setting for the stories in Edward P. Jones's prizewinning collection, Lost in the City, lies far from the city of historic monuments and national politicians. Jones takes the reader beyond that world into the lives of African American men and women who work against the constant threat of loss to maintain a sense of hope. From "The Girl Who Raised Pigeons" to the well-to-do career woman awakened in the night by a phone call that will take her on a journey back to the past, the characters in these stories forge bonds of community as they struggle against the limits of their city to stave off the loss of family, friends, memories, and, ultimately, themselves. Critically acclaimed upon publication, Lost in the City introduced Jones as an undeniable talent, a writer whose unaffected style is not only evocative and forceful but also filled with insight and poignancy.