ACTOR

Antonella Lualdi

1931 - 2023

Photo of Antonella Lualdi

Icon of person Antonella Lualdi

Antonella Lualdi (Greek: Αντονέλλα Λουάλντι; born Antonietta de Pascale, 6 July 1931 – 10 August 2023) was an Italian actress and singer. Read more on Wikipedia

Since 2007, the English Wikipedia page of Antonella Lualdi has received more than 143,966 page views. Her biography is available in 22 different languages on Wikipedia (up from 18 in 2019). Antonella Lualdi is the 746th most popular actor (up from 1,636th in 2019), the 26th most popular biography from Lebanon (up from 55th in 2019) and the 2nd most popular Lebanese Actor.

Memorability Metrics

  • 140k

    Page Views (PV)

  • 60.71

    Historical Popularity Index (HPI)

  • 22

    Languages Editions (L)

  • 4.62

    Effective Languages (L*)

  • 2.40

    Coefficient of Variation (CV)

Page views of Antonella Lualdis by language

Over the past year Antonella Lualdi has had the most page views in the with 127,254 views, followed by French (59,623), and English (29,347). In terms of yearly growth of page views the top 3 wikpedia editions are German (476.37%), Dutch (402.32%), and Indonesian (250.00%)

Among ACTORS

Among actors, Antonella Lualdi ranks 746 out of 13,578Before her are Ben Gazzara, Ugo Tognazzi, Jean-Louis Barrault, Adolfo Celi, Anthony Mann, and Robin Wright. After her are Capucine, Mack Sennett, Maria Schneider, Ajay Devgn, Andy Serkis, and Cybill Shepherd.

Most Popular Actors in Wikipedia

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Contemporaries

Among people born in 1931, Antonella Lualdi ranks 73Before her are Jean-Claude Carrière, Hamilton O. Smith, Ronald Dworkin, Alfred Brendel, Adolfo Pérez Esquivel, and Caterina Valente. After her are Don King, Carroll Baker, Clive Cussler, Sam Cooke, John Robert Schrieffer, and Vujadin Boškov. Among people deceased in 2023, Antonella Lualdi ranks 87Before her are Robert Lucas Jr., Marisa Pavan, Carla Bley, Gaston Glock, Milan Milutinović, and Henri Konan Bédié. After her are Frank Borman, Viktor Belenko, Gianni Vattimo, Thomas Williams, Françoise Gilot, and Luis Garavito.

Others Born in 1931

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Others Deceased in 2023

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In Lebanon

Among people born in Lebanon, Antonella Lualdi ranks 26 out of 145Before her are Sheikh Adi ibn Musafir (1073), Amine Gemayel (1942), Pierre Gemayel (1905), Rashid Rida (1865), Fouad Siniora (1943), and Hiram I (-1000). After her are Alfonso Jordan (1103), Michel Suleiman (1948), Antipater of Sidon (-200), Tammam Salam (1945), Kamal Jumblatt (1917), and Abbas al-Musawi (1952).

Among ACTORS In Lebanon

Among actors born in Lebanon, Antonella Lualdi ranks 2Before her are Keanu Reeves (1964). After her are Delphine Seyrig (1932), Haifa Wehbe (1976), Fares Fares (1973), Nadine Labaki (1974), Nidal Al Achkar (1934), Arsinée Khanjian (1958), Michael Malarkey (1983), Maya Diab (1980), and Nick E. Tarabay (1975).

Television and Movie Roles

Vincent, Francois, Paul and the Others
Julia, la femme de Paul
Three friends face mid-life crises. Paul is a writer who's blocked. François has lost his ideals and practices medicine for the money; his wife grows distant, even hostile. The charming Vincent, everyone's favorite, faces bankruptcy, his mistress leaves him, and his wife, from whom he's separated, wants a divorce. The strains on the men begin to show particularly in François and Paul's friendship and in Vincent's health. A younger man, Jack, becomes attractive to Lucie, François's wife. Another young friend, the boxer Jean, who's like a son to Vincent and whose girlfriend is pregnant, has taken a bout with a merciless slugger. Has happiness eluded this circle of friends?
À double tour
Leda
The mistress of the wealthy Henri Marcoux is murdered and the family accuses the milkman of committing the crime. But Marcoux's daughter's fiancé suspects that she may have been murdered by someone else.
Love Meetings
Self - Actress
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where do babies come from, asks old and young women about gender equality, and asks both genders if a woman's virginity still matters, how do they view homosexuals, if sex and honor are related, if divorce should be legal, if they support the recent abolition of brothels, etc. He interviews workers, intellectuals, students, rural farmers, the bourgeoisie, and other different people, painting a vivid portrait of Italy in the years of the Economic Boom, suspended between modernity and tradition.